A systematic approach to using currently available techniques of artificial intelligence to develop computer programs for commercial use. From basic concepts of knowledge engineering through managing a complete system. Schwartz (English, Montclair State College-NJ) asks: How was it possible for a writer, out-of-print and generally ignored in the early 1940s, to be proclaimed a literary genius in 1950? His research illuminates the process by which Faulkner was chosen to be revivified as an important American nationalist writer during the heating up of the Cold War. Annotation copyrighted by Book News, Inc., Portland, OR

The universality of William Faulkner's vision was perhaps most formally recognized in 1950, when he was awarded the Nobel Prize for Literature. But even beyond the basic human truths embodied in the people and terrain of Yoknapatawpha County, there is a special kinship between Faulkner's novels and stories of the defeated South and the culture of postwar Japan, itself reeling from the shock of surrender and reconstruction at the hands of a foreign army. Reflecting this kinship, Faulkner Studies in Japan brings together some of the finest critical essays on Faulkner published in Japan in recent years along with discussions by several of Japan's leading novelists of Faulkner's influence on their work. The collection includes essay on broad aspects of Faulkner's writing-the influence of T.S. Eliot on the fiction, the pervasive use of motion imagery-and on such individual works as Light in August and the story of "Was" from Go Down, Moses. The book also presents an overview of Faulkner scholarship in Japan by Kiyoyuki Ono and an Afterword by Carvel Collins that recalls Faulkner's visit to Japan in 1955. At the time of Faulkner's visit, Japanese scholarly interest in his works was already firmly established and in the succeeding years the fascination has, if anything, increased. Commemorating the thirtieth anniversary of Faulkner's four-week tour, Faulkner Studies in Japan explore the natural literary sympathy that the novelist himself recognized when he stated: "I believe that something very like [what happened in the American South] will happen here in Japan in the next few years--that out of your despair and disaster will come a group of Japanese writers whom all the world will want to listen to, who will speak not a Japanese truth but a universal truth.

A “timely and essential” (New York Times Book Review) reconsideration of William Faulkner’s life and legacy that vitally asks, “How should we read Faulkner today?” With this “rich, complex, and eloquent” (Drew Gilpin Faust, Atlantic) work, Pulitzer Prize finalist Michael Gorra charts the evolution of an author through his most cherished—and contested—novels. Given the undeniable echoes of “Lost Cause” romanticism in William Faulkner’s fiction, as well as his depiction of Black characters and Black speech, Gorra argues convincingly that Faulkner demands a sobering reevaluation. Upending previous critical traditions and interweaving biography, literary criticism, and rich travelogue, the widely acclaimed The Saddest Words recontextualizes Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.

Faulknerista collects more than twenty years of critically influential scholarship by Catherine Gunther Kodat on the writings of one of the most important American authors of the twentieth century, William Faulkner. Initially composed as freestanding essays and now updated and revised, the book’s nine chapters place Faulkner’s work in the context of current debates concerning the politics of white authors who write about race, queer sexualities, and the use of the N-word in literature and popular culture. The Faulknerista of the title is a critic who tackles these debates without fear or favor, balancing admiration with skepticism in a manner that establishes a new model for single-author scholarship that is both historically grounded (for women have been writing about Faulkner, and talking back to him, since the beginning of his career) and urgently contemporary. Beginning with an introduction that argues for the critical importance of women’s engagement with Faulkner’s fiction, through comparative discussions pairing it with works by Toni Morrison, Jean-Luc Godard, Quentin Tarantino, and David Simon, Faulknerista offers a valuable resource for students, scholars, and general readers, written in an accessible style and aimed at stimulating discussions of Faulkner’s work and the rich interpretive challenges it continues to present.

Set in Yoknapatawpha County, Mississippi, As I Lay Dying tells the story of the dysfunctional Bundren family as they set out to fulfill Addie Bundren’s dying wish. Told by fifteen narrators, including Jewel, Cash, Darl and Dewey Dell, As I Lay Dying uses stream of consciousness to unveil each character’s motivations for carrying out Addie’s wish, along with a multitude of lies they have been hiding from each other. As I Lay Dying was Faulkner’s fifth novel and is included in the Modern Library’s list of 100 best English-language novels of the 20th century. The novel inspired a number of critically-acclaimed books including Graham Swift’s Last Orders and Suzan-Lori Parks’s Getting Mother’s Body: A Novel. The title, which inspired the name of the Grammy-nominated band As I Lay Dying, is derived from Homer’s The Odyssey. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

With contributions by Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and Yung-Hsing Wu William Faulkner's first ventures into print culture began far from the world of highbrow New York publishing houses such as Boni & Liveright or Random House and little magazines such as the Double Dealer. With that diverse publishing history in mind, this collection explores Faulkner's multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with how these cultures have mediated his relationship with various twentieth- and twenty-first-century audiences. These essays address the place of Faulkner and his writings in the creation, design, publishing, marketing, reception, and collecting of books; in the culture of twentieth-century magazines, journals, newspapers, and other periodicals (from pulp to avant-garde); in the history of modern readers and readerships; and in the construction and cultural politics of literary authorship. Several contributors focus on Faulkner's sensational 1931 novel Sanctuary to illustrate the author's multifaceted relationship to the print ecology of his time, tracing the novel's path from the wellsprings of Faulkner's artistic vision to the novel's reception among reviewers, tastemakers, intellectuals, and other readers of the early 1930s. Other essayists discuss Faulkner's early notices, the Saturday Review of Literature, Saturday Evening Post, men's magazines of the 1950s, and Cold War modernism.

DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DigiCat Publishing presents to you this special edition of "Absalom, Absalom!" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In Search of the Latin American Faulkner is an exhaustive exploration of the shifting interaction between Faulkner's works and the literary repertory of Spanish-speaking Latin America that went on for half a century. Fayen's study sketches a previously unexplored history of the evolution of the modern Latin American literary establishment. This work describes the pre-history of contemporary Latin American narrative, with particular attention to the Spanish-speaking Latin American 'boom'-- from the early dominance of peninsular Spanish literary norms to the gradual weakening of these norms and the complete opening up to foreign innovations, when Latin American literature came into its own. Contents: In Search of a Theoretical Model; The Ambiguous Problem of Influence; Polysystem Theory: Performing Descriptive Translation Studies; A Shift of Norms in the Latin American Polysystem; Faulkner's U.S. Critical Reception; Critical Reception of Faulkner in Latin America; The Translations; Conclusion.

William Faulkner was born September 25, 1897. In honor of his centenary the Faulkner and Yoknapatawpha Conference of 1997 brought together twenty-five of the most important Faulkner scholars to examine the achievement of this writer generally regarded as the finest American novelist of the twentieth century. The essays and panel discussions that make up Faulkner at 100: Retrospect and Prospect provide a comprehensive account of the man and his work, including discussions of his life, the shape of his career, and his place in American literature, as well as fresh readings of such novels as The Sound and the Fury, Absalom, Absalom!, If I Forget Thee, Jerusalem, and Go Down, Moses. What emerges from this commemorative volume is a plural Faulkner, a writer of different value and meaning to different readers, a writer still challenging readers to accommodate their highly varied approaches to what André Bleikasten calls Faulkner's abiding “singularity.”