Corridor is a collection of short stories all set in present-day Singapore. With unsentimental clarity and heartbreaking honesty, Alfian Sa’at writes about HDB dwellers – students, housewives and factory workers, whose lives begin to unravel once they discover that happiness is a fragile thing in a country obsessed with progress and success. The characters in each story find themselves in situations that offer them a ticket to hope and change: A video camera transforms the way a resentful daughter sees her widowed mother. A married couple receives free holiday tickets just when their luck seems to have run out. A girl encounters a transvestite on an MRT train ride who tells her that she looks like a famous singer. And a man enters a discotheque after a bitter divorce and re-learns the terror of falling in love all over again. Rich in authentic detail, with a sensitive ear for the vernacular, Corridor paints an elegiac, revealing portrait of contemporary Singaporeans who exist along the city’s corridors – haunted by lost loves, irrevocable childhoods and a deep longing to be free. Corridor won the Singapore Literature Prize Commendation Award in 1998. “Alfian’s stories are significant as they articulate with a critical eye the concerns of minorities, groups that do not or cannot fit the societal norms.” – Paul Tan, The Straits Times “His poet’s eye for freeze framing moments and his command of the language are still very much in evidence in the elegant turns of phrase and the flashes of poetic insight.” – Ong Sor Fern, The Straits Times "The magic of Alfian’s writing is no sleight of hand. It’s no illusion. It’s real.” – Haresh Sharma, playwright of Off Centre

“Feathers—no matter what size or shape or color—are all the same, if you think about them. They’re soft. Delicate. But the secret thing about feathers is . . . they are very strong.” In the pre-Katrina glow of New Orleans, Amanda Salassi is anxious about chaperoning her daughter’s sixth-grade field trip to the Big Easy during Halloween. And then her worst fears come true. Her daughter’s best friend, Sarah, disappears amid the magic and revelry—gone, without a trace. Unable to cope with her guilt, Amanda’s daughter sinks into depression. And Amanda’s husband turns destructive as he watches his family succumb to grief. Before long, Amanda’s whole world has collapsed. Amanda knows she has to save herself before it’s too late. As she continues to search for Sarah, she embarks on a personal journey, seeking hope and purpose in the wake of so much tragedy and loss. Set amidst the murky parishes of rural Louisiana and told through the eyes of two women who confront the darkest corners of humanity with quiet and unbreakable faith, The Feathered Bone is Julie Cantrell’s master portrait of love in a fallen world.

This book puts the short story at the heart of contemporary postcolonial studies and questions what postcolonial literary criticism may be. Focusing on short fiction between 1975 and today – the period in which critical theory came to determine postcolonial studies – it argues for a sophisticated critique exemplified by the ambiguity of the form.

This impressive anthology features twenty writers, most with national reputations and all with ties to the Intermountain West, who tell believable, near-future stories reflecting the region's peculiar subtleties. Their common setting is what is known as The Corridor: the stretch of irrigable land between the Rocky Mountains and the Nevada-Utah desert, stretching from northern Idaho to mid-Arizona.In these haunting stories religious technocrats invade dreams, women mysteriously disappear, Anasazi ruins become latter-day refuges, earthquake predictions spoil an end-of-the-century party, and a fossilized dinosaur wreaks posthumous havoc. Each story carries the depth of authenticity and the power of a twenty-first-century construct. These sophisticated, subversive, and prophetic tales represent contemporary science fiction at its best.Among the contributors are Glenn L. Anderson, Virginia Ellen Baker, Elizabeth H. Boyer, Orson Scott Card, D. William Shunn, Diann Thornley, and Dave Wolverton. In addition to the editor's introduction, a prologue by Barbara Hume sets the stage with Strange Bedfellows -- A History of Science Fiction in the Corridor.

A girl thought to be a boy steals her sister's skirt, while a boy thought to be a girl refuses to wear a cornflower blue dress. One boy's love of a soldier leads to the death of a stranger. The present takes a bittersweet journey into the past when a man revisits the summer school where he had "an accidental romance." And a forgotten mother writes a poignant letter to the teenage daughter she hasn't seen for fourteen years. Poised between the past and the future are the stories of now. In nontraditional narratives, short stories, and brief graphics, tales of anticipation and regret, eagerness and confusion present distinctively modern views of love, sexuality, and gender identification. Together, they reflect the vibrant possibilities available for young people learning to love others—and themselves—in today's multifaceted and quickly changing world.

This collection of essays is the culmination of a symposium on the representation of Malays and Malay culture in Singaporean and Malaysian literature in English held in Universiti Putra Malaysia.

A 12-year-old boy, mourning the death of his mother, takes refuge in the myths and fairytales she always loved--and finds that his reality and a fantasy world start to meld.

The world is sick. The Forces of Chaos have energised the planet. Leaders, führers, duces, prophets, visionaries, gurus, and politicians are all at each others' throats. And Chaos leers over the broken body of Order. So Ryan freezes his family into suspended animation and sets off for the planet Munich 15040, five years distant. There he will re-establish Order in a New World - and create a happier, healthier, saner and more decent society with the ones he loves. But they are suspended. And they cannot talk. And he is alone in space. And he has been travelling for three years. And he will still be travelling two years hence, and he cannot see his destination, and he is ALONE and LOST and CRACKING UP...

Sexuality and Gender at Home is the first book to explore the meanings and experiences of home through the framework of sexuality. Looking at a broad spectrum of sexuality, gender and domesticity, it examines the many ways in which home is constructed, performed and experienced in relation to sexuality and gender. Considering identity issues such as age, class, ethnicity and gender, the authors problematize intimacy and question conventional ways of thinking about allegedly ‘private’ home space. Comprehensive introductions to each of the book’s three sections – on Intimacy and Home, Queering Home, Beyond Home – provide a coherent overview of the existing literature as well as additional historical and cultural context. Fourteen chapters present ground-breaking research and insights into sexuality, gender and home across culture, time and space. Written by academics from a range of subject disciplines, chapters are based on research covering countries including Australia, France, Sweden, the UK, the USA, Guyana, Israel, and Singapore.This highly original text is the ideal starting point for anyone wishing to get to grips with the emerging field of sexuality, gender and home and will particularly appeal to researchers and students in anthropology, architecture, gender studies, sociology, and human geography.