Buschman annotates more than 550 books and periodical titles published on the techniques and history of handweaving from 1928 through October 1989. She includes works on how to weave_basic weaving texts, books on looms and equipment, and patterns both for weaving and for woven articles; handweaving history and historic fabrics from around the world; works on Native American weaving, ranging from the Chilkats of the Northwest coast of North America, to the Pueblos and Navajos of our Southwest, Mexico, and Central America, and on through the rich weaving culture of the Andes; reference works containing specialized bibliographies and information on fibers, dyes, education and marketing; and periodicals. With author, title, and subject indexes.

The only book you'll need on thefundamentals ofthreads and weaves, plus numerous projects for beginner to advanced weavers, plus two-harness looms, four-harness looms, fabrics, colors, much more. Over 160 illustrations."

The timeless craft of weaving is experiencing a resurgence of interest--and this colorful guide, featuring 30 spectacular fabric designs, shows just how easy it is to learn and how enjoyable it can be to do. Follow a thorough tutorial in the basics, complete with beautiful hand-drawn illustrations that lay out how to work with a table loom. Then try a variety of weaving styles, from traditional to playful, from subtle variations in color to bold experiments with form. Work with traditional fibers or play with unusual materials such as recycled fabrics, feathers, foil, and even plastic bags. A gallery showcases how 12 weaves can be transformed into functional objects, including throws, cushions, shawls, and scarves.

A Frenchman rents a Hollywood movie. A Thai schoolgirl mimics Madonna. Saddam Hussein chooses Frank Sinatra's "My Way" as the theme song for his fifty-fourth birthday. It is a commonplace that globalization is subverting local culture. But is it helping as much as it hurts? In this strikingly original treatment of a fiercely debated issue, Tyler Cowen makes a bold new case for a more sympathetic understanding of cross-cultural trade. Creative Destruction brings not stale suppositions but an economist's eye to bear on an age-old question: Are market exchange and aesthetic quality friends or foes? On the whole, argues Cowen in clear and vigorous prose, they are friends. Cultural "destruction" breeds not artistic demise but diversity. Through an array of colorful examples from the areas where globalization's critics have been most vocal, Cowen asks what happens when cultures collide through trade, whether technology destroys native arts, why (and whether) Hollywood movies rule the world, whether "globalized" culture is dumbing down societies everywhere, and if national cultures matter at all. Scrutinizing such manifestations of "indigenous" culture as the steel band ensembles of Trinidad, Indian handweaving, and music from Zaire, Cowen finds that they are more vibrant than ever--thanks largely to cross-cultural trade. For all the pressures that market forces exert on individual cultures, diversity typically increases within society, even when cultures become more like each other. Trade enhances the range of individual choice, yielding forms of expression within cultures that flower as never before. While some see cultural decline as a half-empty glass, Cowen sees it as a glass half-full with the stirrings of cultural brilliance. Not all readers will agree, but all will want a say in the debate this exceptional book will stir.

This is the first paperback edition of a manual well known to weavers for its great thoroughness, clarity, and value to beginning and professional weavers alike. The author has drawn upon many years of experience as a teacher and writer in preparing this practical text of basic weaving techniques and projects from the simplest to the extremely complex. Each topic of weaving theory and technique is presented with its practical applications in mind. Within the first thirty pages, readers learn enough to complete their first weaving project, a bookmark, and this leads directly to the weaving of rugs on a loom, the process of weaving on a two-harness loom, threading plain weave from a draft, making a two-harness table loom (readers following the clear diagram and instructions will have no trouble building the loom), preparing the weft, handling of threads, two-harness design methods, the weaving of rag rugs in plain weave, useful articles woven with striped warps and wefts, tapestry techniques, and design weaves. For advanced weavers, the second major section of the book covers a great variety of weaves for the four-harness loom and related information: how to warp and thread a four-harness loom, weaving both plain and pattern weave, the twill family of weaves and herringbone variations, the principles of overshot pattern weaving, the diamond or cross family, the monk's belt pattern and its uses, practical overshot patterns, designing drafts and special techniques, ways of weaving overshot, special four-harness techniques (summer and winter weave, the Bronson weave, the M's and O's weave, the crackle weave, the waffle weave, matta technique, syncopation, double weaving on a four-harness loom). The author then details multi-harness weaves such as multi-harness twill, eight-harness damask design, and several others. Then follow discussions of the uses of color in weaving designs, planning borders, the various draft notations (European and American), weaving with synthetic fibers, thread sizes, counts and yardage, and costs of handwoven fabrics. There is a thread chart of warp settings and suitable wefts. A final chapter gives instructions for making several projects from hand-woven fabrics (a folder for linens, a small ornamental box, jackets and suits, and others). The text is fully illustrated throughout with photographs and labelled diagrams.

New and experienced weavers alike are always on the lookout for new weave-structure patterns. The Weaver's Idea Book presents a wide variety of patterns for the simple rigid-heddle loom, accompanied by harness drafts for multishaft looms. The techniques include leno, Brooks bouquet, soumak, and embroidery on fabric. Each chapter contains weaving patterns along with swatches illustrating the techniques, accompanied by step-by-step photography. The book is arranged by structure or type of weave, from variations on plain weave to doubleweave. With traditional patterns from around the world, bands, and fabrics woven on two double heddles, The Weaver's Idea Book brings together a variety of ways to create exquisite cloth. Weaving tips and tricks help weavers at all levels achieve their textile dreams. In addition to pattern drafts, Jane offers project ideas that guide the reader through creating functional woven projects, from wearables to home decor. Weaving, especially on rigid-heddle looms, is enjoying a resurgence, and contemporary weavers are in need of a book to bridge the divide between basic books and complex text designed for advanced weavers with sophisticated tools. Celebrating the immense potential for creativity possible with the simplest of tools, The Weaver's Idea Book eBook opens new avenues for exploration on both the rigid-heddle and multishaft looms.