This volume contains include twenty-eight reviews and critical essays related to American writer and essayist Flannery O'Connor's (1925-1964) life and work. The collection begins with an introduction, which survey's O'Connor's career and the critical reaction to it, the remaining selections are arranged into three sections -- the first, offers twelve reviews dealing with O'Connor's two novels, and her collections of short stories and essays; the second section provides "tributes and reminiscences"; and, the third section includes a chronological record of the critical response to the writing, with positive as well as negative soundings are acknowledged.

Thirty one short stories that offer a picture of the Deep South.

These ten essays, seven of which are previously unpublished, reflect the broadening of critical approaches to Flannery O'Connor's work over the past decade. The essays offer both new directions for, and new insights into, reading O'Connor's fiction. Some essays probe issues that, until recently, had been ignored. Others reshape long-standing debates in light of new critical insights from gender studies, rhetorical theory, dialogism, and psychoanalysis. Topics discussed include O'Connor's early stories, her canonical status, the phenomenon of doubling, the feminist undertones of her stories' grotesqueries, and her self-denial in life and art. Commentary on O'Connor has most often centered on her regional realism and the poetics of her Catholicism. By regarding O'Connor as a major American writer and focusing on the variety of critical approaches that might be taken to her work, these essays dispel the earlier geographic and religious stereotypes and point out new avenues of study.

This collection shows Flannery O'Connor's extraordinary versatility and expertise as a practitioner of the essayistic form. The book opens with "The King of the Birds", her famous account of raising peacocks. There are three essays on regional writing, two on teaching literature, and four on the writer and religion. Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are gems, and their value to the contemporary reader -- and writer -- is inestimable. Copyright © Libri GmbH. All rights reserved.

During the 1950s and early 1960s Flannery O'Connor wrote more than a hundred book reviews for two Catholic diocesan newspapers in Georgia. This full collection of these reviews nearly doubles the number that have appeared in print elsewhere and represents a significant body of primary materials from the O'Connor canon. We find in the reviews the same personality so vividly apparent in her fiction and her lectures--the unique voice of the artist that is one clear sign of genius. Her spare precision, her humor, her extraordinary ability to permit readers to see deeply into complex and obscure truths-all are present in these reviews and letters.

"In Revising Flannery O'Connor, Katherine Hemple Prown addresses the conflicts O'Connor experienced as a "southern lady" and professional author. Placing gender at the center of her analytical framework, Prown considers the reasons for feminist critical negelct of the writer and traces the cultural origins of the complicated aesthetic that informs O'Connor's fiction, but published and unpublished.".

2001 Choice Outstanding Academic Title A compelling study of O'Connor's fiction as illuminated by the teaching of the desert monastics. "Lord, I'm glad I'm a hermit novelist," Flannery O'Connor wrote to a friend in 1957. Sequestered by ill health, O'Connor spent the final thirteen years of her life on her isolated family farm in rural Georgia. During this productive time she developed a fascination with fourth-century Christians who retreated to the desert for spiritual replenishment and whose isolation, suffering, and faith mirrored her own. In Flannery O'Connor, Hermit Novelist, Richard Giannone explores O'Connor's identification with these early Christian monastics and the ways in which she infused her fiction with their teachings. Surveying the influences of the desert fathers on O'Connor's protagonists, Giannone shows how her characters are moved toward a radical simplicity of ascetic discipline as a means of confronting both internal and worldly evils while being drawn closer to God. Artfully bridging literary analysis, O'Connor's biography, and monastic writings, Giannone's study explores O'Connor's advocacy of self-denial and self-scrutiny as vital spiritual weapons that might be brought to bear against the antagonistic forces she found rampant in modern American life.

With an emphasis on examining Flannery O'Connor's literary reputation during her lifetime, and the growth of that reputation after her death, this collection brings together fifty years of critical reactions to her work.

For those looking to deepen their appreciation of Flannery O'Connor, Wood shows how this literary icon's stories, novels, and essays impinge on America's cultural and ecclesial condition.

"Everything That Rises Must Converge" (1965) is nine posthumous stories. The introduction is by Robert Fitzgerald.