This book represents the first work of history dedicated to the crusade of King Conrad III of Germany (1146-49), emperor-elect of the western Roman Empire and the most powerful man yet to assume the Cross. Even so, many of the people following the king on the Second Crusade were dead before they reached Constantinople and their ranks were devastated in Anatolia. Yet he went on to join with his fellow kings, Louis VII of France and Baldwin III of Jerusalem, in an attempt to capture the city of Damascus, the most powerful Muslim stronghold in southern Syria. Their unsuccessful attack lasted just five days. The recriminations for the many privations and problems the Germans suffered and encountered in Byzantium, Anatolia and Outremer were long and loud and have echoed down the ages: German indiscipline and poor leadership, Byzantine deceit and duplicity, and the self-serving interests of a Latin Jerusalemite nobility were and still are blamed for the various failings of the expedition. Scrutinising the original source evidence to an unprecedented degree and employing a range of innovative, multi-disciplinary approaches this work challenges the traditional and more recent historiography at every turn leading to a significantly clearer and fundamentally different understanding of the expedition's complex and much maligned history.

This book explores the wide-ranging consequences of Germany's short-lived colonial project for the nation, and European and global history.

Translation of award-winning study of the development of German nationalism in a global context.

"Extraordinarily compelling. The Quest for the Lost Nation is a model for comparative history-and should serve as an incentive for a new generation to do more of this kind of work."--Michael Geyer, University of Chicago.

A comprehensive collection of 20th century research on Joseph Conrad, this volume outlines the shift from a humanist and anthropological interest in Conrad as a 'metaphysical' author to the appreciation of Conrad as a nihilist and skeptic of the modernist epoch.

This collection provides a comprehensive treatment of the German colonial empire and its significance. Leading scholars show not only how the colonies influenced metropolitan life and the character of German politics during the Bismarckian and Wilhelmine eras (1871–1918), but also how colonial mentalities and practices shaped later histories during the Nazi era. In introductory essays, editors Geoff Eley and Bradley Naranch survey the historiography and broad developments in the imperial imaginary of the nineteenth and twentieth centuries. Contributors then examine a range of topics, from science and the colonial state to the disciplinary constructions of Africans as colonial subjects for German administrative control. They consider the influence of imperialism on German society and culture via the mass-marketing of imperial imagery; conceptions of racial superiority in German pedagogy; and the influence of colonialism on German anti-Semitism. The collection concludes with several essays that address geopolitics and the broader impact of the German imperial experience. Contributors. Dirk Bönker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff Eley, Jennifer Jenkins, Birthe Kundus, Klaus Mühlhahn, Bradley Naranch, Deborah Neill, Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen, Andrew Zimmerman

Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age. With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad's works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad's reception throughout the continent.

When you piss off a bridge into a snowstorm, it feels like you’re connecting with eternal things. Paying homage to something or someone. But who? The Druids? Walt Whitman? No, I pay homage to one person only, my brother, my twin. In life. In death. Telemachus. Since the death of his brother, Jonathan’s been losing his grip on reality. Last year’s Best Young Poet and gifted guitarist is now Taft High School’s resident tortured artist, when he bothers to show up. He's on track to repeat eleventh grade, but his English teacher, his principal, and his crew of Thicks (who refuse to be seniors without him) won’t sit back and let him fail.

Conrad Veidt, a native of Berlin, began acting in small parts as an extra until called into service during World War I. After his discharge he began a theater career that subsequently led to films and more than one turn as a director. This work thoroughly details Veidt's film career. It lists all movies that he was involved in and provides a synopsis, cast and crew, and reviews of each film. There are many photographs, a list of films that he is thought possibly to have been involved in, and an extensive bibliography.

This book analyses the relationship between Conrad's work and three major subjects: the philosophy of history, nationalism (in Europe and Latin America), and Conrad's interest in French Romanticism and Napoleon Bonaparte. As well as discussing more well-known works, Niland re-evaluates the long-neglected late novels The Rover and Suspense.