This book features highlights from Russian artist Vladimir Arkhipov's collection of unique inventions. These objects were made by ordinary Russians, at a time when the Soviet Union was in a state of collapse, often inspired by a lack of instant access to manufactured goods.

Vladimir Putin’s return to the Kremlin for a fourth presidential term in 2018 has seen Russian democracy weaken further and Russia’s relations with the West deteriorate seriously. Yet, within Russia, Putin’s position remains unchallenged and his foreign policy battles have received widespread public support. But is Putin as safe as his approval ratings lead us to believe? And how secure is the regime that he heads? In this new book, Neil Robinson places contemporary Russian politics in historical perspective to argue that Putin’s regime has not overcome the problems that underpinned the momentous changes in twentieth-century Russian history when the country veered from tsarism to Soviet rule to post-communist chaos. The first part of the book, outlining why crises have been perennial problems for Russia, is followed by an exploration of contemporary Russian political institutions and policy to show how Putin has stabilised Russian politics. But, while Putin’s achievements as a politician have been considerable in strengthening his personal position, they have not dealt successfully with the enduring problem of the Russian state’s functionality. Like other Russian rulers, Putin has been much better at establishing a political system that supports his rule than he has at building up a state that can deliver material wealth and protection to the Russian people. As a result, Robinson argues, Russia has been and remains vulnerable to political crisis and regime change.

Drawing together episodes of rich atmosphere, this novel is as deep and brooding as the Paris nights that serve as its backdrop. Russian writer Gaito Gazdanov arrived in Paris, as so many did, between the wars and would go on, with this fourth novel, to give readers a crisp rendering of a living city changing beneath its people’s feet. Night Roads is loosely based on the author’s experiences as a cab driver in those disorienting, often brutal years, and the narrator moves from episode to episode, holding court with many but sharing his mind with only a few. His companions are drawn straight out of the Parisian past: the legendary courtesan Jeanne Raldi, now in her later days, and an alcoholic philosopher who goes by the name of Plato. Along the way, the driver picks up other characters, such as the dull thinker who takes on the question of the meaning of life only to be driven insane. The dark humor of that young man’s failure against the narrator’s authentic, personal explorations of the same subject is captured in this first English translation. With his trademark émigré eye, Gazdanov pairs humor with cruelty, sharpening the bite of both.

This volume offers a comprehensive analysis of contemporary Russian conservatism. It studies how the "conservative turn" under Putin manifested itself in the debates on geopolitics, morality, religion, the nation, and the Soviet past.

This book consists of the work of twenty-three poets, living in Russia and abroad and writing during the period since 1975. It is the first dual-language anthology in many years.

This is an in-depth investigation into the life and work of one of the most prominent philosophers of Russian and Russian-Soviet history, Merab Mamardashvili, all of whose ideas are collected here in one book. However, each of his ideas leads much further - deep into philosophy itself, its cultural origins, and to the basis and roots of all human thought.

A fully updated new edition of this overview of contemporary Russia and the influence of its Soviet past.

The Encyclopedia is an invaluable resource on recent and contemporary Russian culture and history for students, teachers, and researchers across the disciplines.

Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language.

The author discusses how Russian art has evolved from icon painting through to Socialist Realism. He examines the work of approximately 50 contemporary artists, all of whom are living and working in the Soviet Union and conveys a general view of life in the USSR.