Uses Worthing as a case study and looks at the introduction and development of picture postcard collecting

Sketchbook volume one of a two volume set documents the best of the optical illusions discovered and sketched in our CAD system. It is also attempts to define common visual attributes and categorize optical illusions by those features. The goal is give the reader new tools to help them better identify and classify optical illusions. These illusions are used by engineers, academics and artists to graphically depict their ideas and the world around them on flat surfaces.

"Carefully assembled from the collection of Harvey Tulcensky and including cards from all over the world, Real Photo Postcards consists of images of natural phenomena (floods, storms, fires), rural life, politics (parades and platforms), science, art (beautiful still lifes and collages), and wacky "exaggeration" cards (including a photographically manipulated giant rabbit!). Together these cards show an oddly personal and intimate perspective of the world at the turn of the twentieth century."--BOOK JACKET.

Although he was a native of Bullock County, Alabama, Wade Hall -- teacher, writer, poet, critic, interviewer, folklorist, and documentarian -- spent most of his fifty-year career in Kentucky. But he was never emotionally far from his home as evidenced by his passion for collecting vintage Alabama postcards. In his lifetime he amassed 10,000, which he then graciously gave to the University of Alabama Libraries and Troy University in a large joint bequest that also included rare books, quilts, folk art, letters and more. These postcards date from the late 1800s to the mid-20th century and offer a fascinating and diverse picture of the state. The meaning of postcards that could be purchased as a travel souvenir is largely forgotten today when cameras are commonplace. But the value of Hall's stunning collection cannot be missed. The some 400 cards featured in Greetings from Alabama are revealing of scenes familiar and rare. From Birmingham's Vulcan to Mobile's Bellingrath Gardens, from Enterprise's boll weevil monument to Huntsville's rockets, from Helen Keller's home to William Rufus King's resting place, the scenes offer captivating glimpses of Alabama history.

"Published by the University of Nebraska Press as a Jewish Publication Society book."

A fully illustrated history and price guide to more than 100 collecting categories, from attwell to zodiac.

Equal parts mail art, data visualization, and affectionate correspondence, Dear Data celebrates "the infinitesimal, incomplete, imperfect, yet exquisitely human details of life," in the words of Maria Popova (Brain Pickings), who introduces this charming and graphically powerful book. For one year, Giorgia Lupi, an Italian living in New York, and Stefanie Posavec, an American in London, mapped the particulars of their daily lives as a series of hand-drawn postcards they exchanged via mail weekly—small portraits as full of emotion as they are data, both mundane and magical. Dear Data reproduces in pinpoint detail the full year's set of cards, front and back, providing a remarkable portrait of two artists connected by their attention to the details of their lives—including complaints, distractions, phone addictions, physical contact, and desires. These details illuminate the lives of two remarkable young women and also inspire us to map our own lives, including specific suggestions on what data to draw and how. A captivating and unique book for designers, artists, correspondents, friends, and lovers everywhere.

The Real Photo Postcard Guide is an informative, comprehensive, and practical treatment of this wildly popular American phenomenon that dominated the United States photographic market during the first third of the twentieth century. Robert Bogdan and Todd Weseloh draw on extensive research and observation to address all aspects of the photo postcard from its history, origin, and cultural significance to practical matters like dating, purchasing, condition, and preservation. Illustrated with over 350 exceptional photo postcards taken from archives and private collections across the country, the scope of the Real Photo Postcard Guide spans technical considerations of production, characteristics of superior images, collecting categories, and methods of research for dating photo postcards and investigating their photographers. In a broader sense, the authors show how "real photo postcards" document the social history of America. From family outings and workplace awards to lynchings and natural disasters, every image captures a moment of American cultural history from the society that generated them. Bogdan and Weseloh’s book provides an admirable integration of informative text and compelling photographic illustrations. Collectors, archivists, photographers, photo historians, social scientists, and anyone interested in the visual documentation of America will find the Real Photo Postcard Guide indispensable.

Our True Intent Is All For Your Delight features the vintage color photographs of the John Hinde postcard company, originally made in the 1970s for sale as postcards and published here in book form for the first time. Butlin's was a network of Holiday Camps that revolutionized the British holiday in the years following World War II and, by the 1970s, was attracting a million people each year. The John Hinde team of photographers documented Butlin's glamorous and kitsch bars and ballrooms with technical brilliance and with the participation of large casts of holidaymakers. Precursors to the art photography of Andreas Gursky and Jeff Wall, these images are simultaneously heart-warming and hilarious, with dazzling design and color. They are a unique social-historical record of Britain in the early 1970s, described by Martin Parr in his introduction as "some of the strongest images of Britain of the period." Martin Parr is a leading figure in British and European photography and a jackdaw collector of images and -postcards. Born in Epsom, Surrey, in 1952, he spent two summer breaks from college working as a "walkie" photographer at Butlin's, snapping holidaymakers for their family albums. His encounter at Butlin's with John Hinde's postcards helped determine his own style, and he came to fame in 1986 with color-saturated scenes of working-class British holidaymakers, The Last Resort. Author of over 30 photography books, his retrospective was shown at the Barbican Art Gallery, London, in 2002. He is a member of Magnum Photos, and his work has been collected by museums throughout the world, including the Getty Museum in Los Angeles, the Philadelphia Museum and the Museums of Modern Art in New York and San Francisco.