A passionate and purposeful book on finding real creativity through nature. An essential book for our times and all artists at whatever level. In her most passionate and personal book to date, acclaimed watercolour artist Ann Blockley takes both budding and more experienced artists through a series of ideas for working with nature – in its widest sense – to nurture our creativity, inspire us, make us more sustainable artists, and replenish energy and flow when our artistic streams run dry. In 'Go Outside and Play', the author exhorts artists to recapture a fun, no-pressure way of being outside and use that feeling when creating. In 'Connecting Materials to Place' she creates her own paint from the local pond. In 'The Slow Movement', the artist reveals her year of working on a specific local hedgerow and painting a series of different interpretation in its every-changing detail. She created regular creative rituals, using her weekly playing card as a starting point for a new painting to reflect the season each week. She reuses old paintings, and tissue and paper – wabi-sabi style – to create new textures and even new paintings. Including work from other artists as well as her own, she shows the ideas and work from textile and mixed-media artists. From allotment inspiration to reusing old painting and from nature prints to the alchemy of found materials, this is a journey to find new creativity through our connection with our natural world.

"Highly informative and remarkably entertaining." —Elle From forest trails in Korea, to islands in Finland, to eucalyptus groves in California, Florence Williams investigates the science behind nature’s positive effects on the brain. Delving into brand-new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our modern lives shift dramatically indoors, these ideas—and the answers they yield—are more urgent than ever.

During the 1980s and 90s, the Resource Institute, headed by Jonathan White, held a series of "floating seminars" aboard a sixty-five-foot schooner featuring leading thinkers and writers from an array of disciplines. Over ten years, White conducted interviews, gathered in this collection, with the writers, scientists, and environmentalists who gathered on board to explore our relationship to the wild. White describes the conversations as the roots of an integrated community: "While at first these roots may not appear to be linked, a closer look reveals that they are sustained in common ground." Beloved fiction writer Ursula K. Le Guin discusses the nature of language, microbiologist Lynn Margulis contemplates Darwin's career and the many meanings of evolution, and anthropologist Richard Nelson sifts through the spiritual life of Alaska's native people. Rounding out the group are writers Gretel Ehrlich, Paul Shepard, and Peter Matthiessen, conservationists Roger Payne and David Brower, theologian Matthew Fox, activist Janet McCloud, Jungian analyst James Hillman, poet Gary Snyder, and ecologist Dolores LaChapelle. By identifying the common link between these conversations, Talking on the Water takes us on a journey in search of a deeper understanding of ourselves and the environment.

Bioluminescent algae, symbiotic aquariums, self-healing concrete, clavicle wind instruments and structures made from living trees - biology applied outside the lab has never been so intriguing, or so beautiful. Bio Design examines the thrilling advances in the field, showcasing some seventy projects (concepts, prototypes and completed designs) that cover a range of fields - from architecture and industrial design to fashion and medicine. The revised and expanded edition features twelve new projects (replacing ten existing projects): Hy-Fi (by David Benjamin); One Central Park, Sydney (Jean Nouvel); Guard from Above (Sjoerd Hoogendoorn); Cell-laden Hydrogels for Biocatalysis (Alshakim Nelson); Zoa (Modern Meadow); Amino Labs (Julie Legault); Algae and Mycelium Projects (Eric Klarenbeek); Interwoven and Harvest (Diane Scherer); Concrete Honey (John Becker); Bistro In Vitro (Koert van Mensvoort); Circumventive Organs (Agi Haines); Quantworm Mine (Liv Bargman and Nina Cutler). It also includes a new 'how-to' section at the end (Tips for Collaboration/FAQs/Further Resources), as well as a fully revised introduction.

In the environmental realm, science and art are inextricably linked. While science determines how we measure the health of our planet, art allows us to visualize our relationship to the natural world.In 'Art of Action', seventy-nine artists share their stories and work to paint a portrait of our natural world today and the potential pathways - both positive and negative - we may follow from here. Their art expresses appreciation for all species and landscapes and explores our natural world lost, mourned and reconstructed. It described the fantasy of paradises new and vanished.Each chapter asks us to celebrate, reflect, interact, protect and act, demonstrating the diversity of life and the legacy that the next generation will inherit.No book can change the natural world. But these stories and photographs can build awareness, the first critical step in changing our collective paradigm from one that exploits and destroys nature to one that nurtures and values our environment.

