A Romeo-Juliet type family feud, polar bear style, tore them apart; can they find true love again? It’s nearly Christmas, no tours on the schedule for Edward MacMathan and his brother and so they’re working in their uncle and aunt’s tavern when the love of Edward's life returns with two young boys in tow, and they look a lot like him when he and Rob were that age. Robyn Conibear is in trouble and she's fled her deceased mate's sleuth to keep his parents from taking custody of her and Edward's sons. Can she and Edward renew the love they had for each other despite the six years that have passed? Or will her return only cause more grief between her family and his as the hostilities renew? But Edward is the boys' true father and she wants to be with him no matter what. Likewise, Edward is determined to protect her and the boys, both from her former mate's sleuth and her own, and take up where the two of them had left off.

I made a massive mistake in the heat of the moment with bear shifter Bjorn. Not only is he my coworker, but I can’t stand the big, gorgeous beast. I haven’t been able to stop thinking of him since that night—okay, since we discovered an ancient mating relic on the last episode of The Mating Game. After confiding my predicament to host and fairy dragmother Bibi le Bonnet, she convinces me to become a contestant on the show. Problem is, my last job in the public eye crashed and burned—thanks to Bjorn. I expect the paparazzi to have a field day, but they’re not the ones I need to worry about. My mother sees my latest shot at fame as the perfect vehicle to revive the reality show that canceled us both. I’ll get three questions. Can I play by the rules this time? Will I ever be able to look at Bjorn with experiencing white-hot rage? Or thinking about what his gorgeous body looks like naked? Three potential suitors. When Bibi puts Bjorn on stage with me, I swear I won’t pick him. But I think the bear might actually want me. And worse, I might want him just as much. And three dates to find my forever. Bjorn’s a completely different bear when he’s not behind the camera. I’ll do whatever it takes to make sure these feelings are for real, even if it puts me at odds with every shifter in Sunset Springs. And Mom will use every cheap reality show trick in the book to keep me away from him. But when the bear delivers a plot twist that none of us saw coming, our lives will never be the same.

This book addresses how the Hopi became icons of the followers of alternative spiritualities and reveals one of the major pathways for the explosive appropriation of Indigenous identities in the 1960s. It reveals a largely unknown network of Native, non-Indian, and neo-Indian actors who spread misrepresentations of the Hopi that they created through interactions with the Hopi Traditionalist faction of the 1940s through 1980s. Significantly, many non-Hopis involved adopted Indian identities during this time, becoming "neo-Indians." Exploring the new social field that developed to spread these ideas, Hopis and the Counterculture meticulously traces the trajectories of figures such as Ammon Hennacy, Craig Carpenter, Frank Waters, and the Firesign Theatre, among others. Drawing on insights into the interplay between primitivism, radicalism, stereotyping, and identity, Haley expands on concepts from scholars such as Roy Harvey Pearce's notion of "isolated radicals" and Jonathan Friedman's observations regarding the ascendancy of primitivism amid global crises. Haley scrutinizes the roles played by non-Hopi actors and the timing behind the widespread popularization of Hopi religious practices.

Claiming Sacred Ground Pilgrims and Politics at Glastonbury and Sedona Adrian J. Ivakhiv A study of people and politics at two New Age spiritual sites. In this richly textured account, Adrian Ivakhiv focuses on the activities of pilgrim-migrants to Glastonbury, England and Sedona, Arizona. He discusses their efforts to encounter and experience the spirit or energy of the land and to mark out its significance by investing it with sacred meanings. Their endeavors are presented against a broad canvas of cultural and environmental struggles associated with the incorporation of such geographically marginal places into an expanding global cultural economy. Ivakhiv sees these contested and "heterotopic" landscapes as the nexus of a complex web of interestes and longings: from millennial anxieties and nostalgic re-imaginings of history and prehistory; to real-estate power grabs; contending religious visions; and the free play of ideas from science, pseudo-science, and popular culture. Looming over all this is the nonhuman life of these landscapes, an"otherness" that alternately reveals and conceals itself behind a pagenant of beliefs, images, and place-myths. A significant contribution to scholarship on alternative spirituality, sacred space, and the politics of natural landscapes, Claiming Sacred Ground will interest scholars and students of environmental and cultural studies, and the sociology of religious movements and pilgrimage. Non-specialist readers will be stimulated by the cultural, ecological, and spiritual dimensions of extraordinary natural landscapes. Adrian Ivakhiv teaches in the Faculty of Environmental Studies at York University in Toronto, and is President of the Environmental Studies Association of Canada. April 2001 384 pages, 24 b&w photos, 2 figs., 9 maps, 6 1/8 x 9 1/4, index, append. cloth 0-253-33899-9 $37.40 s / £28.50 Contents I DEPARTURES 1 Power and Desire in Earth's Tangled Web 2 Reimagining Earth 3 Orchestrating Sacred Space II Glastonbury 4 Stage, Props, and Players of Avalon 5 Many Glastonburys: Place-Myths and Contested Spaces III SEDONA 6 Red Rocks to Real Estate 7 New Agers, Vortexes, and the Sacred Landscape IV ARRIVALS 8 Practices of Place: Nature and Heterotopia Beyond the New Age

1901 is accompanied by atlas of maps.