The Japanese Comic style -- manga -- has become wildly popular throughout North America and the rest of the world, as evidenced by Harper Design’s bestselling “Japanese Comickers.”But the latest vanguard of artists working in this style come not only from Japan, but also Korea (where comics are called “manhwa”) and China (where they are called “manhua.”) Therefore to follow-up the success of “Japanese Comickers,” Harper Design is proud to present Comic Artists - Asia featuring rising comics artists from Korea and Taiwan as well as Japan. Comic Artists - Asia introduces the work of a dozen promising young artists who are non-professional or semi-professional in Japan, Korea and Hong Kong. Each artist profile includes an interview, providing insight into how they work and how they regard their craft as well as a gallery of their breathtaking imagery. and step-by-step or idea sources how they work. A sumptuous presentation of the most cutting-edge practitioners of today’s most popular cartooning style, Comic Artists - Asia is an indispensable addition to every manga fan’s collection.

Comics flourished following the publication of the first Thai comics strip in 1907. Artists borrowed elements from European and American publications, such as Punch magazine, and created uniquely Thai mash-ups. In the 1930s, one artist combined E. C. Segar's Popeye with the codes of local 'likay' theatre, while another used the neoclassical realism introduced by Italian painters appointed at the Siamese court to give eerie form to the folklore pantheon of Thai ghosts. During the Cold War era, horror tales, anti-communist propaganda and socially engaged graphic novels bore witness to the country's darker years. Then, in the 1990s, Thai comics struggled to compete with the sudden influx of unlicensed manga from Japan that led to a disregard for local efforts and its current 'forgotten' status. After a hiatus, Thai comics made a comeback in the late '90s with a quirky, alternative scene that deserves wider international recognition. Beautifully designed and bursting with stories - from 20th-century interpretations of age-old Buddhist legends to tales of modern-day millennial angst - 'The Art of Thai Comics' opens an enlightening and visually spectacular window onto the country's history, culture and creativity. In doing so, it reinstates Thai comics into the wider story of global comics art.

Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times and visited many studios and workplaces, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form. As only Japanese comics output has received close and by now voluminous scrutiny, Asian Comics tells the story of the major comics creators outside of Japan. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black-and-white illustrations and detailed information on comics of sixteen countries and regions—their histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan. The first overview of Asian comic books and magazines (both mainstream and alternative), graphic novels, newspaper comic strips and gag panels, plus cartoon/humor magazines, Asian Comics brims with facts, fascinating anecdotes, and interview quotes from many pioneering masters, as well as younger artists.

A comprehensive visual survey of comic-art styles and themes throughout Japan and Asia An exhaustive and visually engaging account, Mangasia charts the evolution of manga from its roots in late nineteenth-century Japan through the many and varied forms of comics, cartoons, and animation created throughout Asia for more than one hundred years. World authority on comic art Paul Gravett details the evolving meanings of the myths and legends told and retold by manga artists of every decade and reveals the development and cross pollination of ideas between manga artists throughout Asia. He explores the explosion of creativity in manga after the Second World War and highlights how creators have responded to political events since 1950 in the form of propaganda, criticism, and commentary in manga magazines, comics, and books. With maps, timelines, and reproductions from Japan, China, Taiwan, North Korea, South Korea, Thailand, Malaysia, Indonesia, Cambodia, the Philippines, Vietnam, India, and Bangladesh, this book is the first to explain the significance of key themes, the meanings of embodied myths, and the connections between various manga traditions.

"THE LIES" part two. Wonder Woman must team up with one of her greatest enemies to solve a growing mystery about Themyscira as "The Lie" continues!

Appealing to both comics fans and Asian Americans seeking to claim their place in American culture, Secret Identities makes brilliant use of the conventions of the superhero comic book to expose the real face of the Asian American experience. This groundbreaking graphic anthology brings together leading Asian American creators in the comics industry including Gene Yang (National Book Award finalist for American Born Chinese), Bernard Chang (Wonder Woman), Greg Pak (The Hulk), and Christine Norrie (Black Canary Wedding Special) to craft original graphical short stories set in a compelling shadow history of our country: from the building of the railroads to the Japanese American internment, the Vietnam airlift, the murder of Vincent Chin, and the incarceration of Dr. Wen Ho Lee. Entertaining and enlightening, Secret Identities offers whiz-bang action, searing satire, and thoughtful commentary from a community too often overlooked by the cultural mainstream, while showcasing a vivid cross-section of the talents whose imagination and creativity is driving the contemporary comics renaissance.

"Envisons the rich tradition of American comics as an Asian American experience"--P. [4] of cover.

International Convention of Asia Scholars 2019 Book Prize – Best Art Publication In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.

NEW YORK TIMES BESTSELLER • From a bestselling graphic novelist comes “a hugely ambitious, stylistically acrobatic work” (The New York Times Book Review) that brings us on a uniquely moving, funny, and thought-provoking journey through the life of an artist and the history of a nation. Meet Charlie Chan Hock Chye. Now in his early 70s, Chan has been making comics in his native Singapore since 1954, when he was a boy of 16. As he looks back on his career over five decades, we see his stories unfold before us in a dazzling array of art styles and forms, their development mirroring the evolution in the political and social landscape of his homeland and of the comic book medium itself. With The Art of Charlie Chan Hock Chye, Sonny Liew has drawn together a myriad of genres to create a thoroughly ingenious and engaging work, where the line between truth and construct may sometimes be blurred, but where the story told is always enthralling.

Asia is now the center of comic illustration. This cutting-edge collection showcases the work of illustrators from Asia. Many new artists have been emerging recently from Asia, taking their place in the international comic illustration industry through social media. Although their work shows influences from Japanese anime and manga, the superior drawing skills and pursuit of originality in each of these artists' work results in a fresh and intense take on traditional styles. This book showcases 46 illustrators focusing mainly on young up-and-coming artists and collects over 250 illustrations in total. Each artist is introduced in 2 to 6 pages. Most artists does digital drawing but there are some who does watercolor and ink painting. Immerse yourself in the work of these artists working at the forefront of the creative world of Asia. The Cover illustration was done by a Singaporean artist Guweiz.