Counterfeiting flourished in colonial America and Scott brings to life the many colorful figures who indulged in this nefarious practice.

Prior to the Civil War, the United States did not have a single, national currency. Counterfeiters flourished amid this anarchy, putting vast quantities of bogus bills into circulation. Their success, Mihm reveals, is more than an entertaining tale of criminal enterprise: it is the story of the rise of a country defined by freewheeling capitalism and little government control. Mihm shows how eventually the older monetary system was dismantled, along with the counterfeit economy it sustained.

Chronicles the lives of three colorful counterfeiters whose schemes reflected the culture of early America, describing their backgrounds and how they exploited period politics, economics and law enforcement to promote their operations.

When George Washington beat a hasty retreat from New York City in August 1776, many thought the American Revolution might soon be over. Instead, Washington rallied—thanks in large part to a little-known, top-secret group called the Culper Spy Ring. He realized that he couldn’t defeat the British with military might, so he recruited a sophisticated and deeply secretive intelligence network to infiltrate New York. Drawing on extensive research, Brian Kilmeade and Don Yaeger have offered fascinating portraits of these spies: a reserved Quaker merchant, a tavern keeper, a brash young longshoreman, a curmudgeonly Long Island bachelor, a coffeehouse owner, and a mysterious woman. Long unrecognized, the secret six are finally receiving their due among the pantheon of American heroes.

Law's Imagined Republic shows how the American Revolution was marked by the rapid proliferation of law talk across the colonies. This legal language was both elite and popular, spanned different forms of expression from words to rituals, and included simultaneously real and imagined law. Since it was employed to mobilize resistance against England, the proliferation of revolutionary legal language became intimately intertwined with politics. Drawing on a wealth of material from criminal cases, Steven Wilf reconstructs the intertextual ways Americans from the 1760s through the 1790s read law: reading one case against another and often self-consciously comparing transatlantic legal systems as they thought about how they might construct their own legal system in a new republic. What transformed extraordinary tales of crime into a political forum? How did different ways of reading or speaking about law shape our legal origins? And, ultimately, how might excavating innovative approaches to law in this formative period, which were constructed in the street as well as in the courtroom, alter our usual understanding of contemporary American legal institutions? Law's Imagined Republic tells the story of the untidy beginnings of American law.

This three-volume work offers a comprehensive review of the pivotal concepts, measures, theories, and practices that comprise criminology and criminal justice. No longer just a subtopic of sociology, criminology has become an independent academic field of study that incorporates scholarship from numerous disciplines including psychology, political science, behavioral science, law, economics, public health, family studies, social work, and many others. The three-volume Encyclopedia of Criminology presents the latest research as well as the traditional topics which reflect the field's multidisciplinary nature in a single, authoritative reference work. More than 525 alphabetically arranged entries by the leading authorities in the discipline comprise this definitive, international resource. The pivotal concepts, measures, theories, and practices of the field are addressed with an emphasis on comparative criminology and criminal justice. While the primary focus of the work is on American criminology and contemporary criminal justice in the United States, extensive global coverage of other nations' justice systems is included, and the increasing international nature of crime is explored thoroughly. Providing the most up-to-date scholarship in addition to the traditional theories on criminology, the Encyclopedia of Criminology is the essential one-stop reference for students and scholars alike to explore the broad expanse of this multidisciplinary field.

Southern Berkshire County in Western Massachusetts is a magical place. Some call it paradise. The special synergy that exists here between people and place has inspired remarkable residents for centuries. From Mohican John Konkapot to African American W.E.B. Du Bois, from novelist Catharine Sedgwick to mental health pioneer Agnes Gould, the Housatonic Valley and surrounding hills have proved to be a haven for inventors and industrialists, artists and activists, entrepreneurs, and educators. Stockbridge summer resident and legendary sculptor Daniel Chester French once said to a New York reporter, "I spend six months of the year up there, it is heaven." William Cullen Bryant, Norman Rockwell, Cyrus Field, William Stanley, Elizabeth Freeman (Mumbet), Laura Ingersoll Secord, and numerous other luminaries have all passed on to a different heavenly plane. Still, the Southern Berkshires continue to produce local legends and unsung heroes--folks like community activist Rachel Fletcher, Pastor Charles Van Ausdall, educator Mae Brown, and police chief Rick Wilcox. Open the pages of Legendary Locals of the Southern Berkshires and see for yourself!

Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.