An Unexplained Death is an obsessive investigation into a mysterious death at the Belvedere—a once-grand hotel—and a poignant, gripping meditation on suicide and voyeurism “The poster is new. I notice it right away, taped to a utility pole. Beneath the word ‘Missing,’ printed in a bold, high-impact font, are two sepia-toned photographs of a man dressed in a bow tie and tux.” Most people would keep walking. Maybe they’d pay a bit closer attention to the local news that evening. Mikita Brottman spent ten years sifting through the details of the missing man’s life and disappearance, and his purported suicide by jumping from the roof of her own apartment building, the Belvedere. As Brottman delves into the murky circumstances surrounding Rey Rivera’s death—which begins to look more and more like a murder—she contemplates the nature of and motives behind suicide, and uncovers a haunting pattern of guests at the Belvedere, when it was still a historic hotel, taking their own lives on the premises. Finally, she fearlessly takes us to the edge of her own morbid curiosity and asks us to consider our own darker impulses and obsessions.

America’s #1 true-crime writer fulfills a murder victim’s desperate plea with this shattering New York Times bestseller. “If anything ever happens to me…find Ann Rule and ask her to write my story.” In perhaps the first true-crime book written at the victim's request, Ann Rule untangles a web of lies and brutality that culminated in the murder of Sheila Blackthorne Bellush—a woman Rule never met, but whose shocking story she now chronicles with compassion, exacting detail, and unvarnished candor. Although happily ensconced in a loving second marriage, and a new family of quadruplets, Sheila never truly escaped the vicious enslavement of her ex-husband, multi-millionaire Allen Blackthorne, a handsome charmer— and a violent, controlling sociopath who subjected Sheila to unthinkable abuse in their marriage, and terrorized her for a decade after their divorce. When Sheila was slain in her home, in the presence of her four toddlers, authorities raced to link the crime to Blackthorne, the man who vowed to monitor Sheila's every move in his obsessive quest for power and revenge.

The Times Literary Supplement said of The Murder Farm, "With only a limited number of ways in which violent death can be investigated, crime writers have to use considerable ingenuity to bring anything fresh to the genre. Andrea Maria Schenkel has done it in her first novel." The first author to achieve a consecutive win of the German Crime Prize, Schenkel has won first place for both The Murder Farm and Ice Cold. The Murder Farm begins with a shock: a whole family has been murdered with a pickaxe. They were old Danner the farmer, an overbearing patriarch; his put-upon devoutly religious wife; and their daughter Barbara Spangler, whose husband Vincenz left her after fathering her daughter little Marianne. She also had a son, two-year-old Josef, the result of her affair with local farmer Georg Hauer after his wife's death from cancer. Hauer himself claimed paternity. Also murdered was the Danners' maidservant, Marie. An unconventional detective story, The Murder Farm is an exciting blend of eyewitness account, third-person narrative, pious diatribes, and incomplete case file that will keep readers guessing. When we leave the narrator, not even he knows the truth, and only the reader is able to reach the shattering conclusion.

THIRTEEN GIRLS is a casebook that plumbs the annals of "true crime," delivering thirteen bracing stories of murder and its emotional fallout. Each fictionalized narrative is based on a real victim of a serial killer, and each is told from a different perspective -- a mother, a shrink, a cop, a sister -- to reveal the stark afterlife of human carnage. Leveraging the emotional power of personal testimony, Mikita Brottman presents an unblinking psychological portrait of murder, a dark descent that illuminates our cultural obsession with violence and the need for "closure" that persists in the hearts and minds of those who live in its wake. - from back cover.

A National Book Critics Circle Awards Winner From the author of Quarantine comes Being Dead, Jim Crace's haunting novel about love, death, and the afterlife. Baritone Bay, mid-afternoon. A couple, naked, married almost thirty years, are lying murdered in the dunes. "Their bodies had expired, but anyone could tell--just look at them--that Joseph and Celice were still devoted. For while his hand was touching her, curved round her shin, the couple seemed to have achieved that peace the world denies, a period of grace, defying even murder. Anyone who found them there, so wickedly disfigured, would nevertheless be bound to see that something of their love had survived the death of cells. The corpses were surrendered to the weather and the earth, but they were still a man and wife, quietly resting; flesh on flesh; dead, but not departed yet."

