Ethnography and culture of the Coast Salish Indians.

The Coast Salish peoples of western Washington and British Columbia have never been subjected to the same concerted anthropological scrutiny as have their Northwest Coast counterparts. For a long time they were viewed simply as a subset of the Northwest Coast culture area, and because they underwent assimilative pressures early on it was thought that little of their culture remained to be preserved. In the early 1950s, however, anthropologist Wayne Suttles was among the first to publish pioneering and sustained research about the Coast Salish, contending that they were worthy of study in their own right. Be of Good Mind is a necessary follow-up to Suttles’ seminal work. This is the first book-length effort to incorporate Aboriginal perspectives directly. It offers a broad interdisciplinary approach, bringing together the views of Aboriginal leaders, anthropologists, historians, archaeologists, and linguists. Be of Good Mind reveals how Coast Salish lives and identities have been reshaped by two colonizing nations and by networks of kinfolk, spiritual practices, and ways of understanding landscape. Contributors point to the continual transformation of Coast Salish identities through litigation and language revitalization and to community efforts to reclaim long-held cultural connections with the environment. Equally important is the development of detailed local and regional history and archaeology. Seamlessly edited by Bruce Granville Miller, this collection teases apart the received wisdom of earlier studies and brings the scholarship on the Coast Salish up to date. Readers interested in First Nations history and contemporary issues in Canada and Aboriginal-academic relations will find this essential reading, as will scholars interested in ethnographic methods and interdisciplinary inquiry.

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

In these essays Bruce Granville Miller addresses critical issues facing contemporary Coast Salish people and communities. Building on his own fieldwork, on the salvage ethnography of an earlier generation, and the work of present-day anthropologists, archaeologists, and historians, Miller describes current-day tribes and bands as composed of family corporate groups and details their role in the transformations of gender and political systems. Miller examines tribal codes and courts, historical concepts and practices of justice, and the relations between the mainstream populations of British Columbia and Washington and the Coast Salish themselves, including the circumstances of non-recognized tribes among the Coast Salish and world wide, the efforts to use oral traditions and the language of sacredness in court, and in media reporting. Engaging theories of borderlands and globalization, Miller writes that studies of Coast Salish are constrained by the international border as are the people themselves, especially post-9/11.

A gravestone, a mention in local archives, stories still handed down around Oyster Bay: the outline of a woman begins to emerge and with her the world she inhabited, so rich in tradition and shaken by violent change. Katie Kettle Gale was born into a Salish community in Puget Sound in the 1850s, just as settlers were migrating into what would become Washington State. With her people forced out of their traditional hunting and fishing grounds into ill-provisioned island camps and reservations, Katie Gale sought her fortune in Oyster Bay. In that early outpost of multiculturalism--where Native Americans and immigrants from the eastern United States, Europe, and Asia vied for economic, social, political, and legal power--a woman like Gale could make her way. As LLyn De Danaan mines the historical record, we begin to see Gale, a strong-willed Native woman who cofounded a successful oyster business, then won the legal rights from her Euro-American husband, a man with whom she had raised children but who ultimately made her life unbearable. Steeped in sadness--with a lost home and a broken marriage, children dying in their teens, and tuberculosis claiming her at forty-three--Katie Gale's story is also one of remarkable pluck, a tale of hard work and ingenuity, gritty initiative and bad luck that is, ultimately, essentially American.

JONA Volume 50 Number 1 - Spring 2016 Tales from the River Bank: An In Situ Stone Bowl Found along the Shores of the Salish Sea on the Southern Northwest Coast of British Columbia - Rudy Reimer, Pierre Freile, Kenneth Fath, and John Clague Localized Rituals and Individual Spirit Powers: Discerning Regional Autonomy through Religious Practices in the Coast Salish Past - Bill Angelbeck Assessing the Nutritional Value of Freshwater Mussels on the Western Snake River - Jeremy W. Johnson and Mark G. Plew Snoqualmie Falls: The First Traditional Cultural Property in Washington State Listed in the National Register of Historic Places - Jay Miller with Kenneth Tollefson The Archaeology of Obsidian Occurrence in Stone Tool Manufacture and Use along Two Reaches of the Northern Mid-Columbia River, Washington - Sonja C. Kassa and Patrick T. McCutcheon The Right Tool for the Job: Screen Size and Sample Size in Site Detection - Bradley Bowden Alphonse Louis Pinart among the Natives of Alaska - Richard L. Bland

Keeping It Living brings together some of the world'smost prominent specialists on Northwest Coast cultures to examinetraditional cultivation practices from Oregon to Southeast Alaska. Itexplores tobacco gardens among the Haida and Tlingit, managed camasplots among the Coast Salish of Puget Sound and the Strait of Georgia,estuarine root gardens along the central coast of British Columbia,wapato maintenance on the Columbia and Fraser Rivers, and tended berryplots up and down the entire coast. With contributions from a host of experts, Native American scholarsand elders, Keeping It Living documents practices ofmanipulating plants and their environments in ways that enhancedculturally preferred plants and plant communities. It describes howindigenous peoples of this region used and cared for over 300 speciesof plants, from the lofty red cedar to diminutive plants of backwaterbogs.

These essays explore the blending of structural and historical approaches to American Indian anthropology that characterizes the perspective developed by the late Fred Eggan and his students at the University of Chicago. They include studies of kinship and social organization, politics, religion, law, ethnicity, and art. Many reflect Eggan's method of controlled comparison, a tool for reconstructing social and cultural change over time. Together these essays make substantial descriptive contributions to American Indian anthropology, presenting contemporary interpretations of diverse groups from the Hudson Bay Inuit in the north to the Highland Maya of Chiapas in the south. The collection will serve as an introduction to Native American social and cultural anthropology for readers interested in the dynamics of Indian social life.

Joseph Hillaire (Lummi, 1894–1967) is recognized as one of the great Coast Salish artists, carvers, and tradition-bearers of the twentieth century. In A Totem Pole History, his daughter Pauline Hillaire, Scälla–Of the Killer Whale, who is herself a well-known cultural historian and conservator, tells the story of her father’s life and the traditional and contemporary Lummi narratives that influenced his work. A Totem Pole History contains seventy-six photographs, including Joe’s most significant totem poles, many of which Pauline watched him carve. She conveys with great insight the stories, teachings, and history expressed by her father’s totem poles. Eight contributors provide essays on Coast Salish art and carving, adding to the author’s portrayal of Joe’s philosophy of art in Salish life, particularly in the context of twentieth century intercultural relations. This engaging volume provides an historical record to encourage Native artists and brings the work of a respected Salish carver to the attention of a broader audience.