The Complete Photo Guide to Clothing Construction helps you master all of the techniques needed to sew clothes--including tops, dresses, pants, skirts, and even outerwear. This technique-driven book follows the entire process of clothing construction, including a section on the sewing machine and other tools/materials used, information on working with patterns and fitting, laying out the pattern pieces, cutting and marking, and on through every step of construction to the final button. Large, detailed photos guide you from start to finish and help give you a visual basis for learning the skills. This comprehensive guide is a long-lasting reference for anyone who sews clothes. It fills in all the technique details not supplied by manufacturers of the clothing patterns that most sewers use for all of their projects. The Complete Photo Guide to Clothing Construction explains the reasons behind the methods, warns of pitfalls to watch out for, and provides you with valuable tips that help you reach a satisfying, successful end with every project. Examples show both men's and women's fashions as well as children's clothes.

This text guides fashion students through the garment construction process and provides students in both fashion design and merchandising with the industry standard construction information that they will need to function effectively within design firms. By focusing on garment construction techniques for various market levels-from budget (mass market) and moderate to bridge (or better) and designer's ready-to-wear-this text emphasizes the garment construction process as it exists in the industry today. Comparisons of construction methods used at different price points are an integral part of the text, with assembly techniques noted according to their affect on garment cost, quality, and production time. Flow charts and reference charts focus on industry methods, practice, and applications. Practice construction methods throughout the text reinforce students' competency levels with industry-based sewing methods as opposed to traditional sewing practices.

New edition of a classic text on dressmaking. First published in 1950, some 165,000 copies have been sold. Produced by the Iowa Home Economics Association. Plastic comb binding. Annotation copyrighted by Book News, Inc., Portland, OR

Fashion designers are presented with a range of methods and concepts for pattern cutting are presented, the main body of these methods, both traditional and contemporary, is predominately based on a theoretical approximation of the body that is derived from horizontal and vertical measurements of the body in an upright position: the tailoring matrix. As a consequence, there is a lack of interactive and dynamic qualities in methods connected to this paradigm of garment construction, from both expressional and functional perspectives. This work proposes and explores an alternative paradigm for pattern cutting that includes a new theoretical approximation of the body as well as a more kinetic method for garment construction that, unlike the prevalent theory and its related methods, takes as its point of origin the interaction between the anisotropic fabric and the biomechanical structure of the body. As such, the research conducted here is basic research, aiming to identify fundamental principles for garment construction. Based on some key principles found in the works of Geneviève Sevin-Doering and in pre-tailoring methods for constructing garments, the proposed theory for – and method of – garment construction was developed through concrete experiments by cutting and draping fabrics on live models. Instead of a static matrix of a non-moving body, the result is a kinetic construction theory of the body that is comprised of balance directions and key biomechanical points, along with an alternative draping method for dressmaking. This methodology challenges the fundamental relationship between dress, garment construction, and the body, working from the body outward, as opposed to the methods that are based on the prevalent paradigm of the tailoring matrix, which work from the outside toward the body. This alternative theory for understanding the body and the proposed method of working allows for diverse expressions and enhanced functional possibilities in dress.

This comprehensive guide explores the fundamental sewing methods fashion designers need and teaches professional garment construction. Chapter One introduces sewing tools and machinery (including industrial machines). It discusses how to work with patterns and explains cutting-out methods. Chapter Two is devoted to different fabrics and how they work, focusing on the construction of a garment, including fastenings and trimmings, and the use of materials to support structured pieces, such as corsets. Hand-sewing techniques and basic seams are explored in Chapter Three. Techniques are demonstrated with step-by-step photographic guides combined with technical drawings. A guide to making garment details and decorations, such as pockets, waistlines, and necklines, is found in Chapter Four. Chapter Five addresses fabric-specific techniques, for everything from lace to neoprene. The best technical approaches to use for patternmaking and construction are discussed for each fabric. Catwalk images demonstrate how these kinds of techniques are employed by designers.

Costume Close-up discusses the cut, fit, and construction of antique clothing of the second half of the eighteenth century. It will enable talented artisans with advanced skills to construct authentic garments and show curators, conservators, costumers, and reenactors new ways to look at such attire.