 This Book is based on India people.  It Contain Exhaustive Knowledge about Today’s culture.  Refresh your mind with deep understanding.  Easy to understand the topic with the help of Diagrams and Tabular Column.  The words written in this book is bright and clear.  It’s great to read this book on digital platform; as it is comfortable on digital platform.  Available in the entire format with neat and bright paper.

 This Book is based on India people.  It Contain Exhaustive Knowledge about Today’s culture.  Refresh your mind with deep understanding.  Easy to understand the topic with the help of Diagrams and Tabular Column.  The words written in this book is bright and clear.  It’s great to read this book on digital platform; as it is comfortable on digital platform.  Available in the entire format with neat and bright paper.

 This Book is based on India people.  It Contain Exhaustive Knowledge about Today’s culture.  Refresh your mind with deep understanding.  Easy to understand the topic with the help of Diagrams and Tabular Column.  The words written in this book is bright and clear.  It’s great to read this book on digital platform; as it is comfortable on digital platform.  Available in the entire format with neat and bright paper.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-05-1944 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 88 VOLUME NUMBER: Vol. IX, No. 10 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 10-11, 13-15, 21-84 ARTICLE: 1. The Burma Front And Beyond (Progress Of The War) 2. Places In The News 3. Situation In Burma 4. Voice, Sound, Music 5. Seeing India With A Camera AUTHOR: 1. Usmad Ahmed Ansari 2. Capt. S. R. Smyth 3. U BA Tin 4. Murrey Dyer 5. Cecil Beaton KEYWORDS: 1. Important Battle, Jumping Off Place, Hukawng Valley 2. Globle Warfare, Geograph, Imphal, Kohima 3. Burmese, Thakins Are Restive, Burmese Executive Administration 4. Human Voice, Microphone, Composer, Music 5. Ministry Of Information, Monsoon, Camera Document ID: INL-1943-44(D-J) Vol-1 (10)

Maximum books are write in English, because English is very formal language for all and people think speaking in English show their personalities but this is wrong, as per my thinking it doesn't matter what you are saying or what you are not saying. Speaking in any languages never show their personalities, writing a book in any language is not easy for anyone. In my way. The book which I am writing, the language of book, style of explaining the story, situation is makes me different. Coming to my language which I am creating through this book, which is very easy to read and understand for any age group. In today's life we have many types of conversation with people, while messaging and texting in social-media. That language which we use commonly in our day-to day life, I wrote my book in that language.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 25 MARCH, 1979 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 76 VOLUME NUMBER: Vol. XLIV, No.12 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 5-34, 44-69 ARTICLE: 1. Reminiscences of Prison Life In Andamans 2. Without Fear Or Favour 3. Judiciary And Social Change 4. Traditions And Innovations In Karnatic Music 5. King Menander And Nagasena 6. Nutrition And Productivity 7. Information As Input AUTHOR: 1. Bejoy Kumar Singh 2. S. Nihal Singh 3. Nittoor Sreenivasa Rau 4. Dr. Alamelu Govindarajan 5. Dr. Angraj Chaudhary 6. Dr. A. K. Bhattacharyya 7. E. M. Joseph, Venniyoor Document ID : APE-1979 (J-M) Vol-I-12 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Reports for 1958-1970 include catalogues of newspapers published in each state and Union Territory.

This work explores the processes of creation and articulation of social identities of Muslims in Delhi. Mapping the landscape of discrimination in Delhi’s neighbourhoods, Jamil tries to see how such fractured geographies are created. We come across people whose sense of belonging to each other is complex, and subject to forces such as regional and class identities instead of an ubiquitous ‘Muslimness’. Segregation in an urban space is produced, as Jamil argues, not only by communal conflict and threat of violence but also maintained and strengthened by processes of capitalist globalization. Through case studies of five localities, which present a historical continuity in the narrative of Delhi’s Muslims, the book presents compelling evidence of market and governance processes that aid accumulation by segregation. It offers an ‘against the grain’ reading of quotidian practices of residents within such boundaries such that a counternarrative of resistance and hope may emerge—one that may allow for re-imagining alternatives.