Ideal for those looking to develop a realistic drawing style, Lucy Swinburne demystifies the subject of drawing clothed figures through use of dozens of inspirational examples in a variety of drawing media. Step-by-step projects walk the reader through interesting and varied subjects, from all walks of life - from ballerinas to buskers. Drawing people can be intimidating -- unlike other subjects, even the tiniest error can give a staged or forced result. This book explains how to get your clothed figures looking alive, dynamic and characterful; and produce successful, dynamic results. Lucy Swinburne is the author of the popular book on animals in this series.

Draw, paint, or sculpt the human figure! Models for figure drawing, painting, or sculpting are traditionally nude. This 9th book in the Art Models series, however, is all about the non-nude figure, finally making this acclaimed reference available to younger artists. Now anyone can study the figure at length and in close-up detail anytime and anywhere. This Enhanced version of Art Models 9 provides access to more and larger photos than the standard version, including all of the 1800+ photos at maximum resolution for use on any PC, Mac, or laptop that has a DVD drive. Practice your life drawing technique, design a scene, study anatomy and drapery, make a finished portrait, do some gesture sketching. The uses of these photos are limited only by your own creativity. Artists wishing to practice--or even create finished works of art--will find a lot to inspire them. Instructors can refer students of many ages to this book for practice and reference. And the publisher gives full permission to do whatever you wish with the artwork created using Art Models 9 as a reference. Every artist has a unique perspective and Art Models 9 includes a wide range of poses for maximum variety. For example, there are technical poses like simple standing, contrapposto, and the "T-pose" but also action poses like jumping and kicking as well as sitting and reclining. There are also some quiet moments, portraying mood through posture and lighting. Portraits and expressions round out the mix. Even the lighting is varied; some photos are evenly lit while others are more chiaroscuro, giving ample opportunity to observe the effects of shadowing. Clothing varies from simple drapery with arms crossed over the chest, to underwear, ordinary street cloths, and full-blown costumes.

In figurative art, sketching the clothed figure requires a detailed study of the folds of the garment and the way in which fabrics sit in relation to the movement of the human body. In this book, Giovanni Civardi shares his expert advice on how to draw clothing on human figures exploring lighting, perspective and the composition of fabric on the human body. Train yourself to see not just the body, but what surrounds it by using the techniques of chiaroscuro and by observing the tonal characteristics of the fabric texture. This inspirational and easy-to-follow guide will suit beginners as well as more expert artists providing a comprehensive overview of the techniques including advice and suggestions for the practical aspects of drawing from life.

Life Lessons: Learn How to Capture a World Constantly in Motion Fluid, fast and expressive life drawing starts here. Step by step, you'll learn to render fleeting gestures from memory, capture expressions simply and more quickly, give your drawing a life of its own with body language, and more. Along the way, you'll develop a more spontaneous approach for successfully working from life. Inside you'll find: • A comprehensive course on drawing from life, based on classic principles • Essential techniques for drawing gesture, figures, clothing, expression, body language and more • Lots of exercises that bring lessons to life The skills you'll learn from this book are so fundamental that every artist will find something in these useful lessons for making the most of all the inspiration that life has to offer.

A gripping story of love and adventure. down upon him, her eyes alert and interested. "Damn!" said Graeme, when the mists had gone and he realised the situation. "Certainly ' damn ' if you like," was the answer in clear tones, "but don't move, stay where you are; d'you hear me?" "I certainly won't, why should I?" "Because I tell you to. I'm a nurse, and know what I'm about." "You... a nurse?" "Yes, but never mind about that. Why do you sit in the sun, if it affects you like this?" "Because I like it, but I'm hanged if I'll sit here while you're standing. I'll fetch my chair and bring it over." "No, I'll go," and Stara walked leisurely away, and returned dragging the chair, in which she proceeded to settle herself.