Looks at the lives and careers of more than three hundred animators.

Contains alphabetically arranged biographical sketches of well-known personalities.

Author Jeff C. Young provides short biographies of ten influential African-American actors. Readers will learn about the challenges and triumphs of actors such as Ossie Davis and Halle Berry. Each short biography ends with a brief timeline of the person's life and achievements.

A lively portrait of mid-twentieth-century American book publishing—“A wonderful book, filled with anecdotal treasures” (The New York Times). According to Al Silverman, former publisher of Viking Press and president of the Book-of-the-Month Club, the golden age of book publishing began after World War II and lasted into the early 1980s. In this entertaining and affectionate industry biography, Silverman captures the passionate spirit of legendary houses such as Knopf; Farrar, Straus and Giroux; Grove Press; and Harper & Row, and profiles larger-than-life executives and editors, including Alfred and Blanche Knopf, Bennett Cerf, Roger Straus, Seymour Lawrence, and Cass Canfield. More than one hundred and twenty publishing insiders share their behind-the-scenes stories about how some of the most famous books in American literary history—from The Rise and Fall of the Third Reich to The Silence of the Lambs—came into being and why they’re still being read today. A joyful tribute to the hard work and boundless energy of professionals who dedicate their careers to getting great books in front of enthusiastic readers, The Time of Their Lives will delight bibliophiles and anyone interested in this important and ever-evolving industry.

This four-volume encyclopedia contains compelling and comprehensive information on African American popular culture that will be valuable to high school students and undergraduates, college instructors, researchers, and general readers. From the Apollo Theater to the Harlem Renaissance, from barber shop and beauty shop culture to African American holidays, family reunions, and festivals, and from the days of black baseball to the era of a black president, the culture of African Americans is truly unique and diverse. This diversity is the result of intricate customs forged in tightly woven communities—not only in the United States, but in many cases also stemming from the traditions of another continent. Encyclopedia of African American Popular Culture presents information in a traditional A–Z organization, capturing the essence of the customs of African Americans and presenting this rich cultural heritage through the lens of popular culture. Each entry includes historical and current information to provide a meaningful background for the topic and the perspective to appreciate its significance in a modern context. This encyclopedia is a valuable research tool that provides easy access to a wealth of information on the African American experience.

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power. In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study of this multitalented artist. She sets Belafonte's compelling story within a history of American race relations, black theater and film history, McCarthy-era hysteria, and the challenges of introducing multifaceted black culture in a moment of expanding media possibilities and constrained political expression. Smith traces Belafonte's roots in the radical politics of the 1940s, his careful negotiation of the complex challenges of the Cold War 1950s, and his full flowering as a civil rights advocate and internationally acclaimed performer in the 1960s. In Smith's account, Belafonte emerges as a relentless activist, a questing intellectual, and a tireless organizer. From his first national successes as a singer of Calypso-inflected songs to the dedication he brought to producing challenging material on television and film regardless of its commercial potential, Belafonte stands as a singular figure in American cultural history—a performer who never shied away from the dangerous crossroads where art and politics meet.