Containing previously unpublished removable memorabilia, intricately reproduced in facsimile form, this album provides an amazing record of 45 years of life on Britain's most famous street. The accompanying CD features dialogue highlights.

Containing a unique selection of removable memorabilia, intricately reproduced in facsimile form, and hundreds of rarely seen archive photographs, this landmark, updated edition provides an amazing record of 50 years of life on Britain's most famous street. House by house, and calling in at the factory, the Rovers, the Kabin, and the corner shop, we discover all sorts of fascinating lost treasures, from adoption certificates, invitations, love letters, and holiday photos to divorce papers, handwritten notes, football-pools forms, birthday cards, clocking-in cards from the factory, prison visiting forms, and much more. In this new edition of The Treasures of Coronation Street, Corrie historian Tim Randall threads it all together to paint a vivid and evocative history of each premises on the street, piecing together the stories of the generations that have passed through from the evidence they've left behind. Subject Television soap operas Completely up to date, this new edition of The Treasures of Coronation Street includes all the most recent story lines, plus new pictures and items of memorabilia. Coronation Street is the longest running and most watched British soap opera, as well as the longest running soap opera in the world. Corrie is broadcast around the world in Canada, the USA, Australia, New Zealand, Belgium, and Sweden. Every Coronation Street fan will want this stunning, collectible edition--a tangible piece of Street history.

- New edition of this exploration of one of Britain's greatest buildings - A comprehensive, beautifully illustrated survey of Westminster Abbey's art treasures Westminster Abbey has a history stretching back over a thousand years. Founded as a Benedictine monastery in the mid-tenth century, it is the coronation church where monarchs have been crowned amid great splendor since 1066. The present church, begun by Henry III in 1245, is a treasure house of architectural and artistic achievement on which each succeeding century has left its mark. The medieval and Renaissance tombs within the Abbey, though among the most important in Europe, form only a small part of the extraordinary collection of gravestones, memorials and monumental sculpture for which it has long been famous. Ranging from the thirteenth-century shrine of St Edward and the Renaissance splendor of Henry VII's Lady Chapel, to the literary memorials of Poets' Corner and the statues of twentieth-century martyrs on the Abbey's west front, this book describes the stained glass, furniture, sculpture, textiles, wall paintings and many other historic artefacts found within this remarkable church. Contents: Introduction; Edward the Confessor's Chapel; Sacrarium and High Altar; Quire and Crossing; North Transept and Ambulatory; South Ambulatory and Transept; Nave; Lady Chapel; Cloisters; Abbey Precincts.

Containing a unique selection of removable memorabilia, intricately reproduced in facsimile form, and hundreds of rarely seen archive photographs, this sumptuous album provides an amazing record of over 45 years of life on Britain?s most famous street. House by house, and also calling in at the Factory, the Rovers, the Kabin and the Corner Shop, wediscover all sorts of fascinating lost treasures, from birth certificates, invitations, love letters and court summonses to divorce papers, old pub menus, football-pools forms, newspaper cuttings, clocking-in cards from the factory, ads from the shop window and much more.

Constructed in 1297−1300 for King Edward I, the Coronation Chair ranks amongst the most remarkable and precious treasures to have survived from the Middle Ages. It incorporated in its seat a block of sandstone, which the king seized at Scone, following his victory over the Scots in 1296. For centuries, Scottish kings had been inaugurated on this symbolic ‘Stone of Scone’, to which a copious mythology had also become attached. Edward I presented the Chair, as a holy relic, to the Shrine of St Edward the Confessor in Westminster Abbey, and most English monarchs since the fourteenth century have been crowned in it, the last being HM Queen Elizabeth II, in 1953. The Chair and the Stone have had eventful histories: in addition to physical alterations, they suffered abuse in the eighteenth century, suffragettes attached a bomb to them in 1914, they were hidden underground during the Second World War, and both were damaged by the gang that sacrilegiously broke into Westminster Abbey and stole the Stone in 1950. It was recovered and restored to the Chair, but since 1996 the Stone has been exhibited on loan in Edinburgh Castle. Now somewhat battered through age, the Chair was once highly ornate, being embellished with gilding, painting and colored glass. Yet, despite its profound historical significance, until now it has never been the subject of detailed archaeological recording. Moreover, the remaining fragile decoration was in need of urgent conservation, which was carried out in 2010−12, accompanied by the first holistic study of the Chair and Stone. In 2013 the Chair was redisplayed to celebrate the Diamond Jubilee of the Coronation of HM The Queen. The latest investigations have revealed and documented the complex history of the Chair: it has been modified on several occasions, and the Stone has been reshaped and much altered since it left Scone. This volume assembles, for the first time, the complementary evidence derived from history, archaeology and conservation, and presents a factual account of the Coronation Chair and the Stone of Scone, not as separate artifacts, but as the entity that they have been for seven centuries. Their combined significance to the British Monarchy and State – and to the history and archaeology of the English and Scottish nations – is greater than the sum of their parts. Also published here for the first time is the second Coronation Chair, made for Queen Mary II in 1689. Finally, accounts are given of the various full-size replica chairs in Britain and Canada, along with a selection of the many models in metal and ceramic which have been made during the last two centuries.

