Writing timeless essays that capture vanished worlds and elusive perceptions, Stephen Harrigan is emerging as a national voice with an ever-expanding circle of enthusiastic readers. For those who have already experienced the pleasures of his writing—and especially for those who haven't—Comanche Midnight collects fifteen pieces that originally appeared in the pages of Texas Monthly, Travel Holiday, and Audubon magazines. The worlds Harrigan describes in these essays may be vanishing, but his writing invests them with an enduring reality. He ranges over topics from the past glories and modern-day travails of America's most legendary Indian tribe to the poisoning of Austin's beloved Treaty Oak, from the return-to-the-past realism of the movie set of Lonesome Dove to the intimate, off-season languor of Monte Carlo. If the personal essay can be described as journalism about that which is timeless, then Stephen Harrigan is a reporter of people, events, and places that will be as newsworthy years from now as they are today. Read Comanche Midnight and see if you don't agree.

Writing timeless essays that capture vanished worlds and elusive perceptions, Stephen Harrigan is emerging as a national voice with an ever-expanding circle of enthusiastic readers. For those who have already experienced the pleasures of his writing—and especially for those who haven't—Comanche Midnight collects fifteen pieces that originally appeared in the pages of Texas Monthly, Travel Holiday, and Audubon magazines. The worlds Harrigan describes in these essays may be vanishing, but his writing invests them with an enduring reality. He ranges over topics from the past glories and modern-day travails of America's most legendary Indian tribe to the poisoning of Austin's beloved Treaty Oak, from the return-to-the-past realism of the movie set of Lonesome Dove to the intimate, off-season languor of Monte Carlo. If the personal essay can be described as journalism about that which is timeless, then Stephen Harrigan is a reporter of people, events, and places that will be as newsworthy years from now as they are today. Read Comanche Midnight and see if you don't agree.

In four decades of writing for magazines ranging from Texas Monthly to the Atlantic, American History, and Travel Holiday, Stephen Harrigan has established himself as one of America’s most thoughtful writers. In this career-spanning anthology, which gathers together essays from two previous books—A Natural State and Comanche Midnight—as well as previously uncollected work, readers finally have a comprehensive collection of Harrigan’s best nonfiction. History—natural history, human history, and personal history—and place are the cornerstones of The Eye of the Mammoth. But the specific history or place varies considerably from essay to essay. Harrigan’s career has taken him from the Alaska Highway to the Chihuahuan Desert, from the casinos of Monaco to his ancestors’ village in the Czech Republic. Texas is the subject of a number of essays, and a force in shaping others, as in “The Anger of Achilles,” in which a nineteenth-century painting moves the author despite his possessing a “Texan’s suspicion of serious culture.” Harrigan’s deceptively straightforward voice, however, belies an intense curiosity about things that, by his own admission, may be “unknowable.” Certainly, we are limited in what we can know about the inner life of George Washington, the last days of Davy Crockett, or the motives of a caged tiger, but Harrigan’s gift—a gift that has also made him an award-winning novelist—is to bring readers closer to such things, to make them less remote, just as a cave painting in the title essay eerily transmits the living stare of a long-extinct mammoth.

In the summer of 1933 in Lawton, Oklahoma, a team of six anthropologists met with eighteen Comanche elders to record the latter?s reminiscences of traditional Comanche culture. The depth and breadth of what the elderly Comanches recalled provides an inestimable source of knowledge for generations to come, both within and beyond the Comanche community. This monumental volume makes available for the first time the largest archive of traditional cultural information on Comanches ever gathered by American anthropologists. Much of the Comanches? earlier world is presented here?religious stories, historical accounts, autobiographical remembrances, cosmology, the practice of war, everyday games, birth rituals, funerals, kinship relations, the organization of camps, material culture, and relations with other tribes. Thomas W. Kavanagh tracked down all known surviving notes from the Santa Fe Laboratory field party and collated and annotated the records, learning as much as possible about the Comanche elders who spoke with the anthropologists and, when possible, attributing pieces of information to the appropriate elders. In addition, this volume includes Robert H. Lowie?s notes from his short 1912 visit to the Comanches. The result stands as a legacy for both Comanches and those interested in learning more about them.

Critical acclaim for The Last Comanche Chief "Truly distinguished. Neeley re-creates the character and achievements of this most significant of all Comanche leaders." -- Robert M. Utley author of The Lance and the Shield: The Life and Times of Sitting Bull "A vivid, eyewitness account of life for settlers and Native Americans in those violent and difficult times." -- Christian Science Monitor "The special merits of Neeley's work include its reliance on primary sources and illuminating descriptions of interactions among Southern Plains people, Native and white." -- Library Journal "He has given us a fuller and clearer portrait of this extraordinary Lord of the South Plains than we've ever had before." -- The Dallas Morning News

Publisher Description

The son of white captive Cynthia Ann Parker, Quanah Parker rose from able warrior to tribal leader on the Comanche reservation. Between 1875 and his death in 1911, Quanah dealt with local Indian agents and with presidents and other high officials in Washington, facing the classic dilemma of a leader caught between the dictates of an occupying power and the wrenching physical and spiritual needs of his people. He maintained a remarkable blend of progressive and traditional beliefs, and contrary to government policy, he practiced polygamy and the peyote religion. In this crisp and readable biography, William T Hagan presents a well-balanced portrait of Quanah Parker, the chief, and Quanah, the man torn between two worlds.

Cinematic Comanches engages in a description and critical appraisal of Indigenous hype, visual representation, and audience reception of Comanche culture and history through the 2013 Disney film The Lone Ranger.