This book discusses Joseph Antoni Coderch's architectural output during the period from 1940 to 1964, and includes much unpublished graphic material, as well as a catalog of his entire oeuvre.

Considering the influence of the forms and tectonics of the Mediterranean vernacular on modern architectural practice and discourse from the 1920s to the 1960s.

"The present publication includes the work done by the MEAM Net research group at the Politecnico di Milano in collaboration with 27 institutions Europe-wide. This work, titled "One hundred houses for one hundred European architects of the 20th century", bore fruit in a travelling exhibition and a website"

Featuring over 100 of the most significant and influential houses of the twentieth century, For each of the houses included there are numerous, accurate scale plans showing each floor, together with elevations, sections and site plans where appropriate. All of these have been specially drawn for this book and are based on the most up-to-date information and sources.

This volume in the Interior Architecture series explores the architectural significance of hotels throughout history and how their material construction has reflected and facilitated the social and cultural practices for which they are renowned. Including case studies addressing contemporary developments in hotel planning and design, and illustrated throughout, this volume is an innovative and insightful contribution to architectural and interior design literature.

An investigation of the influences and evolution of modern Spain’s underappreciated, but foundational, architecture. Spain’s remarkable twentieth-century architecture evolved against a turbulent background of revolution, civil war, dictatorship, and transition to democracy. Architecture played a key role in Spain’s struggle out of poverty and isolation, and its search for identity in the modern world. This book examines Spanish architecture from the roots of Modernism in the eighteenth and nineteenth centuries to the present, analyzing significant figures and their works in relation to their political, social, and cultural contexts, as well as their contributions to architecture as a whole. From the austere, local Modernism of the 1920s, the influence of international trends in the ’30s, the renewed, “Organicist” Modernism of the ’50s and ’60s, to the flourishing public architecture of the late twentieth century and beyond, Spain provides a penetrating account of the country’s rich and varied built environment.

Texts by M. Gausa, M. Cervello and M. Pla. Introduction by Mihail Moldoveanu. Text by Kenneth Frampton. Barcelona is among the world's most architecturally important cities, and this book is clear evidence why. Documenting the period from 1860 to the present, this study covers the famous works of Gaudi, of Jujol, and of Mies van der Rohe's Barcellona Pavillion proposal. Rationalist works from the fifties, large housing developments from the 1970s, the buildings from the Olympics: all of Barcelona's triumphs are covered here in detail.

José Antonio Coderch de Sentmenat was born in 1913 and died en Barcelona in 1984. These years delimit his life and work. But the great internal coherence of his thinking, distilled within his architecture, goes beyond these temporal limits, his own idiosyncrasy and the reduced geographical framework where it developed, to provide a reflection on architecture from an ethical standpoint. Although, recognised as the most important catalan architect after World War II, this implicit depth is perhaps one of the reasons his work has not been widely disseminated. This new edition in hardcover book format of 2G issue devoted to José Antonio Coderch presents a collection of houses constructed by the Catalan architect. It includes 11 houses, starting with the Ugalde House, the great work that marks the initiation of his mature phase. In it, not only does Coderch definitely embrace the language of modern architecture, nuanced by his respect for context, but also hones his own spatial conception of the house in nature. It is the experimental prototype for the following houses. In ordering these intuitions, the free lines of the first are not repeated.