A story of Jennifer who represent many girls and women that traveled down the road of social prostitution for whatever reason or circumstance dbearing the pain, guilt and shame of their action. As you read her story you will walk and observeher life in the hood and the life style she embraced with challanges and problems she faced. Being infected with the virus you will come to resent and even be critical of her. You will also share her smiles, her tears and pains, you will come to celebrate her determination and compassion in the face of death and uncertaincy to warn and inspire girls and women to hold their bodies and life with dignity and respect, that they are more valuable than any amount of money and things. The reader is asked to become the writer to put a poersonal end to a story that represent a lifestyle that needs to be addressed with urgency.

»Houses, Secrets, and the Closet« investigates the literary production of masculinities and their relation to secrets and sexualities in 18th and 19th century fiction. It focusses on close readings of Gothic fiction, Sensation Novels, and tales by Horace Walpole, Ann Radcliffe, William Godwin, Mary Elizabeth Braddon, Wilkie Collins, and Henry James. The study approaches these texts through the lens of domestic space, gender, knowledge, and power. This approach serves to investigate the cultural roots of the ›closet‹ - the male homosexual secret - which reveals a more general notion of male secrecy in modern society. The study thus contributes to a better understanding of the cultural history of masculinities and sexualities.

With her inimitable blend of wit and practical wisdom, popular blogger Winona Dimeo-Ediger (of Daddy Likey blog fame) shares her secrets to looking stylicious. Whether choosing what to wear to a job interview for which you're not qualified, showing how to wear a scarf without looking like an English teacher, or deciding when clogs and/or overalls are appropriate, she offers unique tips that women of every body size and every budget can enjoy."--Page 4 of cover.

A literary and cultural history of the intimate space of the eighteenth-century closet—and how it fired the imaginations of Pepys, Sterne, Swift, and so many other writers Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. In The Closet, Danielle Bobker presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in buildings and in books, closets also became powerful symbols of the unstable virtual intimacy of the first mass-medium of print. Focused on the connections between status-conscious—and often awkward—interpersonal dynamics and an increasingly inclusive social and media landscape, The Closet examines dozens of historical and fictional encounters taking place in the various iterations of this room: courtly closets, bathing closets, prayer closets, privies, and the "moving closet" of the coach, among many others. In the process, the book conjures the intimate lives of well-known figures such as Samuel Pepys and Laurence Sterne, as well as less familiar ones such as Miss Hobart, a maid of honor at the Restoration court, and Lady Anne Acheson, Swift's patroness. Turning finally to queer theory, The Closet discovers uncanny echoes of the eighteenth-century language of the closet in twenty-first-century coming-out narratives. Featuring more than thirty illustrations, The Closet offers a richly detailed and compelling account of an eighteenth-century setting and symbol of intimacy that continues to resonate today.

Deep within High Manners Manor, Billy and his skeleton parents live in the Secrets Closet, where they're in charge of filing all the secrets and lies of the unscrupulous Biglum family. Then Billy meets Millicent, Sir Biglum's niece who has been recently orphaned. Together, Billy and Millicent encounter ghosts and other uncanny creatures as they explore each other's worlds and uncover the biggest secret of all: Billy was once a Biglum. Chris Lincoln has created a richly imaginative, highly original world. In this spooky adventure in the tradition of filmmaker Tim Burton, friendships bloom, betrayals linger, schemes entangle - and heroism appears in the most unexpected places.

The 2nd series to Secrets has taken a new twist to the underlying of being best friends and knowing your peoples! From lies, fights and double crossing each other by sleeping around, the infused bed sheets gets steam roaming in this novel. Who is going to get caught this time in this new series?

An honest and poignant look into the deeply intimate yet platonic relationship between a gay English teacher and his young female protge-each seeking connection and acceptance - as reflected by the decade of letters they exchanged. It's Tuesdays with Morrie- if Morrie were young and gay and Mitch Albom were a woman. Every writer needs a room of his own, but for some people, at certain times and in certain circumstances, the best you can do is a closet. From the confines of his closet, John wrote letters that were read, cherished and then locked away for decades.

Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies.

In this series the girls has went backwards on life. Fighting with your bestfriend and your other friend befriends your daughter. Tracy is pregnant and haven't revealed the daddy. Honesti broke up with Brittany and Ary got a new trophy in life. While Savannah is out having fun, her children are in turmoil. What would she do to put her family back together?

Collection of important essays by feminist scholars from cultural studies, philosophy of education, curriculum theory, and women’s studies. Education Feminism is a revised and updated version of Lynda Stone’s out-of-print anthology, The Education Feminism Reader. The text is intended as a course text and provides students a foundational base in feminist theories in education. The classics section is comprised of the readings that students have most responded to in classes. The contemporary readings section demonstrates how the third-wave feminist criticism of the 1990s has an impact on today’s feminist work. Both of these sections address critical multicultural educational issues and have an inclusive, diverse selection of feminist scholars who bring race, class, sexual orientation, religious practices, and colonial/postcolonial perspectives to bear on their work. The individual essays are concise and well written and arranged in such a way that it is easy for instructors to assign them around themes of their own choosing. “The incredible value of this fine collection is that it demonstrates what it means to critically consider, interrogate, and challenge historic and contemporary ideas regarding educational equity while using these very ideas to imagine new possibilities. It will serve as an indispensable resource in graduate classrooms where students can use the text to ground and forward explorations of the necessarily complex considerations of equity in education today.” — Adela C. Licona, coeditor of Feminist Pedagogy: Looking Back to Move Forward