Werner Senn’s Conrad’s Narrative Voice draws on the methodology of linguistic stylistics and the analysis of narrative discourse to discuss Joseph Conrad’s perception of the role and the limitations of language. Tracing recurrent linguistic patterns allows Senn to demonstrate that Conrad’s view of the radical indeterminacy of the world is conveyed on the most basic levels of the author’s (often criticised) verbal style but permeates his work at all levels of the narrative. Detailed stylistic analysis also reveals the importance, to Conrad, of the spoken word, of oral communication. Senn argues that the narrators’ compulsive efforts to make their readers see and understand reflect Conrad’s ethics of human solidarity in a world he depicts as hostile, enigmatic and often senseless.

Originally published in 1979, this concordance to Heart of Darkness is intended for use by the general student of Conrad who wants to determine the exact denotation and connotation of Conrad’s vocabulary, or the patterns of imagery in his work, quickly and effortlessly. It prints under each word every logical context in which it occurs. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

A comprehensive collection of 20th century research on Joseph Conrad, this volume outlines the shift from a humanist and anthropological interest in Conrad as a 'metaphysical' author to the appreciation of Conrad as a nihilist and skeptic of the modernist epoch.

"An Outpost of Progress" is a short story written in July 1896[1] by Joseph Conrad, drawing on his own experience at Congo. It was published in the magazine Cosmopolitan in 1897 and was later collected in Tales of Unrest in 1898. Conrad in 1900 contributed this story to "The Ladysmith Treasury," to provide aid to English citizens besieged in Ladysmith, South Africa, during the Boer War. Often compared with Heart of Darkness, Conrad considered it his best tale, owing to its "scrupulousness of tone" and "severity of discipline".

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.