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'One of the most gripping and powerful books I've ever read; I feel so represented as a queer, brown woman.' — Nikita Gill An innovative hybrid of auto-fiction, crime fiction and critical race memoir, this multi-layered yet compulsively readable novel is inspired by the author´s real and extended experience of serious racial harassment, as well as exploring her search for justice and for love“/P> **Shortlisted for the Polari Prize 2022** **Longlisted for the Desmond Elliott Prize 2022** Tesya has reasons to feel hopeful after leaving her last job, where she was subjected to a series of anonymous hate crimes. Now she is back home in London to start a new lecturing position, and has begun an exciting, if tumultuous, love affair with the enigmatic Holly. But this idyllic new start quickly sours. Tesya finds herself victimized again at work by an unknown assailant, who subjects her to an insidious, sustained race hate crime. As her paranoia mounts, Tesya finds herself yearning for the most elemental of desires: love, acceptance, and sanctuary. Her assailant, meanwhile, is recording his manifesto and plotting his next steps. Inspired by the author's personal experiences of hate crime and bookended with essays which contextualize the story within a lifetime of microaggressions, Lessons in Love and Other Crimes is a heartbreaking, hopeful, and compulsively readable novel about the most quotidian of crimes. 'A story you won't be able to get out of your head.' — Cosmopolitan

Those who have read other works by the Marquis de Sade, particularly "The 120 Days of Sodom," and are aware of the vast scope he gives to the word libertinism, will find a Sade this time more sensual than perverse. And this is not a negative factor; on the contrary, the Marquis's writing surprises with its quality and beauty. However, promiscuity is present throughout the work. His critique remains constantly aimed at holy women, virgins, and institutions such as the clergy and marriage, which led to his works being censored even a century after their publication. In this complete edition of "Contes Libertins," the reader will find 14 stories that represent an excellent sample of the irreverent, provocative, and boundless Marquis de Sade.

'Senneval, you see in me your sister, the girl you seduced at Nancy, the woman who murdered your son, the wife of your own father and the ignoble creature who sent your mother to the gallows...' Who but the Marquis de Sade would write, not of the pain, tragedy, and joy of love but of its crimes? Murder, seduction, and incest are among the cruel rewards for selfless love in his stories; tragedy, despair, and death the inevitable outcome. Sade's villains will stop at nothing to satisfy their depraved passions, and they in turn suffer under the thrall of love. Psychologically astute, and defiantly unconventional, these stories show Sade at his best. A skilled and artful storyteller, he is also an intellectual who asks questions about society, about ourselves, and about life, for which we have yet to find the answers. This new selection includes 'An Essay on Novels', Sade's penetrating survey of the novelist's art. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"Gripping . . . Cutter Wood subverts all our expectations for the true crime genre.” —Leslie Jamison, author of The Recovering When a stolen car is recovered on the Gulf Coast of Florida, it sets off a search for a missing woman, local motel owner Sabine Musil-Buehler. Three men are named persons of interest—her husband, her boyfriend, and the man who stole the car. Then the motel is set on fire; her boyfriend flees the county; and detectives begin digging on the beach of Anna Maria Island. Author Cutter Wood was a guest at Musil-Buehler’s motel as the search for her gained momentum. Driven by his own need to understand how a relationship could spin to pieces in such a fatal fashion, he began to talk with many of the people living on Anna Maria, and then with the detectives, and finally with the man presumed to be the murderer. But there was only so much that interviews and transcripts could reveal. In trying to understand how we treat those we love, this book, like Truman Capote’s classic In Cold Blood, tells a story that exists outside documentary evidence. Wood carries the investigation of Sabine’s murder beyond the facts of the case and into his own life, crafting a tale about the dark conflicts at the heart of every relationship.

A New York Times Best Thriller of 2021 A Washington Post Best Thriller of 2021 A New York Public Library Best Book of the Year An Amazon Editors’ Pick ''Bloody good.'' —The New York Times ''Timely, surprising, emotionally alive, this is about as good as suspense fiction gets.'' —Washington Post No one even knew they were together. Now one of them is dead. 56 DAYS AGO Ciara and Oliver meet in a supermarket queue in Dublin and start dating the same week COVID-19 reaches Irish shores. 35 DAYS AGO When lockdown threatens to keep them apart, Oliver suggests they move in together. Ciara sees a unique opportunity for a relationship to flourish without the scrutiny of family and friends. Oliver sees a chance to hide who—and what—he really is. TODAY Detectives arrive at Oliver’s apartment to discover a decomposing body inside. Can they determine what really happened, or has lockdown created an opportunity for someone to commit the perfect crime?

