Solve kid-sized dilemmas and mysteries with the Science Solves It! series. These fun books for kids ages 5–8 blend clever stories with real-life science. Why did the dog turn green? Can you control a hiccup? Is that a UFO? Find the answers to these questions and more as kid characters dive into physical, life, and earth sciences. Buzz and his band of bullies have taken over the playground where Trevor and his friends hang out. But Trevor learns just enough about levers to challenge Buzz to a contest - and win! Books in this perfect STEM series will help kids think like scientists and get ahead in the classroom. Activities and experiments are included in every book! (Level Two; Science topic: Levers)

Clever Trevor is a heart-warming story for children about friendship and perseverance. When Bully the Bulldozer gets stuck in the mud, every-one tries to help pull him out. But it is Clever Trevor, a hard working little tractor who has often had to listen to Bully's bullying, who finally succeeds.

Samantha is quite happy to look after her strange neighbour's parrot for a few days. But Trevor's rudeness gets Samantha into trouble with just about everyone. This is one of the Jets series, designed for children who are just beginning to read.

“Dear Readers and Booksellers: If you have not yet experienced the great pleasure of a story by William Trevor, I urge you to read this new novel, and to set it in pride of place in your stores. Because the haunting story of Lucy Gault will not fail to capture you with its mystery, its compassion, and the beauty of its writing.” -- Louise Dennys, Executive Publisher, Knopf Canada William Trevor is beloved around the world as one of the finest writers today -- and with just cause: his new novel is a masterpiece of love and loss, and lives suspended in time. Lucy Gault is nine when her parents are faced with the agonizing decision to flee Ireland to be safe from the violence that privilege and Lucy’s English mother have brought upon them -- or to stay in their home and risk losing it to the threat of arson. Lucy cannot bear the thought of leaving Lahardane’s beautiful pastureland, the seashore below pale clay cliffs, and the nameless dog that has become her companion. So she runs away into the nearby woods to convince her parents to stay. Instead, her actions begin the unravelling of her family when they find two bits of her clothing and conclude she has thrown herself into the sea. Now desperate to be rid of the place where their much-loved daughter has died, Captain and Heloise Gault set off to wander restlessly across Europe. In the Lahardane woods, two weeks after the Gaults have gone, the groundskeeper finds the child lying lame and half-dead. He and his wife become Lucy’s life companions as she keeps a 30-year vigil of love and guilt waiting for her parents’ return.

When he was little, Trevor Upjohn was kidnapped by bogeymen and taken far away to the unearthly kingdom of Superbia. Most children in Superbia don't know where they came from but Trevor's own vague memories launch him on a collision course with lots of hungry bogeys, the fishers, a guild of secretive humans and their mystical tree, a dark sorcerer, spiders, and much more. Trevor must choose whether to help out his new acquaintances in their desperate struggle or search for a home he scarcely remembers. The Purloined Boy is the first book in The Weirdling Cycle an upcoming series of Christian fantasy books from Canonball Books, written by author C.R. Wiley.

Legions of bluegrass fans know the name Otto Wood (1893–1930) from a ballad made popular by Doc Watson, telling the story of Wood's crimes and violent death. However, few know the history of this Appalachian figure beyond the larger-than-life version heard in song. Trevor McKenzie reconstructs Wood's life, tracing how a Wilkes County juvenile delinquent became a celebrated folk hero. Throughout his short life, Wood was jailed for numerous offenses, stole countless automobiles, lost his left hand, and made eleven escapes from five state penitentiaries, including four from the North Carolina State Prison after a 1923 murder conviction. An early master of controlling his own narrative in the media, Wood appealed to the North Carolina public as a misunderstood, clever antihero. In 1930, after a final jailbreak, police killed Wood in a shootout. The ballad bearing his name first appeared less than a year later. Using reports of Wood's exploits from contemporary newspapers, his self-published autobiography, prison records, and other primary sources, Trevor McKenzie uses this colorful story to offer a new way to understand North Carolina—and arguably the South as a whole—during this era of American history.

Six kids search for a new place to call home in this middle grade graphic novel debut by comic creators Cait May and Trevor Bream, for fans of Marvel’s Runaways and The Witch Boy by Molly Knox Ostertag. Another Kind is not your average monster story. Tucked away in a government facility nicknamed the Playroom, six not-quite-human kids learn to control their strange and unpredictable abilities. Life is good—or safe, at least—hidden from the prying eyes of a judgmental world. That is, until a security breach forces them out of their home and into the path of the Collector, a mysterious being with leech-like powers. Can the group band together to thwart the Collector’s devious plan, or will they wind up the newest addition to his collection? An ALSC Graphic Novel Reading List Title

#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

What is emo? For starters it's a form of melodic, confessional, or EMOtional punk rock. But emo is more than a genre of music–it's the defining counterculture movement of the '00s. EVERYBODY HURTS is a reference book for emo, tracing its angsty roots all the way from Shakespeare to Holden Caufield to today's most popular bands. There's nothing new about that perfect chocolate and peanut butter combination––teenagers and angst. What is new is that emo is the first cultural movement born on the internet. With the development of early social networking sites like Make Out Club (whose mission is to unite "like–minded nerds, loners, indie rockers, record collectors, video gamers, hardcore kids, and artists through friendship, music, and sometimes even love") outcast teens had a place to find each other and share their pain, their opinions, and above all, their music–which wasn't available for sale at the local record store. Authors Leslie Simon and Trevor Kelley lead the reader through the world of emo including its ideology, music, and fashion, as well as its influences on film, television, and literature. With a healthy dose of snark and sarcasm, EVERYBODY HURTS uses diagrams, illustrations, timelines, and step–by–step instructions to help the reader successfully achieve the ultimate emo lifestyle. Or, alternately, teach him to spot an emo kid across the mall in order to mock him mercilessly.

The U.S. Constitution found in school textbooks and under glass in Washington is not the one enforced today by the Supreme Court. In Restoring the Lost Constitution, Randy Barnett argues that since the nation's founding, but especially since the 1930s, the courts have been cutting holes in the original Constitution and its amendments to eliminate the parts that protect liberty from the power of government. From the Commerce Clause, to the Necessary and Proper Clause, to the Ninth and Tenth Amendments, to the Privileges or Immunities Clause of the Fourteenth Amendment, the Supreme Court has rendered each of these provisions toothless. In the process, the written Constitution has been lost. Barnett establishes the original meaning of these lost clauses and offers a practical way to restore them to their central role in constraining government: adopting a "presumption of liberty" to give the benefit of the doubt to citizens when laws restrict their rightful exercises of liberty. He also provides a new, realistic and philosophically rigorous theory of constitutional legitimacy that justifies both interpreting the Constitution according to its original meaning and, where that meaning is vague or open-ended, construing it so as to better protect the rights retained by the people. As clearly argued as it is insightful and provocative, Restoring the Lost Constitution forcefully disputes the conventional wisdom, posing a powerful challenge to which others must now respond. This updated edition features an afterword with further reflections on individual popular sovereignty, originalist interpretation, judicial engagement, and the gravitational force that original meaning has exerted on the Supreme Court in several recent cases.