In just two years, 750 young Irish women sailed from Cork to Sydney on the Duchess of Northumberland in 1834 and again in 1836 and the James Pattison in 1835. For the women who took the courageous decision to emigrate, the pain of leaving Ireland was mixed with the excitement of forging a new life in the colony of New South Wales. This book examines the backgrounds and lives of these young women. Their experiences are representative of countless numbers of single immigrant women who came to Australia during the nineteenth century.

Master Iconic 18th Century Hair and Makeup Techniques Ever wondered how Marie Antoinette achieved her sky-high hairstyle or how women in the 1700s created their voluminous frizz hairdos? The American Duchess Guide to 18th Century Beauty answers all your Georgian beauty questions—and teaches you all you need to know to recreate the styles yourself. Learn how to whip up your own pomatum and hair powder and correctly use them to take your ’dos to the next level. From there, dive into the world of buckles, hair cushions and papillote papers with historically accurate hairstyles straight from the 1700s. And top all your hair masterpieces with millinery from the time period, from a French night cap to a silk bonnet to a simple, elegant chiffonet. With Lauren and Abby’s step-by-step instructions and insightful commentary, this must-have guide is sure to find a permanent place on the shelves of all 18th century beauty enthusiasts.

Antique clothing worn by men, women, and children in the eighteenth century offers a revealing glimpse into the lives of colonial Virginians. Accessories such as aprons, gloves, hats, handkerchiefs, fans, shoes, stockings, and undergarments are also illustrated.

"This comprehensive guide will walk you through how to make and wear your 18th century dream gown. [The authors] have endeavored to ... [bring] historically accurate dressmaking techniques into your sewing room. Learn how to make four of the most iconic 18th century silhouettes--the English Gown, Sacque Gown, Italian Gown and Round Gown--using the same hand sewing techniques done by historic dressmakers. From large hoops to full bums, wool petticoats to grand silk gowns, ruffled aprons to big feathered hats, this manual has project patterns and instructions for every level of 18th century sewing enthusiast"--Amazon.com.

Rising romance novelist Jamie Carie’s second book, The Duchess and the Dragon, tells the epic story of two unlikely soulmates who live worlds apart but soon meet and turn each other’s world upside down. Drake Weston, Duke of Northumberland, is accustomed to a life of royalty until a tragic mistake followed by murderous rage results in his darkening character and sudden flee from England. With a hoarde of money on which to survive, Drake hops a ship of indentured servants to America but is duly robbed and taken ill by the merciless sea voyage. In Pennsylvania, Serena Winter is a humble, devoted Quaker on a mission of mercy, ready to tend the sick people aboard a ship that has just arrived from England. Taken by Drake’s air of dark mystery after he begins to serve as an apprentice to her silversmith father, Serena falls in love and is excommunicated by her fellow believers when she accepts a non-Quaker’s marriage proposal. Not knowing Drake’s history, Serena is later shocked to discover her new status as a duchess. What follows are hard truths and softening hearts, romance triangles, webs of deceit, and ultimately, the power of grace, love, and passion. Endorsements: "Enthralling. The Duchess and the Dragon brought me to tears, to joy, and finally the delight of having just read an absorbing-till-the-last-line novel."—Lauraine Snelling, author of Breaking Free and An Untamed Land "A thoroughly entertaining and uplifting read . . . an absolute treat." —The Sunpiper Book Review "Jamie Carie's characterization is brilliant with . . . a depth and authenticity rarely seen in romance novels . . . With one book she has entrenched herself a place as one of my ‘must read’ authors." —RelzReviews "This well-written title deserves a spot on your shelves." —Christian Retailing

"Single & Free is about the scheme administered by the London Emigration Committee to assist free women to migrate to Australia from Great Britain and IreIand. In the 1830s, approximately 3,000 women took advantage of this scheme, representing an enormous influx to the population of the two eastern colonies of Australia. The book analyses the women's motivations and life-experiences, challenging contemporary criticisms that they were the 'sweepings of the gutters'. Many women migrated in family groups, or were joining family and friends in the colonies. They came from a wide cross-section of nineteenth-century society. They were bold and enterprising, and made ideal workers and wives in the new colonies."--author's website.

'A scintillating story superbly told... [Ostler] packs every paragraph with eye-opening detail' The Times 'A rollicking read... [Ostler] tells Elizabeth's story with admirable style and gusto' Sunday Times 'Terrifically entertaining: if you liked Bridgerton, you’ll love this...and her research is impeccable' Evening Standard 'Fascinating. Magnificent.​ Sensitively told' Hallie Rubenhold, author of The Five 'Catherine Ostler’s superb, gripping, decadent biography brings an extraordinary woman and a whole world blazingly to life' Simon Sebag Montefiore When the glamorous Elizabeth Chudleigh, Duchess of Kingston, Countess of Bristol, went on trial at Westminster Hall for bigamy in April 1776, the story drew more attention in society than the American War of Independence. A clandestine, candlelit wedding to the young heir to an earldom, a second marriage to a Duke, a lust for diamonds and an electrifying appearance at a masquerade ball in a diaphanous dress: no wonder the trial was a sensation. However, Elizabeth refused to submit to public humiliation and retire quietly. Rather than backing gracefully out of the limelight, she embarked on a Grand Tour of Europe, being welcomed by the Pope and Catherine the Great among others. As maid of honour to Augusta, Princess of Wales, Elizabeth led her life in the inner circle of the Hanoverian court and her exploits delighted and scandalised the press and the people. She made headlines, and was a constant feature in penny prints and gossip columns. Writers were intrigued by her. Thackeray drew on Elizabeth as inspiration for his calculating, alluring Becky Sharp. But her behaviour, often depicted as attention-seeking and manipulative, hid a more complex tale – that of Elizabeth’s fight to overcome personal tragedy and loss. Now, in this brilliantly told and evocative biography, Catherine Ostler takes a fresh look at Elizabeth’s story and seeks to understand and reappraise a woman who refused to be defined by society’s expectations of her. A woman who was by turns, brave, loving and generous but also reckless, greedy and insecure; a woman totally unwilling to accept the female status of underdog or to hand over all the power, the glory and the adventures of life to men.

"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.