AConcord Floral is a one-million-square-foot abandoned greenhouse and a refuge for neighbourhood kids; a place all to themselves in which to dream, dare, and come of age. But hidden there is a secret no one wants to confront, and when two friends stumble upon it they set off an unstoppable chain of events, from shadows in parking lots to phone calls from the grave. It's time for the teens of Concord Floral to start talking.

NATIONAL BESTSELLER SCOTIABANK GILLER PRIZE FINALIST A propulsive literary page-turner about a family torn apart by a mother’s obsession with a sound that no one else can hear One night, while lying in bed next to her husband, Claire Devon suddenly hears a low hum. This innocuous sound, which no one else in the house can hear, has no obvious source or medical cause, but it begins to upset the balance of Claire’s life. When she discovers that one of her students can also hear the hum, the two strike up an unlikely and intimate friendship. Finding themselves increasingly isolated from their families and colleagues, they fall in with a disparate group of people who also perceive the sound. What starts out as a kind of neighbourhood self-help group gradually transforms into something much more extreme, with far-reaching, devastating consequences. The Listeners is an electrifying novel that treads the thresholds of faith, conspiracy and mania. Compelling and exhilarating, it forces us to consider how strongly we hold on to what we perceive, and the way different views can tear a family apart.

A new play from the winner of the 2014 Governor General's Literary Award for Drama.

When you wake up in a cold sweat at night and you think someone is watching you, well it's me. I'm watching you. And that cold sweat on your body, those are my tears. When the Shaun-Hastings sit down to dinner with the Dermots, closure is on the menu but recrimination becomes the main course. As their good intentions are stripped away, both couples' culpability in a tragedy is laid bare. At a dinner party where grief is the loudest guest, Late Company asks the question: How well can a parent ever know their child? Jordan Tannahill's Late Company received its European premiere at the Finborough Theatre, London, in April 2017 and transferred to the Trafalgar Studios, London, in August of the same year.

This is a pressed bruise. This is Greta Garbo's smile. This is the smell of Windex. Declarations is an imperfect chronicle of a life lived; a body pulled through time, encountering meteorological phenomenon, mythology, political calamity, pop culture, and everyday happenstance along the way. Written in the wake of his mother's terminal cancer diagnosis, Tannahill's Declarations is a staggering archive of sensations, memories, and voices asserting that here lived, for a time, a woman. Jordan Tannahill is an Ottawa-born, London UK–based playwright and filmmaker. His work has been presented at major theaters and festivals across Canada and internationally.

Three fresh and riveting works, each exploring the lives of gay and lesbian youth faced with intolerance and violence.

Unlike most flower-arrangement books, which rely on expensive and often nonseasonal flowers from florists, this book presents an alternative that is in line with the “back to nature” movement. This is the first volume to showcase how to be inspired by nature’s seasonal bounty and bring that nature into the home through floral arrangements. From the well-known lifestyle photographer Ngoc Minh Ngo and Nicolette Owen of Brooklyn’s Little Flower School, Bringing Nature Home presents a portfolio of unique and original floral arrangements directly inspired by the seasons and the local environment, with sources ranging from farmers’ market offerings to the backyard garden. Presented through lush photography that also showcases the beautiful interiors the arrangements are created for, this is as much a decorating tome as it is a floral-arrangement guide. A how-to section offers advice on the selection, trimming, and care of the arrangements and on repurposed and unique containers, making this book practical as well as inspiring.

From award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s Leaving the Atocha Station and Sheila Heti’s How Should a Person Be. At 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself. From androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, Liminal is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.

From July 7th to August 6th, 2015, we walked 700 kilometres, from Pennsylvania to Ontario. A stranger asked if we were walking to learn how to work and be together. This was certainly part of it. In July 2015, Erin Brubacher and Christine Brubaker, two politically left, secular, Canadian women traced the migration route of their Mennonite ancestors by walking from Pennsylvania to Ontario, through the American Bible Belt. Along the way they were hosted by a series of people with whom they had next to nothing in common. They were welcomed into strangers' homes and treated as family. On their journey they encountered folks with religious and political beliefs very different from their own and learned to question what conversations to enter and how far to take them. They accomplished this and so much more while navigating their own relationship and the challenges of being with another person, on foot, for 32 days. 7th Cousins: An Automythography documents the walk itself and the performance text they generated afterwards. Included throughout are photo essays from the journey and commentaries from their collaborators Christopher Stanton, Andrea Nann, Kaitlin Hickey and Erum Khan. Praise for 7th Cousins "7th Cousins is a sharp, very personal and insightful work of documentary theatre that embodies a kind of honest female friendship that is so important to experience in our current moment, as well as a journey into the U.S. that gives trenchant insights far beyond what I was expecting." --Jacob Wren, author of Authenticity is a Feeling: My Life in PME-ART and Rich and Poor