The middle-class nuclear family model has long dominated discourses on family in Japan. Yet there have always been multiple configurations of family and kinship, which, in the context of significant socio-economic and demographic shifts since the 1990s, have become increasingly visible in public discourse. This book explores the meanings and practices of "family" in Japan, and brings together research by scholars of literature, gender studies, media and cultural studies, sociology and anthropology. While the primary focus is the "Japanese" family, it also examines the experience and practice of family beyond the borders of Japan, in such settings as Brazil, Australia, and Bali. The chapters explore key issues such as ageing, single households, non-heterosexual living arrangements and parenting. Moreover, many of the issues addressed, such as the growing diversity of family, the increase in single-person households, and the implications of an ageing society, are applicable to other mature, late-industrial societies. Employing both multi- and inter-disciplinary approaches, this book combines textual analysis of contemporary television, film, literature, manga, anime and other media with empirical and ethnographic studies of families in Japan and in transnational spaces. As such, it will be of great interest to students and scholars working across a number of fields including Japanese culture and society, sociology of family, gender studies, film and media studies, literature and cultural studies, and gerontology.

The middle-class nuclear family model has long dominated discourses on family in Japan. Yet there have always been multiple configurations of family and kinship, which, in the context of significant socio-economic and demographic shifts since the 1990s, have become increasingly visible in public discourse. This book explores the meanings and practices of "family" in Japan, and brings together research by scholars of literature, gender studies, media and cultural studies, sociology and anthropology. While the primary focus is the "Japanese" family, it also examines the experience and practice of family beyond the borders of Japan, in such settings as Brazil, Australia, and Bali. The chapters explore key issues such as ageing, single households, non-heterosexual living arrangements and parenting. Moreover, many of the issues addressed, such as the growing diversity of family, the increase in single-person households, and the implications of an ageing society, are applicable to other mature, late-industrial societies. Employing both multi- and inter-disciplinary approaches, this book combines textual analysis of contemporary television, film, literature, manga, anime and other media with empirical and ethnographic studies of families in Japan and in transnational spaces. As such, it will be of great interest to students and scholars working across a number of fields including Japanese culture and society, sociology of family, gender studies, film and media studies, literature and cultural studies, and gerontology.

This book presents an ethnographic investigation of intimate and reproductive behaviour in current Japanese society, grounded in the viewpoints of a group of Japanese mothers. It adopts a new approach in studying the decreasing fertility rates which are contributing to the ageing population in modern Japan. Based on the accounts of 57 married Japanese women, it employs symbolic interactionism as a framework to examine the various factors affecting decision-making on childbirth. The influence of Assisted Reproductive Technologies (ARTs), abortion and contraception in the daily interactions and experiences of the mothers are analysed to offer a new perspective on the Japanese demographic conundrum. With strong contextual information as the foundation, the book contributes fresh insight into how Japanese women perceive the idea of childbirth in a modernized society, and also assists our understanding of the factors causing Japan’s ageing population. Further, it places the mothers’ experiences within current global debates to highlight the salience of the Japanese case. As the first book to provide an in-depth examination of the social process underpinning the decision to become a mother in Japan, it will appeal to students and scholars of Japanese culture and society, Gender Studies, and Sociology.

The Routledge Handbook of Contemporary Japan presents a synthesized, interdisciplinary study of contemporary Japan based on up-to-date theoretical models designed to provide readers with a comprehensive and full understanding of the dynamics of contemporary Japan. In order to achieve this, the Handbook is organized into two parts. Part I, ‘Foundations’, clarifies the state of contemporary Japan topic by topic by referring to the latest theoretical developments in the relevant disciplinary fields of politics, international relations, economy, society, culture and the personal. Part II, ‘Issues’, then offers a series of concrete analyses building upon the theoretical discussions introduced in Part I to help undergraduate and postgraduate students learn how to conduct independent analysis. Locating Japan in a comparative and interdisciplinary perspective, this Handbook is an essential resource for students and scholars interested in Japanese studies, Asian studies and global studies.