NATIONAL BESTSELLER *NOW A FOUR-PART CRAVE ORIGINAL DOCUSERIES* A top journalist crosses the yellow tape to investigate a shocking high-society crime. Billionaires, philanthropists, socialites . . . victims. Barry and Honey Sherman appeared to lead charmed lives. But the world was shocked in late 2017 when their bodies were found in a bizarre tableau in their elegant Toronto home. First described as murder-suicide — belts looped around their necks, they were found seated beside their basement swimming pool — police later ruled it a staged, targeted double murder. Nothing about the case made sense to friends of the founder of one of the world’s largest generic pharmaceutical firms and his wife, a powerhouse in Canada’s charity world. Together, their wealth has been estimated at well over $4.7 billion. There was another side to the story. A strategic genius who built a large generic drug company — Apotex Inc. — Barry Sherman was a self-described workaholic, renowned risk-taker, and disruptor during his fifty-year career. Regarded as a generous friend by many, Sherman was also feared by others. He was criticized for stifling academic freedom and using the courts to win at all costs. Upset with building issues at his mansion, he sued and recouped millions from tradespeople. At the time of his death, Sherman had just won a decades-old legal case involving four cousins who wanted 20 percent of his fortune. Toronto Star investigative journalist Kevin Donovan chronicles the unsettling story from the beginning, interviewing family members, friends, and colleagues, and sheds new light on the Shermans’ lives and the disturbing double murder. Deeply researched and authoritative, The Billionaire Murders is a compulsively readable tale of a strange and perplexing crime.

A riveting account of the two years literary scholar Mikita Brottman spent reading literature with criminals in a maximum-security men’s prison outside Baltimore, and what she learned from them—Orange Is the New Black meets Reading Lolita in Tehran. On sabbatical from teaching literature to undergraduates, and wanting to educate a different kind of student, Mikita Brottman starts a book club with a group of convicts from the Jessup Correctional Institution in Maryland. She assigns them ten dark, challenging classics—including Conrad’s Heart of Darkness, Shakespeare’s Macbeth, Stevenson’s Dr. Jekyll and Mr. Hyde, Poe’s story “The Black Cat,” and Nabokov’s Lolita—books that don’t flinch from evoking the isolation of the human struggle, the pain of conflict, and the cost of transgression. Although Brottman is already familiar with these works, the convicts open them up in completely new ways. Their discussions may “only” be about literature, but for the prisoners, everything is at stake. Gradually, the inmates open up about their lives and families, their disastrous choices, their guilt and loss. Brottman also discovers that life in prison, while monotonous, is never without incident. The book club members struggle with their assigned reading through solitary confinement; on lockdown; in between factory shifts; in the hospital; and in the middle of the chaos of blasting televisions, incessant chatter, and the constant banging of metal doors. Though The Maximum Security Book Club never loses sight of the moral issues raised in the selected reading, it refuses to back away from the unexpected insights offered by the company of these complex, difficult men. It is a compelling, thoughtful analysis of literature—and prison life—like nothing you’ve ever read before.

The best-selling study of cannibals in both real,life and cinema, with illustrated reports on,cannibal killers Ed Gein, Albert Fish and Jeffrey,Dahmer, plus reviews of cannibal movies such as,'texas Chainsaw Massacre', 'Cannibal Holocaust',and others. This brand new, updated and expanded,edition includes an extra chapter on Flesh-Eating,Zombies in classic horror movies like George A,Romero's 'Night of the Living Dead', Lucio Fulci's,'Zombi 2' and Peter Jackson's 'Braindead', plus a,new, full colour section of extreme screen goreand a report on new cannibal movies e.g. 'Hannibal

“McMahon unfurls a whirlwind of suspense...Combining murder mystery and coming-of-age tale with supernatural elements, this taut novel is above all a reflection on the haunting power of memory.” –Entertainment Weekly A woman’s past and present collide in terrifying ways in this explosive debut by New York Times bestselling author Jennifer McMahon. Forty-one-year-old school nurse Kate Cypher has returned home to rural Vermont to care for her mother, who's afflicted with Alzheimer's. On the night she arrives, a young girl is murdered—a horrific crime that eerily mirrors another from Kate's childhood. Three decades earlier, her dirt-poor friend Del—shunned and derided by classmates as "Potato Girl"—was brutally slain. Del's killer was never found, while the victim has since achieved immortality in local legends and ghost stories. Now, as this new murder investigation draws Kate irresistibly in, her past and present collide in terrifying, unexpected ways. Because nothing is quite what it seems . . . and the grim specters of her youth are far from forgotten. More than just a murder mystery, Jennifer McMahon's extraordinary debut novel, Promise Not to Tell, is a story of friendship and family, devotion and betrayal—tautly written, deeply insightful, beautifully evocative, and utterly unforgettable.

The films discussed in this book have been labeled cinéma vomitif because they induce a visceral response in their audience. They are an underground hybrid of slasher movies, exploitation films, and shock-u-mentaries. Taking a serious look at a taboo subject, Brottman argues that these scandalous films are of far more substance than has been previously assumed. Their consistent appeal to our repressed appetites, libidinal instincts, and fascination with flesh and death has much to tell us about the human condition. Films analyzed include the voyeuristic Freaks (1932), the traumatic psychodrama The Tingler (1959), the succés de scandale The Texas Chain Saw Massacre (1976), the Italian shocker Cannibal Holocaust (1983), and two recent series of live death shock-u-mentaries, Death Scenes and Faces of Death (1989-1994). These movies, shunned from mainstream cinema because they are too offensive, obscene, marginal or bizarre, are considered here for the first time as an important part of the cinematic canon.