When Josie Miller is called out to Minnie Tate's old farmhouse right before Halloween, she doesn't suspect that she'll get involved with a cold case that her father, previous Sheriff, did not solve. Strange rustlings and whisperings are coming from the pumpkin patch and Minnie's favorite scarum-crow, "Ol' Crowbait," is keeping secrets.

They'll all be crow bait by the time I'm finished...Jail was hell for Davie McCall. Ten years down the line, freedom's no picnic either. It's 1990, there are new kings in the West of Scotland underworld, and Glasgow is awash with drugs. Davie can handle himself. What he can't handle is the memory of his mother's death at the hand of his sadistic father. Or the darkness his father implanted deep in his own psyche. Or the nightmares...Now his father is back in town and after blood, ready to waste anyone who stops him hacking out a piece of the action. There are people in his way. And Davie is one of them. Tense, dark and nerve-wracking... a highly effective thriller. THE HERALD This is crime fiction of the strongest quality. CRIMESQUAD.COM A gory and razor-sharp crime novel from the start, Douglas Skelton's Crow Bait moves at breakneck speed like a getaway car on the dark streets of Glasgow. THE SKINNY Skelton has been hiding from his talent for long enough. High time he shared it with the rest of us. QUINTIN JARDINE PRAISE for Blood City The city's dark underbelly complete with knives, razors, guns and gangs... DAILY MAIL You follow the plot like an eager dog, nose turning this way and that, not catching every single clue but quivering as you lunge towards a blood-splattered denouement. DAILY EXPRESS The Glasgow of this period is a great, gritty setting for a crime story, and Skelton's non-fiction work stands him in good stead... he's taken well to fiction... the unexpected twists keep coming. THE HERALD

The life of a poor Mexican immigrant in America. From a ranch hand in Texas, fired for making a pass at the rancher's daughter, to drug runner. By the author of Winning Passion.

Johnstone Country. Family First. For generations, the Jensens have struggled to build their home, their land, and their dreams. But now the family is forced to fight fire with fire, bullet by bullet, blood for blood . . . GOLD MINE MASSACRE For Smoke and his daughter Denny, life on the Sugarloaf Ranch is more valuable than all the gold in the world. Which works out fine, since all the gold mines in Big Rock were squeezed dry years ago. Even so, that won’t stop a pair of businessmen from the East from trying to squeeze out a little more. One of them has developed a newfangled method for extracting gold—something called “hydraulics” and they’ve bought up all the old mines to do it. The other is the son of legendary gunfighter Frank Morgan, and Denny thinks he’s awfully handsome. Smoke isn’t sure what to think of these would-be gold diggers. Especially when the handsome one triggers a rivalry with Denny’s off-and-on beau, a deputy U.S. marshal. And then they hires a small army of gunfighters to protect their mines from sabotage . . . The Jensons can smell trouble brewing from a mile away. And when it involves gold, guns, and love, it’s more than just trouble. It’s a massacre waiting to happen . . . Live Free. Read Hard.

Fans of the show as well as scholars of TV history and the Western genre will enjoy this insightful volume.

Here is a comprehensive survey of the film and television career of London-born director Andrew V. McLaglen. An opening biography considers the events and circumstances that contributed to his development as a filmmaker, including his relationships with his actor father Victor McLaglen, fellow director John Ford, and motion picture icon John Wayne, who collaborated with Andrew McLaglen on such films as McLintock! (1963), Hellfighters (1968), The Undefeated (1969) and Chisum (1970). An extensive annotated filmography covers every theatrical feature film McLaglen directed, as well as his television productions and the films he worked on prior to becoming a director. Appendices provide information on the numerous documentaries in which McLaglen has appeared, and a list of stage plays he has directed since his retirement from motion pictures in 1989.