Spaces are produced and shaped by discourses and, in turn, produce and shape discourses themselves. ‘Space’ is becoming a significant and complex concept for the encounter between people, cultures, religions, ideologies, politics, between histories and memories, the advantaged and the disadvantaged, the powerful and the weak. As a result, it provides a rich hermeneutical and methodological inventory for mapping interculturality and interreligiosity. This volume looks at space as a critical theory and epistemological tool within cultural studies that fosters the analysis of power structures and the deconstruction of representations of identities within our societies that are shaped by power.

Spaces are produced and shaped by discourses and, in turn, produce and shape discourses themselves. Space is becoming a significant and complex concept for the encounter between people, cultures, religions, ideologies, politics, between histories and memories, the advantaged and the disadvantaged, the powerful and the weak. As a result, it provides a rich hermeneutical and methodological inventory for mapping interculturality and interreligiosity. This volume looks at space as a critical theory and epistemological tool within cultural studies that fosters the analysis of power structures and the deconstruction of representations of identities within our societies that are shaped by power."

Public spaces have long been the focus of urban social activity, but investigations of how public space works often adopt only one of several possible perspectives, which restricts the questions that can be asked and the answers that can be considered. In this volume, Anthony Orum and Zachary Neal explore how public space can be a facilitator of civil order, a site for power and resistance, and a stage for art, theatre, and performance. They bring together these frequently unconnected models for understanding public space, collecting classic and contemporary readings that illustrate each, and synthesizing them in a series of original essays. Throughout, they offer questions to provoke discussion, and conclude with thoughts on how these models can be combined by future scholars of public space to yield more comprehensive understanding of how public space works.

It is not possible to be alive today in the United States without feeling the influence of the political climate on the spaces where people live, work, and form communities. Public Space/Contested Space illustrates the ways in which creative interventions in public space have constituted a significant dimension of contemporary political action, and how this space can both reflect and spur economic and cultural change. Drawing insight from a range of disciplines and fields, the essays in this volume assess the effectiveness of protest movements that deploy bodies in urban space, and social projects that build communities while also exposing inequalities and presenting new political narratives. With sections exploring the built environment, artists, and activists and public space, the book brings together the diverse voices to reveal the complexities and politicization of public space within the United States. Public Space/Contested Space provides a significant contribution to an understudied dimension of contemporary political action and will be a resource to students of urban studies and planning, architecture, sociology, art history, and human geography.

Teresa Pac provides a much-needed contribution to the discussion on shared culture as foundational to societal survival. Through the examination of common culture as a process in medieval Kraków, Poznań, and Lublin, Pac challenges the ideology of difference—institutional, religious, ethnic, and nationalistic. Similarly, Pac maintains, twenty-first century Polish leaders utilize anachronistic approaches in the invention of Polish Catholic identity to counteract the country’s increasing ethnic and religious diversity. As in the medieval period, contemporary Polish political and social elites subscribe to the European Union’s ideology of difference, legitimized by a European Christian heritage, and its intended basis for discrimination against non-Christians and non-white individuals under the auspices of democratic values and minority rights, among which Muslims are a significant target.

