Crita Yusup dari Kitab Kejadian dalam Bahasa Melayu Papua Ikut tim penerjema di facebook: https://www.facebook.com/melayupapua/ Filem Yesus Melayu Papua: https://www.youtube.com/watch?v=s5OXRgD2zZM

Javanese literature is one of the world’s richest and most unusual literary traditions yet it is little known today outside of Java, Indonesia, and a handful of western universities. With its more than a millennium of documented history, its complex interactions over the centuries with literature written in Sanskrit, Arabic, Persian, Malay and Dutch, its often symbiotic relationship with the performing arts of puppetry and dance, and its own immense creativity and insight, this vastly understudied literature offers a lens to understanding Java’s fascinating world as well as human ingenuity more broadly. The essays in this volume, Storied Island: New Explorations in Javanese Literature, take a fresh look at questions and themes pertaining to Java’s literature, employing new theoretical and methodological lenses.

The present "Literature Qf Java, Catalogue Raisonne Qf Javanese Manuscripts" is a publicatiQn of the Library Qf the University Qf Leiden. It is no. IX Qf the series "CQdices Manuscripti" published by this Library, and it is made available tOo the public by the RQyal Institute Qf Linguistics and AnthropQoIDgy. Originally the wQrk was Qnly meant to be a sequel tOo Dr H.H. Juynboll's "Supplement Dp "den CatalQgus van de J avaansche en Madoereesche Handschriften der Leidsche "Universiteits-BibliQtheek" in two volumes. The second volume appeared in 1911. It soon became clear, hQwever, that this was the Dpportunity tOo publish an English Catalogue which could be used as an introductiDn to the study Qf Javanese literature mOore easily than the previQus Dutch catalQgues eQuId. It is a matter Qf fact that Dr Juynboll and his predecessors wrQte their catalogues with the intentiDn of prQviding infDrmatiDn on Javanese literature in general, and fDr several decades their books did render excellent services tOo students Qf Javanese civilizatiQn. The differences in structure between the older catalogues and the present bDOk will be explained in the introduction to the second vQlume. In two vDlumes the contents of the previDus catalQgues, increased by an equal quantity Qof new material, has been rearranged according tOo a new system. The third volume, cDntaining illustrations, facsimiles Df manuscripts, maps and a general index Df names and subjects, is entirely new.

"The fruit of many years of loving labor," Scottish Presbyterian minister Matthew George Easton's Illustrated Bible Dictionary has become a classic reference for those studying the Bible. Originally published in 1897, three years after Easton's death, it contains almost 4,000 entries and dozens of illustrations and maps. Readers will find definitions of terms ranging from Alpha to Zuzims. In between they'll find entries both obscure and common, such as Emims (a warlike tribe of giants), Hagar (Sarah's handmaid), immortality, meekness, Pentecost (the feast of harvest), seventy weeks (a prophetic period of time before the coming of the Messiah), sling (what David used to slay the giant), and Zorah (Samson's birthplace).

Hitchcock's compendium of Bible names and their definitions demystifies the meanings of every Bible name from A to Z - thus, it is a superb reference manual for spiritual study. A good supplement to Biblical studies, Hitchcock's book lists the meanings behind the various names. This allows readers to discover the etymological origins of the most famous figures in the Bible, place these names in their proper context, and thus perform readings of the holy scripture from a more informed perspective. Many of the names pertain directly to the qualities of their holders. For example the name Behemoth from the Book of Job simply means 'monstrous', while the name 'Iscariot' (as in Judas Iscariot) means 'a man of murder; a hireling'. Other names are however more nuanced - the name 'Baal' means 'master, or lord', contrasting the demonic connotations applied by 17th century Gothic fiction.

Easton's Bible Dictionary is a classic book of definitions which serves to explain and clarify the meaning of the names, places, and words found in the Bible. Many Christians and scholars who read the Bible often remain unawares of the meanings or significance of the Holy Book's vocabulary. Such words are often derived from Ancient Hebrew or other old scripts, which makes it even more difficult for readers who only speak English to understand. Location names, in the context of ancient geography, are likewise hard to scrutinize - yet Easton's Dictionary not only explains what these places are, but their size and overall impact across the entire Bible. First published in 1893, this dictionary uses the authoritative King James Bible as its source. As well as containing definitions and accounts of the many terms found throughout the Old and New Testaments, Easton's Bible Dictionary points out the significance of certain things and exactly where mentions of such phenomena appear in the Bible. The presence and significance of iron, for example, is noted in the Books of Genesis, Chronicles, Ezekiel, Deuteronomy, Isaiah, Job, Joshua, Kings and in the Psalms. Individuals in the Bible are also given biographical definitions. Through Easton's referencing of the names, we can discover the exact Bible passages where such figures are mentioned. Likewise we hear of terms relevant to the life of the ancient peoples; the term 'Levy' for instance is shown to equate to a form of involuntary recruitment which kings ordered. Words in frequent use today, such as 'Schism', are also shown to originate from the Bible. Other words we use today - such as 'Teeth', are shown to have been informal terms: 'cleanness of teeth' in Amos 4:6 denotes an outbreak of famine, for example. Many of the parables and tales of the Bible are retold in abbreviated form in Easton's Bible Dictionary. These retold anecdotes reference other relevant passages, further evidencing how the various portions of the Bible are interconnected and related to one another. Such a style also gives this unconventional dictionary a flowing quality, making it easier for the reader to enjoy large tracts of this text without pause. The ancient world of the Biblical canon is given life and color by Easton's descriptions. Primarily however, Easton's masterwork is designed for reference. Yet it not only defines the individual entries, but places these entries in their proper context throughout both the Old and New Testaments. Owing to this wealth of information, the reader may perceive that Easton's Dictionary is not merely a book of definitions, but an authoritative and significant work of classic Christian literature.