The Bradt guide is the most comprehensive book on the market to the Mascarene islands of Mauritius, its dependency Rodrigues and the French island of Reunion. It is the only guide to cover the full range of dining and accommodation options, from shoestring to luxury. It offers greater coverage of flora, fauna and conservation projects than other guides, as well as in-depth information on outdoor pursuits, beaches, food, culture and language. Whether visitors want to chill out amid Rodrigues's simple charms, hike through the volcanic landscapes of Reunion, or get married in Mauritius, the information is here.

The Shadow and Its Shadow is a classic collection of writings by the Surrealists on their mad love of moviegoing. The forty-odd theoretical, polemical, and poetical re-visions of the seventh art in this anthology document Surrealism's scandalous and nonreductive take on film. Writing between 1918 and 1977, the essayists include such names as Andréeacute; Breton, Louis Aragon, Robert Desnos, Salvador Dalíiacute;, Luis Buñntilde;uel, and man Ray, as well as many of the less famous though equally fascinating figures of the movement. Paul Hammond's introduction limns the history of Surrealist cinemania, highlighting how these revolutionary poets, artists, and philosophers sifted the silt of commercial-often Hollywood-cinema for the odd fleck of gold, the windfall movie that, somehow slipping past the censor, questioned the dominant order. Such prospecting pivoted around the notion of lyrical behavior-as depicted on the screen and as lived in the movie house. The representation of such behavior led the Surrealists to valorize the manifest content of such denigrated genres as silent and sound comedy, romantic melodrama, film noir, horror movies. As to lived experience, moviegoing Surrealists looked to the spectacle's latent meaning, reading films as the unwitting providers of redemptive sequences that could be mentally clipped out of their narrative context and inserted into daily life-there, to provoke new adventures. "Hammond's book is a reminder of the wealth and range of surrealist writings on the cinema. . . . [T]he work represented here is still challenging and genuinely eccentric, locating itself in an 'ethic' of love, reverie and revolt." --Sight & Sound "Hammond, who is the author of the invaluable anthology The Shadow and its Shadow: Surrealist Writing on the Cinema (1978), writes about cinema independently of the changing academic and cultural fashions of film theory and abhors the dogmas of contemporary border-patrol thought. His magnetically appealing free-wheeling form of erudite film-critical writing is recognisable for its iconoclastic humour, non-authoritarian verve and playful witty discursivity." --John Conomos, Senses of Cinema Paul Hammond is a writer, editor, and translator living in Barcelona. He is the author of Constellations of Miróoacute;, Breton which was published by City Lights.

Since the 18th century, people from Europe, Africa, India and China have made Mauritius their home. The result is a charming mix of cultural and religious traditions, against the backdrop of a tropical paradise. The dramatic landscapes of Mauritius feature high mountain peaks, white beaches and untouched rainforest, as well as rich fauna and flora. This is a welcoming country, where the people live in harmony with their natural surroundings.This selection of postcards from André de Kervern's collection is a timeless record of Mauritius. Each chapter focuses on a different region including the north, south, centre and the capital Port Louis, as well as on the island's people. Classic scenes of sugar cane plantations, railways, parades, horse races and verdant landscapes were all widely circulated fragments of cinéma-vérité. Complete with detailed captions and essays by Yvan Martial, these postcards offer glimpses of life in Mauritius from the 19th and 20th centuries.

Vol. 25: The distribution of Hepaticæ in Scotland, by S.M. Macvicar.