This collection of essays explores cultural narratives of care in the contexts of ageing and illness. It includes both text-based and practice-based contributions by leading and emerging scholars in humanistic studies of ageing. The authors consider care not only in film (feature and documentary) and literature (novel, short story, children’s picturebook) but also in the fields of theatre performance, photography and music. The collection has a broad geographical scope, with case studies and primary texts from Europe and North America but also from Hong Kong, Japan, Australia, Argentina and Mexico. The volume asks what care, autonomy and dependence may mean and how these may be inflected by social and cultural specificities. Ultimately, it invites us to reflect on our relations to others as we face the global and local challenges of care in ageing societies.

This thoroughly revised and updated third edition of Modern Japan provides a concise and fascinating introduction to the social, cultural and political history of modern Japan. Ranging from the Tokugawa period to the present day, Tipton links everyday lives with major historical developments, charting the country’s evolution into a modernized, economic and political world power. Drawing on the latest research, the book features new material on the global financial crisis, the Fukushima nuclear disaster and continuing political instability. While retaining analysis of women's issues, minorities and popular culture, this third edition's expanded coverage of Japan's role in the Second World War, life in the empire and the history of science, medicine and technology contributes to a sense of the complexity and diversity of modern Japan. Including an updated chronology, glossary and guide to further reading, as well as new maps and illustrations to help students to engage directly with the subject matter, this highly accessible and comprehensive textbook is an essential resource for students, scholars and teachers of Japanese history, politics, culture and society.

This Companion is a comprehensive examination of the varied ways in which gender issues manifest throughout culture in Japan, using a range of international perspectives to examine private and public constructions of identity, as well as gender- and sexuality-inflected cultural production. The Routledge Companion to Gender and Japanese Culture features both new work and updated accounts of classic scholarship, providing a go-to reference work for contemporary scholarship on gender in Japanese culture. The volume is interdisciplinary in scope, with chapters drawing from a range of perspectives, fields, and disciplines, including anthropology, art history, history, law, linguistics, literature, media and cultural studies, politics, and sociology. This reflects the fundamentally interdisciplinary nature of the dual focal points of this volume—gender and culture—and the ways in which these themes infuse a range of disciplines and subfields. In this volume, Jennifer Coates, Lucy Fraser, and Mark Pendleton have brought together an essential guide to experiences of gender in Japanese culture today—perfect for students, scholars, and anyone else interested in Japan, culture, gender studies, and beyond.

An interdisciplinary look at the dramatic changes in the contemporary Japanese family, including both empirical data and analyses of popular culture.

Japan is a mix of the old and the new, traditional and modern, and old fashion and innovative. It has traveled the road to a modern destination without totally losing sight of its traditions and values. Although some in Japan lament the passing of old ways, Japan has held on to a reasonable amount of its traditions and values. This is easier to find in its arts and crafts and its literature and films as well as in its social habits. This book will introduce the broad sweep of people, events, and trends, including the successes and failures, of postwar Japan. This second edition of Historical Dictionary of Postwar Japan contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Japan.

Arthouse Crime Scenes is the first book to address the relationship between art cinema and crime, contributing to the study of both categories. Case studies are provided of works by celebrated filmmakers including Lucretia Martell, Kleber Mendonça Filho, Bong Joon Ho, Nuri Bilge Ceylan, Hirokazu Koreeda, Jia Zhangke, Andrey Zvyagintsez and Lee Chang-dong. How is crime represented in art cinema? And how can this be understood in the context of global sociopolitical and film-industrial trends? Arthouse crime scenes draw on variable combinations of elements associated with art cinema and crime genres. Crime might be shown or lurk only at the edges. It might be left unresolved or unexplained. Crime can be petty and small scale or raise big questions associated with the arthouse sector: political issues, the nature of humanity, truth and knowability. In this book, close textual analysis is combined with focus on social and industrial contexts. A recurring theme is the situation of arthouse crime films within differing manifestations of broader processes of late-modern neoliberal globalization and cultural hybridity. Approaches examined range from the oblique to social realism and other mixtures of crime and arthouse tendencies.