The collected essays of the cofounder of the New Narrative movement, on theory, identity, poetry, and muses from Kathy Acker to Georges Bataille. I read and wrote to invoke what seemed impossible—relation itself—in order to take part in a world that ceaselessly makes itself up, to “wake up” to the world, to recognize the world, to be convinced that the world exists, to take revenge on the world for not existing. —from Communal Nude Since cofounding San Francisco's influential New Narrative circle in 1979, Robert Glück has been one of America's finest prose stylists of innovative fiction, bending narrative into the service of autobiography, politics, and gay writing. This collection brings together for the first time Glück's nonfiction, a revelatory body of work that anchors his writing practice. Glück's essays explore the ways that storytelling and selfhood are mutually embedded cultural forms, cohering a fractured social reality where generating narrative means generating identity means generating community. “I'd laugh at (make art from) any version of self,” Glück writes, “I write about these forms—that are myself—to dispense with them, to demonstrate how they disintegrate before the world, the body.” For any body—or text—to know itself, it must first see how it sees the world, and understand itself as writing. Glück's essays affirm this radical narratorial precept in rich spirals of reading, self-reflection, anecdote, escapade, and “metatext.” These texts span the author's career and his creative affinities—from lost manifestos theorizing the poetics of New Narrative; to encomia for literary and philosophic muses (Kathy Acker, the HOW(ever) poets, Frank O'Hara, Georges Bataille, and others); to narrative journalism, book reviews, criticism, and public talks. Many of the texts are culled from obscure little magazines and ephemeral online sources; others have never been published. As lucid as story, as lush as theory, and as irresistible as gossip, Glück's essays are the quintessence of New Narrative theory in practice.

Lust, religious zeal, and heartache come together in this provocative novel about two infatuations, one between a man and his young lover in the late 20th century and another between a 15th-century maiden and Jesus Christ. First published in 1994, Robert Glück’s Margery Kempe is one of the most provocative, poignant, and inventive American novels of the last quarter century. The book tells two stories of romantic obsession. One, based on the first autobiography in English, the medieval Book of Margery Kempe, is about a fifteenth-century woman from East Anglia, a visionary, a troublemaker, a pilgrim to the Holy Land, and an aspiring saint, and her love affair with Jesus. It is complicated. The other is about the author’s own love for an alluring and elusive young American, L. It is complicated. Between these two Margery Kempe, the novel, emerges as an unprecedented exploration of desire, devotion, abjection, and sexual obsession in the form of a novel like no other novel. Robert Glück’s masterpiece bears comparison with the finest work of such writers as Kathy Acker and Chris Kraus. This edition includes an essay by Glück about the creation of the book titled "My Margery, Margery's Bob."

This volume builds on recent scholarship on contemporary poetry in relation to medieval literature, focusing on postmodern poets who work with the medieval in a variety of ways. Such recent projects invert or “queer” the usual transactional nature of engagements with older forms of literature, in which readers are asked to exchange some small measure of bewilderment at archaic language or forms for a sense of having experienced a medieval text. The poets under consideration in this volume demand that readers grapple with the ways in which we are still “medieval” – in other words, the ways in which the questions posed by their medieval source material still reverberate and hold relevance for today’s world. They do so by challenging the primacy of present over past, toppling the categories of old and new, and suggesting new interpretive frameworks for contemporary and medieval poetry alike.

This enhanced e-book combines video and text to create a learning experience that is engaging, informative and fun. In addition to the full text of Presentation Zen, you’ll find high-quality video training that brings the topics to life through friendly visual instruction from experts and industry professionals. Best-selling author and authority on presentation design and delivery Garr Reynolds invites you to create provocative presentations with solid designs and Zen simplicity. This enhanced e-book combines a 50-minute video by Garr as well as the groundbreaking book Presentation Zen. Together they will challenge you to go beyond the conventional slide presentation style and think more creatively to achieve simpler, more effective presentations. You’ll learn to: •¿¿ ¿plan and prepare your presentations, and craft your story with storyboarding techniques •¿¿ ¿utilize design principles that enable you to communicate messages more effectively and emotionally •¿¿ ¿deliver your presentations by successfully connecting with your audience This provocative mix of illumination, inspiration, education, and guidance will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. FOREWORD BY GUY KAWASAKI Presentation Zen, The Video has won numerous awards, most recently a CINE Golden Eagle Award and a a Silver Telly Award.