In the hard-edged tradition of Hubert Selby Jr., Daniel Woodrell, and Donald Ray Pollock, and with the fresh, complex humanity of Breaking Bad and Reservoir Dogs, a blistering debut collection that unsparingly confronts the extreme, brutal parts of the human heart. A man runs away from his grave and into a maelstrom of bullets and fire. A Hollywood fixer finds love over the corpse of a dead celebrity. A morbidly obese woman imagines a new life with the jewel thief who is scheming to rob the store where she works. A man earns the name “Mad Dog” and lives to regret it. Denizens of the shadows who live outside the law—from the desolate meth labs of the Ozark Mountains to the dog-fighting rings of Detroit to the lavish Los Angeles mansions of the rich and famous—the characters in Love and Other Wounds all thirst for something seemingly just beyond their reach. Some are on the run, pursued by the law or propelled relentlessly forward by a dangerous past that is disturbingly close. Others are searching for a semblance of peace and stability, and even love, in a fractured world defined by seething violence and ruthless desperation. All are bruised, pushed to their breaking point and beyond, driven to extremes they never imagined. Crackling with cinematic energy, raw and disquieting yet filled with pathos and a darkly vital humor, Love and Other Wounds is an unforgettable debut from an electrifying new voice.

A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.

Harry Bingham’s Talking to the Dead introduced readers to one of the most compelling new heroines in crime fiction, Detective Constable Fiona Griffiths, earning comparisons to Stieg Larsson’s Lisbeth Salander. Now D.C. Griffiths returns to investigate a series of gruesome murders—and their connection to her own shadowy past. D.C. Fiona Griffiths is facing the prospect of a dull weekend when the call comes in, something about illegal dumping in a Cardiff suburb. But when she arrives on the scene she finds, in a garage freezer, a severed human leg, complete with a pink suede high-heeled shoe. South Wales police are able to ID the body part as that of a young woman who went missing five years earlier; a young woman who once made a living as an exotic dancer. All at once, Fiona’s job as a detective and her role as a loving daughter collide: Fiona’s father owns a Cardiff strip club and was once deeply involved in the local crime scene. Still in recovery from a devastating psychotic breakdown, Fiona is wary of exploring a path that might end at her father’s door . . . yet her obsessive approach to criminal investigation leaves her no other option. But Fiona’s specialty is not the living, it is the dead. And as she is just starting to get into the murdered girl’s head, a severed hand is found—and this one is male. Soon, police are swamped with an increasing number of body parts found in and around suburban gardens, sheds, and garages. Media attention is intense, and investigators are working from a list of hundreds of persons of interest. When the department identifies the second victim, Fiona struggles to connect him with the dead stripper. What do the victims have in common? And why this macabre method of disposing the corpses? The answers may be more than Fiona can handle. Because in order to solve the riddle of these hideous murders, D.C. Fiona Griffiths will have to delve into the mysteries of her past—and hope she comes out intact . . . and alive. Praise for Love Story, with Murders “A most intriguing, if peculiar, detective . . . Although his volatile protagonist certainly dominates the first-person narrative, [Harry] Bingham doesn’t stint on plot (very complicated), procedures (very detailed) or action (very brutal). . . . Satisfying.”—Marilyn Stasio, The New York Times Book Review “Love Story, with Murders is a dark delight, and I look forward to Fiona’s future struggles with criminals, her demons and the mysteries of her past.”—The Washington Post “Bingham’s superb second police procedural featuring Det. Constable Fiona Griffiths delivers an even more intense plot and richer character study than his first. . . . Fiona’s past mental problems and her unconventional personality make her a distinctive lead.”—Publishers Weekly (starred review) “Some of the most memorably staccato narration in the genre . . . [Bingham’s] remote, unquenchable heroine makes her stand apart from every one of her procedural brothers and sisters.”—Kirkus Reviews “Compelling . . . [Love Story, with Murders] amply proves the freshness and flair that [Bingham] has brought to the police procedural. . . . Surprisingly delicate, it weaves a sinuous, seductive spell and confirms we have a new crime talent to treasure.”—Daily Mail (UK) “Love Story, with Murders boasts what must be the most startling protagonist in modern crime fiction.”—The Sunday Times (London) From the Hardcover edition.

The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut that USA Today hailed as “an essential read.” Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she's focused on winning, until she meets someone she might want a future with more than she needs the prize money. After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan. As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after. Booklist's Best Romance Debuts of the Year Women's Health's Best Romance Novels of the Year Bookpage's Best Romance Novels of the Year