Run. Fight. Survive. A life of violence and drugs leaves Marianna Cortez desperate for normality. For a brief instant, she thinks she has found that with Denendrius. But he can’t maintain his sweet facade for long. Soon, he reveals himself for what he is... a deranged vampire longing to ensnare her in a deadly game of cat and mouse. Plan. Plot. Pray. Forced to play a part in Denendrius’s twisted fantasies, Marianna hunts for a way to escape. But he’s stronger than her, and capable of unimaginable cruelty. With her only hope of survival being to study her captor and learn his weaknesses, can Marianna uncover secrets from Denendrius’s dark past she can use to destroy him? Or will this monster, who clawed his way through her history, slaughter her chance at a future? Cracked Coffins is a new adult dark paranormal thriller that explores the horrors of abusive relationships with a vampiric twist. Expect profanity, mature themes, sexual violence, and general violence.

Maureen?Mo?Deauville now lives in the historic town and works with her dog, Rollo, to search for missing people. She's actually the one to find Richard?or more precisely his head, stuck on a statue of the legendary Headless Horseman.

Richelle Mead, Lisa McMann, Michael Grant, Meg Cabot, Laini Taylor, and nine more of the hottest YA authors to hit the shelves explore the concepts of prophecy and prediction in this story collection edited by NYT bestselling author of The Forest of Hands and Teeth, Carrie Ryan. Have you ever been tempted to look into the future? To challenge predictions? To question fate? It's human nature to wonder about life's twists and turns. But is the future already written—or do you have the power to alter it? From fantastical prophecies to predictions of how the future will transpire, Foretold is a collection of stories about our universal fascination with life's unknowns and of what is yet to come as interpreted by 14 of young adult fiction's brightest stars. This collection includes works from: Malinda Lo (Ash) Lisa McMann (Wake) Kami Garcia (Beautiful Creatures) Margaret Stohl (Beautiful Creatures) Laini Taylor (The Daughter of Smoke and Bone) Michael Grant (Gone) Saundra Mitchell (The Vespertine) Richelle Mead (the Vampire Academy) Matt de la Pena (I Will Save You) Meg Cabot (The Princess Diaries) Heather Brewer (The Chronicles of Vladimir Tod) Diana Peterfreund (Rampant) Simone Elkeles (Perfect Chemistry) Carrie Ryan (The Forest of Hands and Teeth)

The coffin published in this book represents a type that had some popularity in southern Upper Egypt in the early Middle Kingdom, but which, despite its extraordinary decoration had not attracted attention so far. The most striking feature of the decoration is that the object friezes - the pictorial rendering of ritual implements usually found on coffin interiors of the period - also include complete ritual scenes, some of which are attested only here. Apart from this, the decoration includes an extensive selection of the religious texts know as the Coffin Texts. The author first studies the archaeological context and dating of the coffin and attempts a reconstruction of the construction procedures from his technical description of the monument. The detailed account of the decoration in the rest of the book interprets the ritual iconography and offers fresh translations and interpretations of the Coffin Texts. A methodological innovation is that he regards the scenes and texts not as individual decoration elements, but as components of an integral composition. The background of this composition is argued to be a view of life in the hereafter in which the deceased is involved in an unending cycle of ritual action which reflects the funerary rituals that were actually performed on earth. On the one hand, these netherworldly rituals aim at bringing the deceased to new life by mummification, on the other the newly regenerated deceased partakes in embalming rituals for gods representing his dead father (Osiris or Atum). These gods, in their turn, effectuate the deceased's regeneration. The entire process results in a cycle of resuscitation in which the afterlife of the deceased and of the 'father gods' are interdependent. The sociological bias of this interpretation, with its emphasis on kinship relations, differs significantly from earlier attempts to explain Egyptian funerary religion.

Home, a place where we belong and are safe and loved. Home, the house in which we grew up, a neighborhood, a culture, even a country. Home is a state of mind, it is a place of the heart, and in the heart. Finding home, coming home, and bringing home the one we love is a journey, a journey that can be a dangerous adventure. For the lovers in these stories, adventures can include quests and fighting dragons and demons, past and present, physical as well as mental and emotional. Rocket launchers need to be dodged, the Wild Hunt needs to be outrun. For some of the lovers here, home has been lost, or they have been forced to leave, as is too common for LGBT+ youth. In this collection queer positive speculative fiction stories, explore the idea of what and where home is in the lives of these lovers. Will they survive their quests, defeat their monsters? Will they find a place to call home?

In Drink We Deep, Arthur Leo Zagat plunges readers into a gripping tale of an ancient evil rising from the depths of the earth. In a small town isolated from the world, mysterious events begin to unfold as the ground beneath it seems to come alive. As strange forces awaken and a terrifying power starts to consume the town, a few brave souls must unravel the mystery and confront the dark entity lurking below. With time running out and danger growing, they must battle an ancient horror that threatens not just their lives but the fate of the world. Filled with suspense, supernatural dread, and unexpected twists, this is a story that keeps readers on the edge of their seats.

In rural Maine, a stop on the Underground Railroad is menaced by a supernatural force in this terrifying novel of pre–Civil War horror. Davis Bentwood has nearly finished medical school when he meets an abolitionist dwarf walking across Harvard Yard. Jeb Coffin is a nonpracticing doctor, a devoted student of transcendentalism whose home life has been shaken by tragedy. The two men become friends, and Coffin invites Bentwood to rural Maine to save his family from itself. The Coffins are noted abolitionists, their home a stop on the Underground Railroad, and lately they have been menaced by a supernatural terror. The tragedies are countless: two brothers killed, a father driven mad, and a baby frozen solid in its crib. At first Bentwood cannot bring himself to acknowledge the impossible horrors that have cursed this family. But he will not survive his sojourn in Maine unless he can open his mind to the possibility that something evil is waiting in the dark.