Includes inserts (pictures, document facsimiles, etc.).

From the moment The Rovers Return opened its doors to television viewers more than fifty years ago, the iconic public house has witnessed everything from births, deaths, brawls and break-ups, to weddings, wakes and even its own ghost, all under the watchful eye of legendary landladies such as Annie Walker, Bet Gilroy, and Liz McDonald. The Rovers Return is the hub of Coronation Street and this picture-filled volume is sure to remind fans of many memorable moments.

"The Book of Buried Treasure" by Ralph Delahaye Paine. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A family finds a mysterious bottle. Within the bottle, a book. Within the book, a story. And within the story their own adventure. Supposing a book were to appear sewn from all the different parts of your favorite stories. What could it be, but a tale of change? .Frogs become princes, orphans become kings, kings become beggars, milkmaids become knights. Duels become dances, tombs become houses, a deathly chase becomes a coronation. We read to children bedtime stories that warn them and promise them: all thing change. Then we click off the light, expecting them to be unchanged when they wake in the morning. In a bottle is a book, and in the book is a city built of pieces. In that city is a beggar who became a duke, a rat who becomes a cat, a song that became a promise. Ghosts, assassins, kings and cobblers shift and dance across this city, finding who they are by what story they tell of themselves. And in the very center of the dance, a man stands balanced on a wheel.From the book: I consider. "A good adventure story has a chase through a graveyard. There shall be a duel on a cliff by moonlight or firelight or lightning. There must be treasure. A magic ring. A haunted tomb and a ruined castle. Guards tricked, villains confounded. A lost heir, disguises, an assassin, ghosts, revenge, mutant tigers -" "What?" I ignore that. "- mutant tigers, an ancient battle between good and evil, an execution, a daring escape. There must be a prophecy that actually surprises, a final battle with an unexpected ending. There must be dull villagers, street-smart orphans and an impossibly clever-but-wicked noble villain." "What book is this?" I brush that aside. "No one book. It is my list of pieces from the best. Adventures by night in a graveyard are in Tom Sawyer, in Great Expectations, The Horse and His Boy, in Harry Potter. Duels are in The Three Musketeers and The Princess Bride. The Westing Game and The Three Musketeers have mystery and disguises. The Treasure of Alpheus Winterborn and The Hobbit and Treasure Island and Tom Sawyer have treasures and a mystery. The High King and The Mouse and His Child have a prophecy that actually surprises. Lord of The Rings has magic rings and ghosts and the lost heir and mutant tigers -" "Does not!" " -and The Beggar Princess and The Prince and The Pauper have the clever street-wise kids. Harry Potter and The Black Cauldron and The Sword in the Stone and Momo and The Wizard of Oz all have the crazy wizard and the orphan with a destiny and The Last Unicorn and Lud in the Mist and The Thirteen Clocks and Three Musketeers and The Princess Bride have the sly noble villain."I have to stop for breath. I must be getting old.

A rare look at the exquisite world of Russian treasures that lies beyond Fabergé. Imperial Russia evokes images of a vanished courts unparalleled splendor: magnificent tiaras, gem-encrusted necklaces, snuff boxes and other diamond-studded baubles of the tsars and tsarinas. During that time, jewelry symbolized power and wealth, and no one knew this better than the Romanovs. The era marked the high point of the Russian jewelers' art. Beginning with Catherine I's reign in 1725, in the century when women ruled Russia, until the Russian Revolution of 1917, the imperial capital's goldsmiths perfected their craft, and soon the quality of Russias jewelry equaled, if not surpassed, the best that Europes capitals could offer. Who created these jewels that helped make the Russian Court the richest in Europe? Hint: it wasn't Carl Fabergé. This is the first systematic survey in any language of all the leading jewelers and silver masters of Imperial Russia. The authors skillfully unfold for us the lives, histories, creations, and makers marks of the artisans whose jewels and silver masterworks bedazzled the tsars. The previously unheralded names include Pauzié, Bolin, Hahn, Koechli, Seftigen, Marshak, Morozov, Nicholls & Plincke, Grachev, Sazikov, and many others. The market for these exquisite masterworks is also explored, from its beginnings to today's auction world and collector demand. More than 600 stunning photos reacquaint the world with the master artisans and their creations.