Introduction: Thinking about religious space : an introduction to approaches / Jeanne Halgren Kilde -- Conceptualizing space and place : genealogies of change in the study of religion / Juan E. Campo -- Hermeneutics of space : sacred space / Michael J. Crosbie -- Urbanism and religious space / Paul-François Tremlett -- Shared space, or mixed? / Robert M. Hayden -- Decommissioning and reuse of liturgical architectures : historical processes and temporal dimensions / Andrea Longhi -- The impermanence of religious space : three approaches to change in the American religioscape / Jeanne Halgren Kilde -- Planetary identities : globalization, climate change and meaning-making practices / Whitney A. Bauman -- Whose place is it? Layers of community and meaning in the land of Shinto and power spots / Caleb Carter -- Religious place/space in premodern China / Wei-Cheng Lin -- National treasures vs. alien species : religious spaces, raccoons, and national identity in contemporary Japan / Barbara R. Ambros -- Visualizing Himalayan Buddhist sacred sites in 3D/VR : pedagogy and partnership / Lauren Leve and Bradley Erickson -- Form and function in the ancient synagogue : evidence from the second to seventh centuries in Palestine and the diaspora / Marilyn J. Chiat -- A little bit of evil : Masjid Kufa in Early Twelver Shi'ism / Najam Haider -- Mediated spaces of collective ritual : sacred selfies at the Hajj / Nadia Caidi and Mariam Karim -- (In)visible priorities : epigraphic power and identity at a Jordanian state mosque / David Simonowitz -- Exploration of religious spaces in Western Africa : combining approaches to understand spaces / Daniel Dei -- Religious spaces as tourist sites in Ghana / Alice Matilda Nsiah -- Sacred space in 19th century Cape Town : mosque, city, landscape and a radical empiricism of the spatial / Ozayr Saloojee -- Mapping the spiritual Baptist universe : black Atlantic cosmography and the spatiality of spirit in Trinidad and Tobago / Brendan Jamal Thornton -- The spaces of Roman religion and Christianity in late antiquity / Béatrice Caseau Chevallier -- Presence and performance : Orthodox spaces of the Eastern Roman Empire / Amy Papalexandrou -- Remnants of Israel : Jewish spaces and landscapes in medieval and early modern Europe / Jessica Renee Streit and Barry L. Stiefel -- the religious landscape and its architecture in contemporary Europe / Esteban Fernández-Cobián -- Pre-Columbian and indigenous religious spaces in Mesoamerica / Brent K.S. Woodfill -- Protestant architecture in Latin America / Rodrigo Vidal Rojas -- Roman Catholic sacred space / Leonard Norman Primiano -- Protestant spaces in North America / David R. Bains -- Eastern Orthodox spaces in America / Nicholas Denysenko -- Diasporic sacred spaces : the case of boundary making at an American Sufi shrine / Merin Shobhana Xavier -- Women's mosques : spaces to rethink gender and religious authority / Irum Shiekh -- Sites of miracles and other holy places : the Santuario de Chimayó as case study / Brett Hendrickson -- Situating the dead : cemeteries as material, symbolic, and relational space / Avril Madrell and Brenda Mathijssen -- Fundament and abyss : public religion at the Berlin Holocaust Memorial / David Lê.

The night and popular music have long served to energise one another, such that they appear inextricably bound together as trope and topos. This history of reciprocity has produced a range of resonant and compelling imaginaries, conjured up through countless songs and spaces dedicated to musical life after dark. Nocturnes: Popular Music and the Night is one of the first volumes to examine the relationship between night and popular music. Its scope is interdisciplinary and geographically diverse. The contributors gathered here explore how the problems, promises, and paradoxes of the night and music play off of one another to produce spaces of solace and sanctuary as well as underpinning strategies designed to police, surveil and control movements and bodies. This edited collection is a welcome addition to debates and discussions about the cultures of the night and how popular music plays a continuing role in shaping them.

Public theologies reflect on the contextuality of the Christian religion. Much of this contextuality is dependent on place: place as the culture and the society in which religions are situated, place as the position from where a theologian speaks, place as the biographical contingencies that shape people's lives. Moreover, public theologies ask for the contribution of Christian ethics to society, thereby shaping the social, cultural, and religious space to which they belong. The contributions in this volume analyse the categories of space and place in order to deepen the understanding of contextuality, thereby taking up some of the challenges presented by the so-called "spatial turn".

An indispensable guide to seeing and understanding our planet through the divisions we make, find, or feel. Our world has innumerable boundaries. They range from the obvious—an ocean, or a mountain range—to subtle differences in language or climate. We cross boundaries all the time, sometimes without realizing it. They can be subjective: our perceptions of a boundary may not be shared by others. And yet they shape the way we engage with the world. Geographer Maxim Samson examines invisible lines, exploring the ways in which we divide this world—from meteorology and ecology to race and religion—and how they allow us to define “insiders” and “outsiders,” to identify places where particular attention and resources are especially urgent, to distinguish between two sides, two groups, two futures. From segregation along Detroit’s infamous 8 Mile to herds of red deer that still refuse to cross the former Iron Curtain, the existence—or perceived existence—of dividing lines has manifold implications for people, wildlife, and places. Vividly written and illustrated with maps, Invisible Lines is a compelling exploration of boundaries in all their consistency, and all their messiness too.

In this first volume of Brill Research Perspectives in Theology, the field of comparative theology is mapped with particular attention to the tradition associated with Francis Clooney but noting the global and wider context of theology in a comparative mode. There are four parts. In the first section the current field is mapped and its methodological and theological aspects are explored. The second part considers what the deconstruction of religion means for comparative theology. It also takes into consideration turns to lived and material religion. In the third part, issues of power, representation, and the subaltern are considered, including the place of feminist and queer theory in comparative theology. Finally, the contribution of philosophical hermeneutics is considered. The text notes key trends, develops original models of practice and method, and picks out and discusses critical issues within the field.