In the author's words, her book includes the island's fabulous collection of historic and contemporary tidbits, including those about people who come to the island in secret; celebrity scandals, as seen from the point of view of people who live on Martha's Vineyard; unsolved murders; sea monster sightings; paranormal events; shipwrecks; and some only on the Vineyard eccentrics and crackpots from the last 350 years.

Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.

Planning and the Rural Environment examines the environmental issues affecting countryside planning. Emphasis is placed on the look and feel of the open countryside, the function and appearance of the rural environment, rather than the problems of its people and the settlements in which they live. Also discussed is the conflict of interest generated between some of the major planning systems concerned with the development of rural activities and the protection of rural resources. Comprised of 13 chapters, this volume begins with an assessment of conflicting views of how a countryside of the future should develop and the degree of control and direction that should take place. The following chapters consider how the emerging range of environmental problems and opportunities in rural planning can best be illustrated. In particular, the dominance of agriculture as a rural activity is analyzed, together with forest and woodland management; leisure activity in the countryside; and conservation of resources and wildlife. The next section is devoted to uplands and the urban fringe, paying particular attention to some of the ways in which rural interests interact in two very different areas. Finally, the development of rural planning is reviewed and issues that are expected to shape the countryside of the future are considered. This book should be of interest to postgraduate students of rural planning and specialists in various fields of countryside planning.

The television personality and member of the Duck Commander family shares the list of principles that lead her to personal and spiritual growth and help her live the way God says to live.