Discusses 16 working ranches across Texas. Alta Vista, Canales, Catarina, O'Connor and Ray in South Texas; R.A. Brown, Chimney Creek, Goodnight, J. A, Moorhouse, Nail and Renderbrook Spade in the Panhandle; and Northwest Texas; and Hendrson Cove, Hudspeth River, Long X and Hoskins 101 in The Trans-Pecos.

A compelling survey of Texas houses that draw both on the heritage of pioneer ranches and on the twentieth-century design principles of modernism. Helen Thompson and Casey Dunn, the writer/photographer team that produced the exceptionally successful Marfa Modern, join forces again to investigate Texas modernism. The juxtaposition of the sleek European forms with a gritty Texas spirit generated a unique brand of modernism that is very basic to the culture of the state today. Its roots are in the early Texas pioneer houses, whose long, low profiles express an efficiency that is basic to the modern idiom. This Texas-centric style is focused on the relationship of the house to the site, the materials it is made of--most often local stone and wood--and the way the building functions in the harsh Texas climate. Dallas architect David R. Williams was the first to combine modernism with Texas regionalism in the 1930s, and his legacy was sustained by his protégé O'Neil Ford, who practiced in San Antonio from the late 1930s until his death in the mid 1970s. Their approach is seen today in the work of Lake/Flato Architects and a new generation of designers who have emerged from that distinguished firm and continue to elegantly merge modernism with the vocabulary of the Texas ranching heritage. Twenty houses are included from across the state, with examples in major urban centers like Dallas and Austin and in suburban and rural areas, including a number in the evocative Hill Country.

Traces the history and present-day operation of twelve prominent Texas ranches.

Anchored by Austin and San Antonio, Texas Hill Country is celebrated for its frontier history and natural beauty. Architects and interior designers build contemporary houses using local materials and drawing on the area’s diverse heritage—Spanish Colonial missions and Mexican-style haciendas, French pioneers’ log cabins, German stonework, and the legacy of the “new regionalism” espoused by O’Neil Ford in the 1930s—to create inspired residences that respect tradition and allow their owners to enjoy expansive rural surroundings. This volume presents nineteen of the area’s most remarkable private houses, with lush photography to provide a glimpse of how life in Central Texas is unique—from restored Victorian houses in bohemian Southtown, to a glass-walled ranch in Boerne canopied by oak trees; from floating stairs and sustainable systems to the casual elegance of country antiques, screen porches, and longleaf pine floors. The rolling hills, spring-fed creeks, rivers, timber forests, and fertile grass-covered prairies of Hill Country—along with their abundance of natural materials such as limestone, cedar, local pecan, mesquite, oak, and cypress—inspire architects and interior designers to create beautiful modern spaces. They draw from the strong vernacular tradition of classic farmhouses that once dotted the land, and the building techniques that have been handed down through generations. The architecture and interiors featured here in beautiful full-color photography celebrate the wonderful particularities of this singular place.

The Texas state constitution of 1876 set aside three million acres of public land in the Texas Panhandle in exchange for construction of the state’s monumental red-granite capitol in Austin. That land became the XIT Ranch, briefly one of the most productive cattle operations in the West. The story behind the legendary XIT Ranch, told in full in this book, is a tale of Gilded Age business and politics at the very foundation of the American cattle industry. The capitol construction project, along with the acres that would become XIT, went to an Illinois syndicate led by men influential in politics and business. Unable to sell the land, the Illinois group, backed by British capital, turned to cattle ranching to satisfy investors. In tracing their efforts, which expanded to include a satellite ranch in Montana, historian Michael M. Miller demythologizes the cattle business that flourished in the late-nineteenth-century American West, paralleling the United States’ first industrial revolution. The XIT Ranch came into being and succeeded, Miller shows, only because of the work of accountants, lawyers, and managers, overseen by officers and a board of seasoned international capitalists. In turn, the ranch created wealth for some and promoted the expansion of railroads, new towns, farms, and jobs. Though it existed only from 1885 to 1912, from Texas to Montana the operation left a deep imprint on community culture and historical memory. Describing the Texas capitol project in its full scope and gritty detail, XIT cuts through the popular portrayal of great western ranches to reveal a more nuanced and far-reaching reality in the business and politics of the beef industry at the close of America’s Gilded Age.

