Nepal Is A Hindu Kingdom. But Even Than It Is Not A Theoretic State. The Rajput Brahmin Combine Has Been Ruling The Country Since Long. Nepal Has Its Own Language Which Is Called Nepali. The Festivals Of Nepal Are Almost The Same As Are Prevalent Among Indian Hindus. The Temples Of Nepal Are Very Popular All Over The World. The Literary Rate In Nepal Is Not Very High, But There Is A Sizable Section Of People Who Are Highly Educated And Trained In Various Skills.In This Book The Various Facets Of Nepalese Culture Have Been Analysed In Historical Perspective.

A comprehensive and accessible one-volume history of Nepal, first published in 2005.

Recently anthropology has turned to accounts of persons-in-history/history-in-persons, focusing on how individuals and groups as agents both fashion and are fashioned by social, political, and cultural discourses and practices. In this approach, power, agency, and history are made explicit as individuals and groups work to constitute themselves in relation to others and within and against sociopolitical and historical contexts. Contributors to this volume extend this emphasis, drawing upon their ethnographic research in Nepal to examine closely how selves, identities, and experience are produced in dialogical relationships through time in a multi-ethic nation-state and within a discourse of nationalism. The diversity of peoples, recent political transformations, and nation-building efforts make Nepal an especially rich locale to examine people's struggles to define and position themselves. But the authors move beyond geographical boundaries to more theoretical terrain to problematicize the ways in which people recreate or contest certain identities and positions. Various authors explore how people_positioned by gender, ethnicity, and locale_use cultural genres to produce aspects of identities and experiences; they examine how subjectivities, agencies and cultural worlds co-develop and are shaped through engagement with cultural forms; and they portray the appropriation of multiple voices for self and group formation. As such, this collection offers a richly textured and complex accounting of the mutual constitution of selves and society.

In 1975, as a young Peace Corps volunteer, Kevin Bubriski (born 1954) was sent to Nepal's northwest Karnali Zone, the country's remotest and most economically depressed region. He walked the length and breadth of the Karnali, conducting feasibility studies for gravity-flow drinking water systems and overseeing their construction. He also photographed the villagers he lived among, producing an extraordinary series of 35mm and large-format black-and-white images. Over more than three decades, Bubriski has returned many times to Nepal, maintaining his close association with the country and its people. "Images of Nepal 1975-2011" presents this remarkable body of work--photographs that document Nepal's evolution over a 36-year period from a traditional Himalayan culture to the globalized society of today. Both visual anthropology and cultural history, it is also a succinct look at one photographer's aesthetic evolution.

Far Out charts the history of Western countercultural longing for Nepal that made the country, and Kathmandu in particular, a premier tourist destination in the twentieth century. Anthropologist and historian Mark Liechty describes three distinct phases: the immediate post-war era when the country provided a Raj-like throwback experience for rich foreigners (mainly Americans), Nepal s emergence as the most exotic outpost of hippie counterculture in the 1960s and early 70s, and, finally, the Nepali state s rebranding of itself as an adventure destination from the 1970s on. Liechty is attuned to how the dynamics of mid-twentieth century globalizationthe Cold War and shifting international relations, modernization and development ideologies, the rise of consumerist middle classes, increased mobility and the birth of mass tourism, and emerging global youth counterculturesdrew Nepal into the web of geopolitical, economic, and sociocultural transformations that shaped the modern world. But Liechty doesn t want to tell the story of tourism as something that just happened to Nepalis. He shows how Western projections of Nepal as an isolated place inspired creative Nepali enterprises and paradoxically gave locals the opportunity to participate in the highly coveted global economy. The result is a readable cultural history of a place that has been in many ways defined by a (sometimes bizarre) cultural encounter. The author s lifelong interest in Nepal and his almost twenty-five years of research make his account both sophisticated and empathicbut not without a touch of humor."