David Simon's The Wire lays out before us a city in which people struggle under the weight of poverty, political corruption, economic despair, educational collapse, and the drug trade. This volume explores the various theological, ethical, and philosophical challenges presented by The Wire. As each season of The Wire unfolds, the moral complexities of life in the city deepen, as the failures of one system have unforeseen effects in other corners of the city. Fleshing out the ongoing tension between the "earthly city" and the City of God, Corners in the City of God is a theological companion to David Simon's masterpiece, inviting the reader to wrestle with the implications of belonging fully to the cities of the world, in all of their splendor and tragedy.

'City of God' explores the role of neo-Pentecostal Christian sects in the religious, social & political life of Guatemala. O'Neill examines one such church, looking at how its practices have become acts of citizenship in a new, politically relevant era for Protestantism.

The City of God is the most influential of Augustine's works, which played a decisive role in the formation of the Christian West. This book is the first comprehensive modern guide to it in any language. The City of God's scope embodies cosmology, psychology, political thought, anti-pagan polemic, Christian apologetic, theory of history, biblical interpretation, and apocalyptic themes. This book is, therefore, at once about a single masterpiece and at the same time surveys Augustine's developing views through the whole range of his thought. The book is written in the form of a detailed running commentary on each part of the work. Further chapters elucidate the early fifth-century political, social, historical, and literary background, the work's sources, and its place in Augustine's writings.The book should prove of value to Augustine's wide readership among students of late antiquity, theologians, philosophers, medievalists, Renaissance scholars, and historians of art and iconography.

Paradise is a garden. . .but heaven is a city. From the acclaimed author of Take This Bread and Jesus Freak comes a powerful new account of venturing beyond the borders of religion into the unpredictable territory of faith. On Ash Wednesday, 2012, Sara Miles and her friends left their church buildings and carried ashes to the buzzing city streets: the crowded dollar stores, beauty shops, hospital waiting rooms, street corners and fast-food joints of her neighborhood. They marked the foreheads of neighbors and strangers, sharing blessings with waitresses and drunks, believers and doubters alike. City of God narrates the events of the day in vivid detail, exploring the profound implications of touching strangers with a reminder of common mortality. As the story unfolds, Sara Miles also reflects on life in her city over the last two decades, where the people of God suffer and rejoice, building community amid the grit and beauty of this urban landscape. City of God is a beautifully written personal narrative, rich in complex, real-life characters, and full of the "wild, funny, joyful, raucous, reverent" moments of struggle and faith that have made Miles one of the most enthralling Christian writers of our time.

The searing novel on which the internationally acclaimed hit film was based. “A Scarface-like urban epic . . . punctuated with lyricism and longing” (Publishers Weekly). City of God is a gritty, gorgeous tour de force from one of Brazil’s most notorious slums. Cidade de Deus: a place where the streets are awash with narcotics, where violence can erupt at any moment over drugs, money, and love—but also a place where the samba beat rocks till dawn, where the women are the most beautiful on earth, and where one young man wants to escape his background and become a photographer. When City of God erupted on screens worldwide, it became one of the most critically and commercially successful foreign films of recent years. But few were aware of the story behind the film. Written by Paulo Lins, who grew up in the favela (shantytown) Cidade de Deus in Rio de Janeiro and who spent years researching its gang history, City of God began life as a coruscating, harrowing novelistic account of twenty years in the illicit pursuits of the youth gangs born from the favela. “With plot devices sometimes as minimal as the dawning of a new day, City of God seems more like a mosaic than a novel, but it’s a mosaic with unforgettably vibrant colors.” —Booklist