Step out of the weaving comfort zone and experiment with something new! Weave structures often have specific threading and treadling patterns that are unique to that particular weave structure and not shared with others. This book takes you out of the traditional method of weaving overshot patterns by using different treadling techniques. This will include weaving overshot patterns as Summer/Winter, Italian manner, starburst, crackle, and petit point just to name a few. The basic image is maintained in each example but the design takes on a whole new look! Each chapter walks you through the setup for each method and includes projects with complete drafts and instructions so it’s easy to start weaving and watch the magic happen! Try the patterns for scarves, table runners, shawls, pillows and even some upholstered pieces. Once you've tried a few projects, you'll be able to apply what you've learned to any piece you desire!

Overshot is perhaps the most iconic weaving technique--think antique coverlets and fancy table runners--yet many weavers are intimidated by its complex-looking structure. But it doesn't have to be difficult! In this book, Susan Kesler-Simpson makes overshot approachable by breaking it down piece by piece so that the weaver understand how it works, and then she puts it all back together so that weavers will have the confidence to make their own overshot patterns or to try any of the 38 overshot projects she has designed for the book. Weavers will learn: to understand overshot as a derivative of twill to understand the tie-up, placement of tabby in the tie-up, threading, and treadling how to choose threads for overshot how to use borders in your designs how to set up the loom for overshot how to work an overshot gamp Projects include: Blankets Shawls Scarves Christmas ornaments Table runners Placemats Napkins Others "Susan’s explanations are to the point and easy to understand. When you read through the chapters, it’s as if Susan is sitting there with you, telling you in a friendly voice how to weave overshot step by step."--excerpt from the Foreword by Tom Knisely

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

Add Shadow Weave to your repertoire with Susan Kesler-Simpson's easy-to-follow instructions. Susan's approach is to first break down the structure of Shadow Weave so that any level weaver can understand how alternating light and dark threads in both warp and weft can present a dominant motif outlined with an identical shadow. She walks you through how the structure builds and weaves, and once you comprehend how the weave structure works, you will be able to weave any of the 25 project patterns in the book. You will also have the knowledge to transform other drafts to Shadow Weave, or to design your own Shadow Weave pattern.

This vintage book contains an extensive collection of patterns for hand-weaving, including designs from the John Landes Drawings in the Pennsylvania Museum, with drafts and notes by Mary Meigs Atwater. This catalogue of patterns will be of considerable utility to those with a keen interest in hand-weaving, and would make for a worthy addition to collections of related literature. Mary Meigs Atwater was an extremely important figure in the revitalisation of hand-weaving in the early twentieth century, and is often described as the ‘Dean of American Hand-Weaving'. Many antiquarian books such as this are increasingly rare and expensive, and it is with this in mind that we are republishing this vintage book now in an affordable, modern edition complete with a new prefatory biography of the author.

Finally, an easy explanation of Crackle Weave! Susan Kesler-Simpson, author of the popular Overshot Simply and Shadow Weave Simply, now explains Crackle Weave "simply." Her teaching style is to break down the weave structure into its basic parts so that it is easy to understand, and then teach you how the parts work together to create the weave structure so that you can use any pattern or create your own. The areas of separating threads give Crackle Weave its appearance of cracking pottery, and once you see how the structure works, there is so much you can do with it! Crackle weave is a block weave structure made up of four or more threading blocks that are based on the twill structure. Each block has four threads made up of two primary threads and two secondary threads. Incidental threads are added when needed to keep the proper twill sequencing. These blocks can be enlarged, reduced, or change location, allowing you to have a traditional or more modern approach to your project. And then there is color! Crackle Weave has many options for playing with colors; colors can be added through the warp, primary threads, and/or secondary threads. Learning is not complete without practice, so there are 25 patterns to try for a variety of pieces in both modern and traditional effects. The projects are simple enough for any beginning weaver, and include shawls, scarves, rugs, blankets, towels, and table runners. Some are woven in the traditional crackle method while others introduce weaving crackle as overshot, summer/winter, and more. Start your exploration of Crackle Weave today!

This must-have draft book contains almost 1000 different patterns on more than 25 weave structures. Introductory chapters provide a thorough understanding of how each structure works.

Doubleweave is the art of weaving two layers of cloth at the same time, one above the other on the loom, creating beautiful cloth that is reversible yet unique on each side. Using pick-up techniques and clever color mixing, patterns emerge that are different but complementary on each side. The Weaver's Studio: Doubleweave begins with a brief history of doubleweave and how it has evolved into the contemporary weaving pieces seen today. Next, you will learn all the basics of doubleweave techniques, as well as tips and tricks of setting up the warp, and a variety of doubleweave specialty techniques all shown through detailed process photography and a wealth of swatches demonstrating different effects. Specialty techniques are shown for 4-shaft and 8-shaft looms. The weaving effects covered include lace, tubular weave, pick-up, color mixing, and more. And since doubleweave showcases color and pattern in unique ways, you will learn how to use these to great effect in your cloth designs. Throughout the book, you will find a wealth of inspiration with many examples of finished cloth and projects, from wall hangings and table runners to scarves and pillows.

A collection of traditional eighteenth and nineteenth century weaving drafts, written sequences of the threading order on the loom used to create specific patterns. They are presented here in their original form as gathered by Frances L. Goodrich and illustrated in over 160 color photos. This volume also contains over 200 valuable modern translations of the same drafts for use by today's weavers. In 1890, Frances L. Goodrich came to the southern mountains in North Carolina from a life of culture to live and work among people who had little opportunity for education or social enrichment. Through her work for the Presbyterian Home Mission Board, she grew to love and respect these neighbors who worked so hard and had so little. She established schools, a small hospital, and the Allanstand Cottage Industries. As she traveled the mountain roads and trails on horseback, Miss Goodrich collected these precious weaving drafts from the women who wove for Allanstand Cottage Industries. In your hands is the heart of that collection.