Rommel and Montgomery were old foes since 1941. Now they faced off once again in Normandy. Operation Goodwood was the largest tank assault in the Normandy campaign, as over 700 tanks in three British armored divisions attempted to bust out of the bocage country. After all, the objectives were only seven miles distant. Rommel, his forces armed with over 200 tanks, including Tiger I and Tiger IIs, plus more than 75 dreaded 88mm guns, ripped apart Montgomery's plans. Soon the wheat fields ran red with blood and burned with hundreds of British tanks. Kursk in Normandy is a meticulous examination of Operation Goodwood. The author describes in detail the bloody and vicious fighting that characterized the operation, adding in first-hand accounts for extra flavor. There is much detail on the units involved from both sides, and the tactics employed, as well as numerous statistics and tables concerning weapon/tank armor effectiveness and other data. The text is supplemented by an extensive selection of rare photographs sourced from British and German archives (many previously unpublished), plus 4 pages of color AFV profiles and a selection of detailed maps. Key sales points: *A gripping account of the huge tank battles that were a feature of Operation Goodwood, fought during the fierce campaign in Normandy during the summer of 1944. Includes first-hand accounts, orders-of-battle, much information concerning the individual units and their tactics, and extensive statistics regarding weaponry and amour effectiveness. The text is supported by over 150 photos, many previously unpublished, plus detailed battle maps and 4 pages of color AFV profiles.

The post-apartheid dispensation that has seen Black people continue to be hurled at the margins of existence has crystalised mental pathologies that have their roots in our violent and amoral past. Millions of Black people in South Africa are battling with a range of mental health challenges resulting from a complex interplay between biological, psychological, social and environmental factors. In Corridors of Death, the lived experiences of Black students in historically White universities is explored, exposing how structural violence, racism and a culture of alienation are pushing them to the edge of depression and increasingly, suicide. The book contends that urgent structural and institutional interventions need to be made, the centre of which must be transformation that reflects the demographic and socio-political construct of the South African society. Unless and until this happens, Black students will increasingly reach an unendurable level of invisible agony, and die in universities.

Corridor of Death is a novel about the homicide of aEl Tigre, a Ricardo Baca, Tucsonas son, and a contender for the welter weight boxing championship. It is also about two real corridors of death. The first cuts a swath through the aSouthsidea of Tucson. Its portal is a hundred year-old church. It meanders three miles through Tucsonas predominately Hispanic neighborhoods, ending at a modern day icon, a Circle-K. The second begins at Nogales Wash. It follows the land north, ignoring the International Boundary, and joins the winding passageway of Santa Cruz River by cutting a path through Altar Valley to Tucson. Rickyas death appears to be the result of drugs. Detective Karl Tedford, a professional boxer prior to becoming a policeman, was a friend of El Tigre. His investigation leads to Mexico and the Maquiladora plants that have brought Mexicans to the border area from deep in Southern Mexico as the result of NAFTA. Karl promises to find the killers. He is determined to restore Rickyas honor. Along the way, he discovers there is more to life than his work.

Panoramic, authentic, explosively dramatic—this is the breathtaking new series The First Americans, which began with Book I, Beyond The Sea Of Ice. Now the heroic great hunter Torka, his woman Lonit, and his adopted son Karana emerge from a land forbidden to all men, a land where mountains walk and spirits speak. Across the fierce glacial tundra Torka leads his people—survivors of a horrifying natural disaster—to a winter camp where many bands gather to hunt the great mammoth. There he and his followers encounter an evil more dangerous than the wild lands—the magic man called Navahlk, who vows cruel destruction of the bold hunter Torka. To survive they must draw upon the courage of one brave boy who will grow to manhood and see with his mind’s eye where the sun’s light has led them—to the dawn of man on the American continent.

The worst maritime disaster ever occurred during World War II, when more than 9,000 German civilians drowned. It went unreported. January 1945: The outcome of World War II has been determined. The Third Reich is in free fall as the Russians close in from the east. Berlin plans an eleventh-hour exodus for the German civilians trapped in the Red Army's way. More than 10,000 women, children, sick, and elderly pack aboard the Wilhelm Gustloff, a former cruise ship. Soon after the ship leaves port and the passengers sigh in relief, three Soviet torpedoes strike it, inflicting catastrophic damage and throwing passengers into the frozen waters of the Baltic. More than 9,400 perished in the night—six times the number lost on the Titanic. Yet as the Cold War started no one wanted to acknowledge the sinking. Drawing on interviews with survivors, as well as the letters and diaries of those who perished, award-wining author Cathryn J. Prince reconstructs this forgotten moment in history with Death in the Baltic. She weaves these personal narratives into a broader story, finally giving this WWII tragedy its rightful remembrance.