Rates of mental illness are hugely elevated in the families of poets, writers and artists, suggesting that the same genes, the same temperaments, and the same imaginative capacities are at work in insanity and in creative ability. Writing for the general reader, Daniel Nettle explores the nature of mental illness, the biological mechanisms that underlie it, and its link to creative genius.

New ideas for working with nature to nurture creativity in felted and embroidered textile art. Immerse yourself in nature and rewild your creative practice with inspiration from textile artist Jeanette Appleton. With a focus on the versatile medium of felt, she takes readers through a series of ideas for working with nature to boost creativity, inspire, and make us more sustainable as artists. The book covers: • How to capture the nuances of nature through creating exciting felt surfaces – lines of sea, frosted puddles, hedge and grass – and how to translate them into subtleties of texture and stitch. • Transforming recycled cloth by bonding memories, mixed-media and found objects into your work. • Cutting and repairing techniques: making cuts and slits in the layers of fabric to reveal the secret strata of nature beneath, echoing the planet's fragility. • How to make the best use of sketchbooks, maps and mapping to record inspiration from time spent in nature. • A variety of strategies for overcoming artist's block, from revisiting past diaries and sketchbooks to interacting differently with your local environment. Throughout, the author constantly challenges the felt process, discovering a new creative working practice through connecting with the outside world. Richly illustrated with exciting examples of the author's beautiful and reflective work, this inspirational and practical guide will appeal to textile and felt artists of all levels.

The Miracle! In this book Nicholas presents you a practical, unique, subliminal, very simple, detailed method of how to Increase Your Happiness, Energy & Creativity Through Nature. You will feel the effects immediately and the results will appear very quickly! So it was in my case. You will not achieve fulfillment and happiness until YOU become the architect of your own reality. Imagine that with a few moments each day, you could begin the powerful transformation toward complete control of your own life and well being through this unique, subliminal method combined with positive affirmations. The order of words is extremely important for every book written by Nicholas. These are arranged to be traversed in a certain way so as to eliminate certain blockages in the human being, blockages that are bringing disease or failure on various plans. You don't need a big chunk of your time or expensive programs. Everything is extremely simple! Health, money, prosperity, abundance, safety, stability, sociability, charisma, sexual vitality, erotic attraction, will, optimism, perseverance, self-confidence, tenacity, courage, love, loving relationships, self-control, self-esteem, enthusiasm , refinement, intuition, detachment, intelligence, mental calm, power of concentration, exceptional memory, aspiration, transcendence, wisdom, compassion. You have the ability to unlock your full inner-potential and achieve your ultimate goals. This is the age-old secret of the financial elite, world class scholars, and Olympic champions. For example, when you watch the Olympics, you'll find one consistency in all of the champions. Each one closes their eyes for a moment and clearly affirms & visualizes themselves completing the event flawlessly just before starting. Then they win gold medals and become champions. That's merely one example of how the real power of mind can elevate you above any of life's challenges. By reading this book, you will feel totally that life deserves to be lived and enjoyed every moment and that everything that you propose for yourself becomes easy for you to fulfill. Nicholas will guide you to touch your longed-for dream and will make you see life from a new perspective, full of freshness and success. This book helps you step by step, in a natural way, in just 3 minutes a day, to change your misguided way of thinking and to Increase Your Happiness, Energy & Creativity Through Nature. (NOTE: For good, Nicholas keep the price of the book as lower as he can, even if is a hard work behind this project. A significant portion of the earnings from the sale of the book are used for these purposes: for charity, volunteer projects, nature restoration, and other inspired ideas to do good where it is needed. If you can not afford to buy the book please contact Nicholas and he will give you a free copy.) You, also have a bonus in the pages of the book that makes you live your success by doing a seemingly trivial thing. You will feel the difference. Yes. The Miracle is possible! Get Your Copy Now!

Creativity in the Classroom, sixth edition, helps teachers link creativity research and theory to the everyday activities of classroom teaching. This foundational textbook is relevant for any course dealing wholly or partially with creativity and teaching. The sixth edition has been revised and updated throughout, informed by cutting-edge research on neurobiology, curiosity and imaginative play, questioning, and motivation, particularly the relationships among creativity, intrinsic motivation, and motivation to learn.

The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.