This comprehensive reassessment of the carmina maiora of the fourth-century poet Claudian contributes to the growing trend to recognize that Late Antique poets should be approached as just that: poets. Its methodology is developed from that of Michael Roberts' seminal The Jeweled Style. It analyzes Claudian's poetics and use of story telling to argue that the creation of a story world in which Stilicho, his patron, becomes an epic hero, and the barbarians are giants threatening both the borders of Rome and the order of the very universe is designed to convince his audience of a world-view in which it is only the Roman general who stands between them and cosmic chaos. The book also argues that Claudian uses the same techniques to promote the message that Honorius, young hero though he may seem, is not yet fit to rule, and that Stilicho's rightful position remains as his regent.

Analyzes the poetics and story telling techniques of the fourth-century poet Claudian as tools of Late Antique political propaganda.

From A.D. 395 to 404, Claudian was the court poet of the Western Roman Empire, ruled by Honorius. In 399 the eunuch Eutropius, the grand chamberlain and power behind the Eastern Roman throne of Honorius's brother Arcadius, became consul. The poem In Eutropium is Claudian's brilliantly nasty response. In it he vilifies Eutropius and calls on Honorius's general, Stilicho, to redeem this disgrace to Roman honor. In this literary and historical study, Jacqueline Long argues that the poem was, in both intent and effect, political propaganda: Claudian exploited traditional prejudices against eunuchs to make Eutropius appear ludicrously alien to the ideals of Roman greatness. Long sets In Eutropium within the context of Greek and Roman political vituperation and satire from the classical to the late antique period. In addition, she demonstrates that the poem is an invaluable, if biased, source of historical information about Eutropius's career. Her analysis draws on modern propaganda theory and on reader response theory, thereby bringing a fresh perspective to the political implications of Claudian's work. Originally published in 1996. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The 13 essays presented here shed new light on the role of panegyric in the western and eastern Roman Empire in the late antique world. Introductory chapters give an overview of panegyrical theory and practice, followed by studies of major writers of the early empire and the anonymous Panegyrici latini. The core of the volume deals with prose and verse panegyric under the Christian Roman Empire (4th-7th century): key themes addressed are social and political context, the 'hidden agenda', and the impact of Christianity on the pagan tradition of the panegyric, including the portrayal of patriarchs and holy men.

This study is the first up-to-date comprehensive analysis of Continental Saxon identity in antiquity and the early middle ages. Building on recent scholarship on barbarian ethnicity, this study emphasises not just the constructed and open-ended nature of Saxon identity, but also the crucial role played by texts as instruments and resources of identity-formation. This book traces this process of identity-formation over the course of eight centuries, from its earliest beginnings in Roman ethnography to its reinvention in the monasteries and bishoprics of ninth-century Saxony. Though the Saxons were mentioned as early as AD 150, they left no written evidence of their own before c. 840. Thus, for the first seven centuries, we can only look at the Saxons through the eyes of their Roman enemies, Merovingian neighbours and Carolingian conquerors. Such external perspectives do not yield objective descriptions of a people, but rather reflect an ongoing discourse on Saxon identity, in which outside authors described who they imagined, wanted or feared the Saxons to be: dangerous pirates, noble savages, bestial pagans or faithful subjects. Significantly, these outside views deeply influenced how ninth-century Saxons eventually came to think about themselves, using Roman and Frankish texts to reinvent the Saxons as a noble and Christian people.

The historical importance of Claudian as writer of panegyric and propaganda for the court of Honorius is well established but his poetry has been comparatively neglected: only recently has his work been the subject of modern literary criticism. Taking as its starting point Claudian's claim to be the heir to Virgil, this book examines his poetry as part of the Roman epic tradition. Discussing first what we understand by epic and its relevance for late antiquity, Catherine Ware argues that, like Virgil and later Roman epic poets, Claudian analyses his contemporary world in terms of classical epic. Engaging intertextually with his literary predecessors, Claudian updates concepts such as furor and concordia, redefining Romanitas to exclude the increasingly hostile east, depicting enemies of the west as new Giants and showing how the government of Honorius and his chief minister, Stilicho, have brought about a true golden age for the west.

Basileia brings together 18 essays on the topic of Imperium and Culture in the Byzantine Empire, from the fourth to the fifteenth centuries. The volume is dedicated to Elizabeth and Michael Jeffreys, who number among the founding members of the Australian Association for Byzantine Studies and whose contribution to the field is internationally recognised. Each of the honorands has contributed a chapter; other contributors include Roger Scott, Pauline Allen, Brian Croke, Ann Mullett, Geoffrey Nathan, Lynda Garland, Bronwen Neil, Andrew Gillett, Amelia Brown, Andrew Stone, Nigel Westbrook and Erika Gielen. This collection will have a broad appeal to those interested in the complex relationship between imperial rule and culture in Byzantium. The volume includes 50 colour and black-and-white images.