Seasoned music educator and multi-instrumentalist, Rob MacKillop presents this introductory classical repertoire for the intermediate tenor banjoist. Derived from method books for the mandolin, cello and guitar, these progressive melodic studies are typeset in standard notation and tablature. Readers are encouraged to start at the beginning and listen to the author’s online recordings for guidance. Various keys, rhythms and time signatures are represented for a thorough grounding in note reading. Most importantly, these studies have been chosen to develop musicianship, not just technique. Creating your own left-hand fingering and original interpretive ideas will build the confidence needed to become an authoritative classical performer. If you have played the tenor banjo by ear or relied on tablature exclusively in the past, this is the book and now is the time to access the world of standard notation—for whatever style of music that interests you. The author provides liberal playing tips and suggestions for further sight reading. As the perfect fifth tunings of the tenor banjo and mandola are the same (CGDA), this music can also be played on the mandola. Includes access to online audio.

In this book I arranged 20 known pieces for those who interest in classical music and Mandola (CGDA), Tenor Banjo or Tenor Guitar. Enjoy and be inspired. The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/preview-ukulele.pdf Includes: Andelske pratelstvi - Adam Vaclav Michna z Otradovic (1600-1676), Menuet - Christian Petzold (1677-1733), Impertinence - Georg Friedrich Handel (1685-1759), Symphony No. 94 "Surprise" - Joseph Haydn (1732-1809), Dona Nobis Pacem - maybe Wolfgang Amadeus Mozart (1756-1791), Non piu andrai - Wolfgang Amadeus Mozart (1756-1791), Fur Elise - Ludwig van Beethoven (1770-1827), Das Wandern - Franz Schubert (1797-1828), Liebestraume - Franz Liszt (1811-1886), Bridal Chorus - Richard Wagner (1813-1883), Coro di zingari, La Donna e Mobile - Giuseppe Verdi (1813-1901), Ja, das alles auf Ehr- Johann Strauss II (1825-1899), Melody - Anton Rubinstein (1829-1894), Lullaby - Johannes Brahms (1833-1897), Humoresques, Largo - Antonin Dvorak (1841-1904), Gran Vals, Preludio No. 18 - Francisco Tarrega (1852-1909), Vjezd Gladiatoru - Julius Fucik (1872-1916) The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/Sarek-Guitar-and-Guitalele-preview.pdf"

The finest tenor banjo method available, this text represents Mel Bay's ownapproach to fundamental musicianship for those desiring to play tenor banjo. This book is the standard by which others are judged. Easy-to-understand and thorough in its approach, this method addresses both melody playing and chord strumming. Through numerous studies, folk songs and several duets, students are systematically introduced to the various notes and positions on the tenor banjo fretboard. Photos of the fretboard fingertips aid in learning the proper hand positions. Once in two volumes, this method is now presented it its entirety in thissingle comprehensive edition. In notation only. Tuned for Mandola

This book, written for those with no prior musical experience, is the definitive text for learning C-tuning concert, or classic-style 5-string banjo. Written by the late Frank Bradbury, Banjo Method provides a thorough grounding in music theory and note reading, along with a complete presentation of Mr. Bradbury's unique 5-string concert banjo technique and outstanding solo and duet arrangements by various artists. the technique described here is radically different from that found in other books about the 5-string banjo, and no tablature is used. No plastic or metal picks are used on the right-hand fingers, nor are the fingernails used, but rather the bare fingertips. the hand positions recommended by Mr. Bradbury are not unlike those of a classical guitarist. All in all, this is an uncommon, but valid approach to solo banjo technique. Online audio of select pieces and exercises featuring Rob MacKillop now available.

Rob MacKillop presents 24 superb solo guitar works by Belgian composer Gilbert Isbin, one of the most interesting, dynamic and poetic composers writing for the guitar today. All 24 pieces have been recorded by Rob MacKillop–a magnificent solo recording in itself. The book contains standard notation and tablature, and an interview with the composer. The music ranges from student pieces to advanced concert solos. Although composed with a plectrum in mind, they can also be played fingerstyle. Includes access to online audio.

Classical and Contemporary Studies for Bass Guitar combines essential studies from 19th century composer Giovanni Bottesini; the "Paganini of bass", with contemporary studies by Gilbert Isbin; one of the leading European composers for guitar, lute and bass. These 33 studies will help build not just your technique, but reading abilities and overall musicianship. The material is intended for serious bass students and can be played on a fretted or fretless bass. While Bottesini's works lie firmly in the classical genre, Isbin's studies bring in elements of classical, jazz and world music. All the studies are written in standard bass clef notation as well as tablature. Includes access to online audio recorded by Rob MacKillop for each study.

Many great Scottish traditional tunes such as Flowres Of The Forrest can be traced back to the 17th century—a period when writing down tunes in manuscript collections for the lute was of high interest. Rob MacKillop has created very playable arrangements for the mandolin featuring 25 popular tunes from the Skene, Balcarres, Panmure and Straloch manuscripts. This is a wonderful collection of dance tunes and airs, most of which have not been available for the mandolin until now. The notation is in treble clef with tablature for GDAE tuning. Includes access to online audio featuring Rob Mackillop’s performance of each piece. Get ready to explore a wonderful new take on old repertoire!