This fourth edition of Metric Pattern Cutting for Children's Wear and Babywear remains the standard text book but has three major improvements. First, the sections have been re-organised to reflect changes in producing and marketing children's clothes. Today's popularity of easy-fitting styles and knitted fabrics means that basic 'flat' pattern cutting is used to construct the majority of children's wear and babywear and this type of cutting is therefore emphasised in this new edition. Shaped blocks and garments, cut to fit the body form, are still included, and are placed in chapters covering some school uniform garments or more expensive fashion or formal clothes. The book now clearly separates the sections useful to student beginners (Parts One, Two and Three), and also offers more advanced or specialist sections for students who wish to pursue a career in children's wear or for designers working in the different manufacturing sectors of the trade. The second change in this fourth edition is the introduction of colour coding to the sections; this makes it easier to identify specific processes in the book and enhances the illustrations. Finally, the size charts have been revised to reflect the changes in body sizing. The clear division of the boys' and girls' measurements in the charts has been in response to the way clothes are marketed and to co-ordinate with European size charts. 'Plus' charts for heavier children have also been added.

Metric Pattern Cutting for Women's Wear provides a straightforward introduction to the principles of form pattern cutting for garments to fit the body shape, and flat pattern cutting for casual garments and jersey wear. This sixth edition remains true to the original concept: it offers a range of good basic blocks, an introduction to the basic principles of pattern cutting and examples of their application into garments. Fully revised and updated to include a brand new and improved layout, up-to-date skirt and trouser blocks that reflect the changes in body sizing, along with updates to the computer-aided design section and certain blocks, illustrations and diagrams. This best-selling textbook still remains the essential purchase for students and beginners looking to understand pattern cutting and building confidence to develop their own pattern cutting style.

This practical guide explains how to take accurate measurements, introduces key tools and takes you from simple pattern-cutting ideas to more advanced creative methods. Step-by-step illustrations show how to create and then fit basic bodice, sleeve, skirt, dress, and trouser blocks, and how to adapt these to create patterns for original designs. New material includes advice on fitting toiles and working with stretch fabrics. There is also a fully updated chapter dedicated to digital technology. New to this edition: Access to 32 instructional videos

Covers all the basic steps of designing patterns including art manipulation and garment styling. Features include more advanced topics such as tailored collars and coats.

A novel approach to bias-cut garment design and construction. You've probably heard a lot of hearsay about the bias-cut. It's tricky. It's hard to sew. It uses too much fabric. The seams sag or ripple. It needs tons of basting. What if you could stop trying to control the bias and instead start using its unique properties in your favor? What if that enabled you to make fabulous clothes that fit and flatter? Our method: * eliminates bias-cut sewing almost completely; * simplifies textbooks' worth of pattern drafting with a simple math formula, no scientific calculator required! * produces complicated-looking designs with a streamlined process; * is efficient in both time and fabric, with only tiny slivers of material left over. The projects in this book are modular and have many options to create various garments. There are five blouses, three neckline variations, three sleeves, and eight skirt variations. Over 200 unique combinations are possible! Embrace bias-cut garment design with ease and flair!

The area of recycling and upcycling is a rich and growing source of innovative design in the fashion and accessories industries. In a fast-fashion world of throw-away clothing, it is the ultimate expression of the slow-fashion movement, with each piece individually conceived and crafted from scratch, using different materials each time. ReFashioned features 46 international designers who work with recycled materials and discarded garments, reinvigorating them with new life and value. The result is beautiful and desirable clothing and accessories that also make an important statement to the fashion world about its wasteful and exploitative practices.

This is the complete guide to pattern cutting for special occasion clothes: party dresses and eveningwear. With step-by-step instructions and clear, informative diagrams, Dawn Cloake shows how to develop the basic design blocks to create a wide range of designs, encouraging you to 'mix and match' elements to create your own unique garments. Special features include tips on combining pattern cutting with modelling techniques and advice on using stretch fabrics. Design elements include: sleeveless bodices, backless bodices, wrapover bodices, ruched bodices, flare skirts, full skirts, set-in sleeves, yoked trousers, jersey dresses, Empire line dresses, low necklines, wide necklines, draped bodices, close-fit skirts, godets, close-fitting sleeves, short sleeves, tapered trousers, bias-cut dresses, strapless dresses, hipsters, plunge necklines, asymmetrical bodices, strapless bodices, draped necklines, fishtail skirts, separate sleeves, jackets, high-waisted trousers, panelled dresses, backless dresses and waistbands.

The Female Economy explores that lost world of women's dominance, showing how independent, often ambitious businesswomen and the sometimes imperious consumers they served gradually vanished from the scene as custom production gave way to a largely unskilled modern garment industry controlled by men. Wendy Gamber helps overturn the portrait of wage-earning women as docile souls who would find fulfillment only in marriage and motherhood.

Fashion designers are presented with a range of methods and concepts for pattern cutting are presented, the main body of these methods, both traditional and contemporary, is predominately based on a theoretical approximation of the body that is derived from horizontal and vertical measurements of the body in an upright position: the tailoring matrix. As a consequence, there is a lack of interactive and dynamic qualities in methods connected to this paradigm of garment construction, from both expressional and functional perspectives. This work proposes and explores an alternative paradigm for pattern cutting that includes a new theoretical approximation of the body as well as a more kinetic method for garment construction that, unlike the prevalent theory and its related methods, takes as its point of origin the interaction between the anisotropic fabric and the biomechanical structure of the body. As such, the research conducted here is basic research, aiming to identify fundamental principles for garment construction. Based on some key principles found in the works of Geneviève Sevin-Doering and in pre-tailoring methods for constructing garments, the proposed theory for – and method of – garment construction was developed through concrete experiments by cutting and draping fabrics on live models. Instead of a static matrix of a non-moving body, the result is a kinetic construction theory of the body that is comprised of balance directions and key biomechanical points, along with an alternative draping method for dressmaking. This methodology challenges the fundamental relationship between dress, garment construction, and the body, working from the body outward, as opposed to the methods that are based on the prevalent paradigm of the tailoring matrix, which work from the outside toward the body. This alternative theory for understanding the body and the proposed method of working allows for diverse expressions and enhanced functional possibilities in dress.