Judson: Innovation in Stained Glass by David Judson and Steffie Nelson is a history of the world-renowned family of artisans who began crafting stained glass windows in Los Angeles in 1897. Five generations of Judsons have worked with artists, architects, and designers to create Old World-style stained glass whose quality and craftsmanship has often been compared to the work of Louis Tiffany. Famed for its Craftsman glass, Judson arts-and-crafts era windows have been celebrated by experts in the field for decades. Judson's work with Frank Lloyd Wright on Hollyhock House in the 1920s was recently re-saluted when the house was named to the UNESCO World Heritage Sites list. Established in the Pasadena during the heyday of the Arroyo Culture, headquarters of Judson Studios are still housed in the original Craftsman-era home and studio of patriarch William Lees Judson. Much of Judson's finest early work was installed in religious buildings. Along with the studio's numerous institutional and residential projects, Judson: Innovation in Stained Glass illustrates fine work in churches dating back to the early twentieth century. Modern work is also featured, including the extraordinary Air Force Academy Chapel in Colorado Springs, completed in 1962, a mid-century wonder whose soaring panels of color introduced an architecturally mesmerizing approach to stained glass that had never been executed before. In 2018, under David Judson's leadership, the studio created the world's largest fused glass window for the Church of the Resurrection in Leawood, Kansas. Including 140 panels, and measuring more than 3,400 square feet of art glass, the window made news internationally, intriguing congregants, tourists, and stained glass experts alike with its precision detail and artful melding of colors in a mural that depicted both sacred and secular stories. Once Judson Studios developed methods for blending subtle variations of color in glass for the Church of the Resurrection window, the possibilities of glass as an artist's medium were apparent. Now, in addition to its work in traditional leaded stained glass, Judson Studios is working with fine artists creating effects in fused glass that were previously unachievable. Most recently, fine artist Sarah Cain worked with Judson Studios to create a work in glass 10 feet high by 150 feet long; it was installed at the San Francisco International Airport in July 2019. About the Authors: David Judson is president of Judson Studios, the fifth generation of the Judson family to lead the studio since it was founded in 1897. David oversees the studio's creative process, where he works with architects, designers, and artists who turn to Judson for its legendary work in stained glass. In 2015, he opened the second Judson Studios facility which incorporates the firm's innovative fusing technology that allows fine artists to express their vision in glass. David is the president of the Stained Glass Association of America (SGAA) and lives with his family in Pasadena, California. Steffie Nelson has covered art, design, and culture for The New York Times, Los Angeles Times, W Magazine, and others.

A guide to glass fusing, glass slumping, and related kilnforming techniques.

"Author Andrew Moor begins by answering the most basic questions: What is glass art? How are the different materials distinctive? How and by whom is glass art made and installed? What is the artist's role? What do terms such as "float glass," "kiln glass," "flash glass," and "dichroic glass" mean? The book then presents a detailed survey of glass types and styles, from the simplest clear glass to the most complicated colored, carved, etched, and painted works of art." "Architectural Glass Art takes the reader through all the techniques and styles available today. Illustrations not only focus on the works themselves, but show how glass art is incorporated into public and private spaces as an integral part of a building's structure and style. Each chapter includes a special feature on a highly regarded international glass artist; discussions of their innovative designs are accompanied by examples of their work." "Architectural Glass Art is an invaluable resource and inspiration for students, designers, artists, and architects - everyone interested in the latest developments in the contemporary, artistic uses of glass."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Glass Artist's Studio Handbook offers readers a comprehensive and accessible guide to not only the nuts and bolts of this perennially popular craft but insight into the artisan crafter's lifestyle.

Stained glass is a monumental art, a corporate enterprise dependent on a patron with whom artists blend their voices. Combining the fields now labeled decorative arts, architecture, and painting, the window transforms our experience of space. Windows of colored glass were essential features of medieval and Renaissance buildings. They provided not only light to illuminate the interior but also specific and permanent imagery that proclaimed the importance of place. Commissioned by monks, nuns, bishops, and kings, as well as by merchants, prosperous farmers, and a host of anonymous patrons, these windows vividly reflect the social, religious, civic, and aesthetic values of their eras. Beautifully illustrated with reproductions from the remarkable stained glass collection at the J. Paul Getty Museum, Stained Glass addresses the making of a stained glass window, its iconography and architectural context, the patrons and collectors, and the challenges of restoration and display. The selected works include examples from Austria, Belgium, England, France, Germany, the Netherlands, and Switzerland. Subject matter ranges from monumental religious scenes for Gothic churches to lively heraldic panels made for houses and other secular settings. Integrating comparisons to works of art in other media, such as manuscripts, drawings, and panel paintings, this book encourages the general reader to see stained glass as an element of a broad artistic production.

This volume combines two rare and important early 20th-century portfolios to present nearly 200 full-color stained glass designs. Chiefly works by Arnold Lyongrün; includes designs by Bacard, Beauclair, Geyling, others.

The first monograph on the work of a groundbreaking artist in stained glass.

More than 590 brilliantly detailed photos capture the work of 112 glass artists and show the tremendous diversity, depth, and breadth of how this ancient medium is used in the twenty-first century. New and emerging glass artists are featured together with some well-known experts, and all of them challenge the boundaries of familiar techniques. Many of these artists also teach or continue research into the capabilities of glass. Many have won major awards; still others have been the subject of media attention; and many are mentors and leaders of contemporary glass art. Their towering installations, miniscule insects, glass kimonos, and more will inspire everyone interested in appreciating, working with, or collecting glass.

Inspired by the elegant simplicity of the Arts and Crafts movement, this compilation of original patterns is the handiwork of an expert in stained glass design. Artists and artisans will find a wealth of design options among its 73 handsome motifs. Here is a garden of florals, with sprays of blossoms and single buds, running patterns of flowering vines, and other images drawn from the natural world, many reduced in the sinuous curved lines that foreshadow the development of Art Nouveau. Framed by oval, rectangular, square, round, and half-round borders, these royalty-free designs are easily adapted for use in a wide variety of craft projects.

Nearly 400 traditional and domestic designs of popular stained glass windows, Victorian era to 1940s. A rich source book for graphic artists and designers and stained-glass craftspeople. Introduction.