This book identifies, for the first time since antiquity, the sources and meanings of more than 50 ancient Egyptian symbols, including the Eye of Horus, evil god Seth and his strange head, 10 major crowns, and the symbolic foundations of Osirian mythology, backbone of ancient Egyptian religion for more than 2000 years. These are paradigm-changing discoveries. Most of them are based on detailed examinations of living examples of ancient Egypt's two sacred flowers - the Blue and the White Waterlilies - and on resurrection texts found in ancient Egyptian tombs. More than 300 detailed illustrations, beautifully presented, make these discoveries easy to understand and appreciate. The book is organized for the general reader and scholar alike. *Andrew Weil, MD - "Remarkable discoveries that, once seen, are completely obvious. A revelatory work." *Carol Andrews, Egyptologist, author of "Amulets of Ancient Egypt," at the British Museum for 27 years - "This truly remarkable publication challenges the world of Egyptology to reassess long-held and clearly incorrect theories about the origin and meaning of so many symbols and representational forms which are fundamental to our understanding of ancient Egypt."

In this version of Cinderella set in Egypt in the sixth century B.C., Rhodopes, a slave girl, eventually comes to be chosen by the Pharaoh to be his queen.

The Rosetta Stone is one of the most popular artefacts in the British Museum. Containing a decree written in Greek, Demotic and hieroglyphics, it proved to be the key to deciphering Egyptian hieroglyphics. This concise study traces the history of `the most famous piece of rock in the world' to become a modern icon and tells the story of the race to use it to decipher Egypt's ancient script by Jean-François Champollion and Thomas Young. Also includes a translation of the text.

Excerpt from A Comparison of Egyptian Symbols: With Those of the Hebrews The origin of the science of symbols is lost in the distance of time, and seems to be connected with the cradle of humanity - the oldest religions were governed by it; the arts of design, architecture, statuary, and painting were born under its influence, and primitive writing was one of its applications. Did symbols exist in spoken, before being translated into written, language? Were primitive words the source of symbols? are the questions on which these researches are based. The first men, in order to express abstract ideas, borrowed images from surrounding nature; by a surprising intuition, they attached to each race and species of animals, to plants, and the elements, ideas of beauty or ugliness, of good or evil, of affection or hatred, of purity or uncleanness, of truth or error. Those fathers of the human race did not compare, but they named their ideas from corresponding objects in the material world; thus, if they wished to say, the king of an obedient people, they did not compare him to a bee governing a submissive hive, but they called him bee; if they desired to say filial piety, they did not compare it to the stork feeding its family, but they called it stork; to express power, they called it bull; the power of man, the arm; strength of soul, lion; the soul aspiring to heaven, the hawk that sails in the clouds and looks stead-fastly at the sun. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This Is A New Release Of The Original 1904 Edition.