From #1 New York Times-bestselling author W.E.B. Griffin comes a dramatic thriller in the Clandestine Operations series about the Cold War, the fledgling Central Intelligence Agency—and a new breed of warrior. January, 1946: Two WACs leave an officers' club in Munich, and four Soviet NKGB agents kidnap them at knifepoint in the parking lot and shove them in the back of an ambulance. That is the agents' first mistake, and their last. One of the WACs, a blonde woman improbably named Claudette Colbert, works for the new Directorate of Central Intelligence, and three of the men end up dead and the fourth wounded. The “incident,” however, will send shock waves rippling up and down the line, and have major repercussions not only for Claudette, but for her boss, James Cronley, Chief DCI-Europe, and for everybody involved in their still-evolving enterprise. For, though the Germans may have been defeated, Cronley and his company are on the front lines of an entirely different kind of war now. The enemy has changed, the rules have changed—and the stakes have never been higher.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.

Nederland telt op dit moment 250.000 dementerenden en hun aantal neemt toe. Ooit treft wellicht onze ouders, onze geliefden of onszelf dit lot. Anne-Mei The werkte als onderzoeker twee jaar in een verpleeghuis. Zij onthult wat meestal verborgen blijft: de beslissing om te stoppen met behandelen. De armoede en voodoo-rituelen van de gekleurde verzorgenden. Problemen die kunnen optreden met de familie. Spanningen, agressie en seks op de afdeling. Maar ze maakt ons ook deelgenoot van ontroerende en hilarische taferelen. Daarnaast ontrafelt The 'de zaak 't Blauwbörgje' die in de jaren negentig in het nieuws kwam. De familie van een diep demente man beschuldigde het verpleeghuis van poging tot moord. Wat ging er mis? En kan zoiets weer gebeuren? Het boek leest als een roman en zet eenieder aan het denken over de invulling van zijn of haar eigen levenseinde in het geval van dementie.

Showcasing Dan Flavin’s “corner,” “barrier,” and “corridor” works, this catalogue explores the artist’s core sculptural vocabulary and how his use of fluorescent light forged a new relationship between the art object and its surrounding architecture. This publication examines how Flavin’s light works, which he described as “situations,” function in space, occupying key positions that highlight how the rooms themselves are constructed. The exhibition is not only historically significant, as it mines early explorations in Flavin’s practice, but many of the works are reproduced for the first time in plates that accurately capture their colors. Published on the occasion of the 2015 eponymous exhibition at David Zwirner, New York, Corners, Barriers and Corridors takes as its point of departure the artist’s influential show, corners, barriers and corridors in fluorescent light from Dan Flavin, presented at the Saint Louis Art Museum in 1973. Above all, the photography reveals the unexpected and powerful interplay between the light of neighboring pieces and the space—the way the walls, floor, and various hues mingle to form unpredicted palettes that reveal what Michael Auping, following Donald Judd, calls the “exoskeleton.” These works, with their immediate relationship to architecture, not only function as color experiments but as structural explorations in light, and in his essay, Auping explores how Flavin’s investigations of corners, barriers, and corridors became an essential part of the way the artist understood space. This publication also features rarely seen photographs of Flavin installing his historic 1973 exhibition, as well as detailed notes by Alexandra Whitney about the works included in the St. Louis presentation. Designed by McCall Associates, in close collaboration with the Estate of Dan Flavin, this catalogue presents an especially significant body of work in a completely new way and offers a vital historical perspective on Flavin’s practice.

How does history end? -- The Red Queen -- Will to power -- Economics outside the corridor -- Allegory of good government -- The European scissors -- Mandate of Heaven -- Broken Red Queen -- Devil in the details -- What's the matter with Ferguson? -- The paper leviathan -- Wahhab's children -- Red Queen out of control -- Into the corridor -- Living with the leviathan.