Discover the World in Your Most Natural State Imagine a vacation where freedom knows no bounds, where the feel of the sun and breeze on your skin is your constant companion. "Worldwide Nude Horizons: The Best Naturist Vacations Around the Globe" is your ultimate guide to experiencing the liberating world of naturist travel. This comprehensive book takes you on an unforgettable journey through the most stunning and welcoming naturist destinations worldwide. Explore the fascinating allure of naturist travel and uncover the numerous benefits of going nude, from total relaxation to a profound sense of freedom. With detailed insights into what to pack, how to navigate legalities, and etiquette, your preparation for a naturist adventure has never been easier. From North America's top naturist resorts to the sun-drenched beaches of the Caribbean, every chapter is packed with hidden gems and must-visit spots. Imagine basking under the radiant sun in Brazil or finding peace on secluded shores in Argentina. Venture through Europe's naturist capitals, from the birthplace of modern naturism in France to Spain's golden costa. Revel in the untamed beauty of Eastern Europe and the Mediterranean marvels of Greece and Italy, each offering unique, breathtaking experiences for the naturist at heart. Expand your horizons with less-trodden paths in the Middle East and Africa, and uncover Asia's hidden naturist paradises. Whether it's Australia's vast coastline or New Zealand's unspoiled freedom, Oceania promises boundless naturist delights. This book also guides you through family-friendly naturist vacations, solo adventures, group travels, and even naturist cruises, ensuring a deluge of choices for every type of traveler. With invaluable travel tips, deep dives into cultural sensitivities, and sustainable travel practices, "Worldwide Nude Horizons" sets a new standard for naturist adventures. Embrace the wellness benefits of naturism, from mindfulness and relaxation to yoga and meditation. Embark on this exhilarating journey and open the door to a world where every horizon is a nude horizon.

First Published in 1971. Routledge is an imprint of Taylor & Francis, an informa company.

Most people visit the Sunshine State for its theme parks and beaches, but there is another side to Florida, an underbelly few tourists ever see, a periphery most residents know about but--out of decorum or discomfort--prefer not to discuss. In Fringe Florida, Lynn Waddell explores the frequently exotic, often sensational, and sometimes illicit worlds of the oddest state in the nation. Waddell takes the reader on a colorful journey to meet the most unconventional of Floridians in unbelievable and spectacular places. At Fetish Con, she befriends furries and pony girls. She travels to Cassadaga, the oldest active Spiritualist community in the South, where trained mediums converse with the dead, and to the Holy Land Experience theme park in Orlando, where one can eat a hot dog while watching a reenactment of the Crucifixion. She interviews the founder of the Leather & Lace Motorcycle Club, a Daytona Beach-area grandmother who hosts the club's annual gathering at her subdivision home where scores of lady bikers camp out on her lawn. At an Animal Amnesty Day outside Busch Gardens, Waddell meets exotic reptile owners who give up their beloved-but no-longer-manageable pets and others who vie to take home the cast-offs. If you've ever wanted to parade around on a pimped-out swamp buggy amidst a couple thousand beer-swigging mud boggers or fall asleep with a python hissing in your ear, been tempted to bring a Capuchin monkey in a stroller to a Little League game, or contemplated sitting on the beach waiting to be picked up by a UFO but couldn’t quite bring yourself to such extremes, Fringe Florida is for you.

ArteletrA analyzes the Sixties in Latin America in order to revisit the core claim of literary and cultural studies to political relevancy in the contemporary world: the task of making visible the invisible. Though visibility can secure rights for the disenfranchised, it also risks subjecting them to the biopolitical and capitalist arrangements of space. What is at stake in this book is a series of aesthetic and ethical tools for engaging in politics—defined here as the potential to disagree—without first passing through visibility. These tools cohere around a practice Bartles calls “the politics of going unnoticed,” which he derives from an archive of three noteworthy, though under-appreciated, authors who wrote during the Sixties: Calvert Casey (1924–69), Juan Filloy (1894–2000), and Armonía Somers (1914–94). For the first time ever, Casey, Filloy, and Somers are put in dialogue with one another to further demonstrate the unique contributions of Latin American writers to contemporary debates about the crossroads of literatures and politics. What unites them is their shared investment in stories about those who go unnoticed. As a practice, going unnoticed creates space and opportunities for queer, rural, and female subjects, among others, to step back from unjust institutions. As a political discourse, going unnoticed deactivates the binary structures of biopolitics (e.g., visible/invisible, pure/filthy, friend/enemy) that divide humans from one another in the service of power and economic inequality. Though the politics of going unnoticed was ignored during the Sixties for its apparent individualism, these three writers work through alternatives to the politics of visibility that has animated political discourse on the left for the last half-century. More than a self-interested critique, going unnoticed opens new possibilities for engaging in the messy business of politics while imagining and creating better communities.

Over the past twenty-five years, photography has moved to centre-stage in the study of visual culture and has established itself in numerous disciplines. This trend has brought with it a diversification in approaches to the study of the photographic image. Photography: Theoretical Snapshots offers exciting perspectives on photography theory today from some of the world’s leading critics and theorists. It introduces new means of looking at photographs, with topics including: a community-based understanding of Spencer Tunick’s controversial installations the tactile and auditory dimensions of photographic viewing snapshot photography the use of photography in human rights discourse. Photography: Theoretical Snapshots also addresses the question of photography history, revisiting the work of some of the most influential theorists such as Roland Barthes, Walter Benjamin, and the October group, re-evaluating the neglected genre of the carte-de-visite photograph, and addressing photography’s wider role within the ideologies of modernity. The collection opens with an introduction by the editors, analyzing the trajectory of photography studies and theory over the past three decades and the ways in which the discipline has been constituted. Ranging from the most personal to the most dehumanized uses of photography, from the nineteenth century to the present day, from Latin America to Northern Europe, Photography: Theoretical Snapshots will be of value to all those interested in photography, visual culture, and cultural history.