Conquered England argues that Duke William of Normandy's claim to succeed Edward the Confessor on the throne of England profoundly influenced not only the practice of royal succession, but also played a large part in creating a novel structure of land tenure, dependent on the king. In these two fundamental respects, the attempt made in the aftermath of the Conquest to demonstrate seamless continuity with Anglo-Saxon England severed almost all continuity. A paradoxical result was a society in which instability in succession at the top exacerbated instability lower down. The first serious attempt to address these problems began when arrangements were made, in 1153, for the succession to King Stephen. Henry II duly succeeded him, but claimed rather to have succeeded his grandfather, Henry I, Stephen's predecessor. Henry II's attempts to demonstrate continuity with his grandfather were modelled on William the Conqueror's treatment of Edward the Confessor. Just as William's fabricated history had been the foundation for the tenurial settlement recorded in the Domesday Book, so Henry II's, in a different way, underpinned the early common law procedures which began to undermine aspects of that settlement. The official history of the Conquest played a crucial role not only in creating a new society, but in the development of that society.

"Outstanding." - The Sunday Times "Beautifully written." The Times "Superbly adroit." The Spectator "Excellent." BBC History Magazine The Battle of Hastings and its aftermath nearly wiped out the leading families of Anglo-Saxon England – so what happened to the children this conflict left behind? Conquered offers a fresh take on the Norman Conquest by exploring the lives of those children, who found themselves uprooted by the dramatic events of 1066. Among them were the children of Harold Godwineson and his brothers, survivors of a family shattered by violence who were led by their courageous grandmother Gytha to start again elsewhere. Then there were the last remaining heirs of the Anglo-Saxon royal line – Edgar Ætheling, Margaret, and Christina – who sought refuge in Scotland, where Margaret became a beloved queen and saint. Other survivors, such as Waltheof of Northumbria and Fenland hero Hereward, became legendary for rebelling against the Norman conquerors. And then there were some, like Eadmer of Canterbury, who chose to influence history by recording their own memories of the pre-conquest world. From sagas and saints' lives to chronicles and romances, Parker draws on a wide range of medieval sources to tell the stories of these young men and women and highlight the role they played in developing a new Anglo-Norman society. These tales – some reinterpreted and retold over the centuries, others carelessly forgotten over time – are ones of endurance, adaptation and vulnerability, and they all reveal a generation of young people who bravely navigated a changing world and shaped the country England was to become.

George Garnett shows the power of an idea - William the Conqueror's claim to succeed Edward the Confessor on the throne of England in 1066 - to shape the practice of Royal succession and the structure of aristocratic land tenure in post-Conquest England. In terms of the king's novel powers over the tenure of land, it created a kingdom which was unique in medieval Europe, with profound political consequences, and which shaped a whole society.

A riveting and authoritative history of the single most important event in English history: The Norman Conquest. An upstart French duke who sets out to conquer the most powerful and unified kingdom in Christendom. An invasion force on a scale not seen since the days of the Romans. One of the bloodiest and most decisive battles ever fought. This new history explains why the Norman Conquest was the most significant cultural and military episode in English history. Assessing the original evidence at every turn, Marc Morris goes beyond the familiar outline to explain why England was at once so powerful and yet so vulnerable to William the Conqueror’s attack. Morris writes with passion, verve, and scrupulous concern for historical accuracy. This is the definitive account for our times of an extraordinary story, indeed the pivotal moment in the shaping of the English nation.

The cataclysmic conquests of the eleventh century are here set together for the first time.

This edition investigates the Norman Conquest from a number of perspectives, examining the dynamics of colonisation & exploring the effect of the Norman settlement in a number of key areas, including government, military organisation & the Church.

Born as a Germanic tongue with the arrival in Britain of the Anglo-Saxons in the early medieval period, heavily influenced by Norman French from the 11th century, and finally emerging as modern English from the late Middle Ages, the English language has grown to become the linguistic equivalent of a superpower, and is now sometimes described as the world's lingua franca. Worldwide, some 380 million people speak English as a first language and some 600 million as a second language. A staggering one billion people are believed to be learning it. English is the premier international language in communications, science, business, aviation, entertainment, and diplomacy and also on the Internet. It has been one of the official languages of the United Nations since its founding in 1945. It is considered by many good judges to be well on the way to becoming the world's first universal language Author Philip Gooden tells the story of the English language in all its richness and variety. From the intriguing origins and changing definitions of common words such as OK, berserk, curfew, cabal, and pow-wow, to the massive transformations wrought in the vocabulary and structure of the language by Anglo-Saxon and Norman conquest, through to the literary triumphs of Beowulf, The Canterbury Tales and the works of Shakespeare. The Story of English is a fascinating tale of linguistic, social and cultural transformation, and one that is accessibly and authoritatively told by an author in perfect command of his material.