Crafting the Movement presents an explanation of why the Swedish working class so unanimously adopted reformism during the interwar period. Jenny Jansson discusses the precarious time for the labor movement after the Russian Revolution in 1917 that sparked a trend towards radicalization among labor organizations and communist organizations throughout Europe and caused an identity crisis in class organizations. She reveals that the leadership of the Trade Union Confederation (LO) was well aware of the identity problems that the left-wing factions had created for the reformist unions. Crafting the Movement explains how this led labor movement leaders towards a re-formulation of the notion of the worker by constructing an organizational identity that downplayed class struggle and embraced discipline, peaceful solutions to labor market problems, and cooperation with the employers. As Jansson shows, study activities arranged by the Workers' Educational Association became the main tool of the Trade Union Confederation's identity policy in the 1920s and 1930s and its successful outcome paved the way for the well-known "Swedish Model." Thanks to generous funding from Uppsala University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other Open Access repositories.

A comprehensive survey of the popular Arts and Crafts Movement.

Women Art Workers provides a new social and cultural history of the Arts and Crafts movement which offers unprecedented insight into how women constructed alternative, creative lifestyles and disseminated the ethos of the social importance of the Arts and Crafts across new local, national, and international spheres of influence.

This magnificent compendium is the first comprehensive exploration of the Arts and Crafts legacy in the Pacific Northwest. It traces the movement from its nineteenth-century English beginnings to its flowering in Washington and Oregon through the 1920s and beyond, weaving into a tale of idealism and devotion everything from iconic masterpieces to recent discoveries. You will meet the architects, artists, craftspeople, and entrepreneurs in Seattle, Spokane, Portland, and smaller communities throughout the region in their own words in journal entries, letters, articles, and promotional materials of the period. Included are public and private architecture, furniture, pottery and tile, metalwork, lighting, leaded and stained glass, jewelry, textiles, basketry and the influence of Native American arts, painting and printmaking, photography, graphic arts, and book design. The ideals of the Arts and Crafts movement—a celebration of craftsmanship and the creative process; an appreciation of sound construction, pleasing proportion, grace, and simplicity; and a comfortable rusticity that sees beauty in nature and honors indigenous materials—found fertile ground in Washington and Oregon. The inspired handiwork of anonymous amateurs and significant regional artists alike yielded a remarkable variety of progressive architect-designed residences, bungalows for everyone, and all manner of artistic and practical furnishings and accessories. Beautifully illustrated with nearly 400 photographs and period graphics, including rare images published here for the first time, this groundbreaking volume is an authoritative reference, a provocative story, and an irresistible treasure trove for Arts and Crafts collectors and enthusiasts everywhere.

After three decades of Arts and Crafts exhibitions that have surveyed the entire movement or focused on its many regional manifestations, Gustav Stickley, the movement's central figure in the US, now receives his due. This exhibition catalogue, redolent with stunning color photographs of 100-plus selected Stickley pieces, draws its intellectual credibility from essays by six leading scholars of the Arts and Crafts movement: Tucker, Brandt, David Cathers, Joseph Cunningham, Beth Ann Macpherson, and Tommy MacPherson. They examine the cultural and economic circumstances of Stickley's emergence around 1900, the formulation of his business strategies and ideals, the role of Irene Sargent and The Craftsman magazine, the paradoxical nature of the craftsman home, and Stickley's own two homes. Stickley is a large subject, but this catalogue captures the essence of the man and his work. Summing Up: Highly recommended. Upper-division undergraduates and above; general readers. General Readers; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by J. Quinan.

Illustrated with original photographs of Shipman's superb gardens - many by photographer Mattie Edwards Hewitt which have never been previously published - and new photographs by Carol Betsch which were specially commissioned for this volume, the book documents in fascinating detail the life and work of one of America's most important and influential garden designers.

Fine craftsmanship and handiwork, originality in design, aesthetic purity, and honest use of materials in both decorative and utilitarian objects were the ideals embraced by Boston's Society of Arts and Crafts. This book celebrates the organization's centenary with splendid examples of metalwork, jewelry textiles, furniture, ceramics, photography, and more. 273 illustrations, 52 in color. D.