The first biography of one of the most controversial and fascinating women of the twentieth century. Beautiful, brilliant, and captivating, Madame Chiang Kai-shek seized unprecedented power during China’s long and violent civil war. She passionately argued against Chinese Communism in the international arena and influenced decades of Sino-American relations and modern Chinese history. Raised in one of China’s most powerful families and educated at Wellesley College, Soong Mayling went on to become wife, chief adviser, interpreter, and propagandist to Nationalist leader Generalissimo Chiang Kai-shek. She sparred with international leaders like Churchill and Roosevelt, and impressed Westerners and Chinese alike with her acumen, charm, and glamour. But she was also decried as a manipulative Dragon Lady,” and despised for living in American-style splendor while Chinese citizens suffered under her husband’s brutal oppression. The result of years of extensive research in the United States and abroad, and written with access to previously classified CIA and diplomatic files, Madame Chiang Kai-shek objectively evaluates one of the most powerful and fascinating women of the twentieth century. “Li brilliantly analyzes a fearless and profoundly conflicted woman of extraordinary force.” —Booklist

When Chiang Kai-shek arrived at Sian in the fall of 1936 and laid plans for launching his last campaign against the Red Army with an expectation of exterminating it in a month, he badly misjudged the mood of the Tungpei (Northeast) Army and more so its leader, Chang Hsueh-liang, better known as the Young Marshal. Refusing to fight the Communists, Chang with the loyal support of his officers staged a coup d’état by kidnapping Chiang Kai-shek for two weeks at Sian. Almost forty years after the melodrama was over, the Sian Incident still absorbs much attention from both Chinese and Western scholars as well as the reading public. The Sian Incident attempts to bring together whatever information has been thus far gleaned about the subject, and to cover all aspects and controversies involved in it. [1, xi, xii]

Tells the story of the growing Chinese Navy - The People's Liberation Army Navy (PLAN) - and its expanding capabilities, evolving roles and military implications for the USA. Divided into four thematic sections, this special collection of essays surveys and analyzes the most important aspects of China's navel modernization.

This portrait of social change in the North China plain depicts how the world of the Chinese peasant evolved during an era of war and how it in turn shaped the revolutionary process. The book is based on evidence gathered from archives and interviews with villagers and rural officials.

The Chinese Communist system was from its very inception based on an inherent contradiction and tension, and the Cultural Revolution is the latest and most violent manifestation of that contradiction. Built into the very structure of the system was an inner conflict between the desiderata, the imperatives, and the requirements that technocratic modernization on the one hand and Maoist values and strategy on the other. The Cultural Revolution collects four papers prepared for a research conference on the topic convened by the University of Michigan Center for Chinese Studies in March 1968. Michel Oksenberg opens the volume by examining the impact of the Cultural Revolution on occupational groups including peasants, industrial managers and workers, intellectuals, students, party and government officials, and the military. Carl Riskin is concerned with the economic effects of the revolution, taking up production trends in agriculture and industry, movements in foreign trade, and implications of Masoist economic policies for China’s economic growth. Robert A. Scalapino turns to China’s foreign policy behavior during this period, arguing that Chinese Communists in general, and Mao in particular, formed foreign policy with a curious combination of cosmic, utopian internationalism and practical ethnocentrism rooted both in Chinese tradition and Communist experience. Ezra F. Vogel closes the volume by exploring the structure of the conflict, the struggles between factions, and the character of those factions.

A ground-breaking analysis of how the Malayan Communist Party helped forge a Malayan national identity, while promoting Chinese nationalism.

Chapters by scholars of Chinese history and art and by artists whose careers were shaped by the Cultural Revolution decode the rhetoric of China's turbulent decade. The many illustrations in the book, some familiar and some never seen before, also offer new insights into works that have transcended their times."--BOOK JACKET.

Amongst the Chinese exists great cultural variety and diversity. The Cantonese care more for profit than face and are good businessmen, whereas Fujian R‚n are frank, blunt and outspoken but daring and generous. Beijing R‚n are more aristocratic and well-mannered, having stayed in a city ruled by emperors of different dynasties. Shanghai R‚n are more enterprising, adventurous and materialistic but less aristocratic, having been at the center of pre-war gangsterism. Hainan R‚n are straightforward, blunt and stubborn. Hunan R‚n are more warlike and have produced more marshals and generals than any other province.Pioneers of Modern China is a fascinating book that paints a vivid picture of the unique cultural characteristics and behavior of the Chinese in the various provinces. Using leaders in the modern history of China, such as Sun Yat Sen, Chiang Kai Shek, Mao Zedong, Zhou Enlai, Deng Xiaoping, Jiang Zemin, Hu Jintao and Wen Jiabao as representatives, it offers an in-depth look into the psyche of the Chinese people. It also pays tribute to writers, painters and kungfu experts, who have helped to develop the country socially and artistically.

Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant. “A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.