Rough and tumble, cocky and charming, bullfighter Joe Cassidy is one of the best in the business... And he's way out of Violet's league. But it's going to take more than impossible odds to keep this fierce single mother from her forever cowboy. Violet Jacobs is fearless. At least, that's what the men she snatches from under the hooves of bucking horses think. Outside the ring, she's got plenty of worries rattling her bones: her young son, her mess of a love life, and lately, her family's struggling business. When she takes matters into her own hands and hires on a hotshot new bullfighter, she expects to start a ruckus. She never expected stubborn, showboating, secret heart-of-gold Joe Cassidy. Joe came to Texas to escape a life spiraling out of control. He never planned on sticking around, and he certainly never expected to call this dry and dusty backwater home. But Violet is everything he never knew he was missing, and the deeper he's pulled into her beautiful mess of a family, the more he realizes this fierce, fiery woman may be offering him the one thing he never could find on his own. People are falling in love with Kari Lynn Dell's rodeo cowboy romance: "Look out, world! There's a new cowboy in town."—CAROLYN BROWN, New York Times Bestselling Author "A fun, wild ride!"—B.J. DANIELS, New York Times Bestselling Author "Real Ranches. Real Rodeo. Real Romance."—LAURA DRAKE, author of Sweet on a Cowboy series "An extraordinarily gifted writer."—KAREN TEMPLETON, author of Wed in the West series Need more convincing? Just watch these sparks fly: Joe lifted a finger to brush back a strand of her hair, savoring the cool slide of it over his skin. She frowned, but didn't slap at his hand, didn't shrink away when he leaned in. Would she let him kiss her? Maybe, but he was enjoying the slow rev of his engine, the lazy swell of heat, all from just sitting next to her, barely touching. He traced a line down the side of her neck, watching the skin pebble in response. "Go out with me, Violet." Her forehead puckered. "But...I don't even like you." "Yes, you do." She sucked in an outraged breath, but Joe only smiled wider.

"Dell takes you on a fun, wild ride!" —B.J. DANIELS, New York Times Bestselling Author He's got five rules And she's aiming to break them all Rodeo producer Cole Jacobs has his hands full running Jacobs Livestock. He can't afford to lose a single cowboy, so when Cousin Violet offers to send along a more-than-capable replacement, he's got no choice but to accept. He expects a grizzled Texas good ol' boy. He gets Shawnee Pickett. Wild and outspoken, ruthlessly self-reliant, Shawnee's not looking for anything but a good time. It doesn't matter how quickly the tall, dark and intense cowboy gets under her skin—Cole deserves something real, and Shawnee can't promise him forever. Life's got a way of kicking her in the teeth, and she's got her bags packed before tragedy can knock her down. Too bad Cole's not the type to give up when the going gets tough... Texas Rodeo Series: Reckless in Texas (Book 1) Tangled in Texas (Book 2) Tougher in Texas (Book 3) Fearless in Texas (Book 4) Mistletoe in Texas (Book 5) What People Are Saying about the Texas Rodeo series: "Look out, world! There's a new cowboy in town." —CAROLYN BROWN, New York Times Bestselling Author "An extraordinarily gifted writer."—KAREN TEMPLETON, author of Wed in the West series "Real Ranches. Real Rodeo. Real Romance."—LAURA DRAKE, author of Sweet on a Cowboy series "A sexy, engaging romance set in the captivating world of rodeo."—Kirkus "Illuminating...a standout in western romance."—Publishers Weekly

From rugged and functional to stylized and adorned, ranch gates in Colorado, Utah, Nevada, Oklahoma, New Mexico, and Arizona are highlighted in more than 100 full-color photos. This coffee-table edition is both a sumptuous documentary record and a tribute to a quintessentially American symbol.

Helen Tiegs didn't take to driving a tractor when she became a farmer's wife, but after fifty years she considers herself the hub of the family operation. Lila Hill taught piano, then ultimately took a job off the farm to augment the family income during a period of rising costs. From Montana's cattle pastures to New Mexico's sagebrush mesas, women on today's ranches and farms have played a crucial role in a way of life that is slowly disappearing from the western landscape. Recalling her own family-farm ties, Sandra Schackel set out to learn how these women's lives have changed over the second half of the twentieth century. In Working the Land, she collects oral histories from more than forty women—in Arizona, Colorado, Idaho, New Mexico, Oregon, and Texas—recalling their experiences as ranchers and farmers in a modernizing West. Through this diverse group of women—white and Hispanic, rich and poor, ranging in age from 24 to 83—we gain a new perspective on their ties to the land. Although western ranch and farm women have often been portrayed as secondary figures who devoted themselves to housekeeping in support of their husbands' labors, Schackel's interviews reveal that these women have had a much more active role in defining what we know as the modern American West. As Schackel listened to their stories, she found several currents running through their recollections, such as the satisfaction found in living the rural lifestyle and the flexibility of gender roles. She also learned how resourceful women developed new ways to make their farms work—by including tourism, summer camps, and bed-and-breakfast operations—and how many have become activists for land-based issues. And while some like Lila made the difficult decision to work off the farm, such sacrifices have enabled families to hold onto their beloved land. Rich with memory and insight into what makes America's family farms and ranches tick, Working the Land provides a deeper understanding of the West's development over the last fifty years along with new perspectives on shifting attitudes toward women in the workforce. It is both a long-overdue documentation of the lives of hard-working farm women and a celebration of their contributions to a truly American way of life.