"Originally published in the U.K. in 2014 under the title Ten cities that made an empire, by Allen Lane, London."

From the author of Youngblood comes a “brilliant and daring” (Phil Klay, award-winning author of Redeployment) novel following a group of super-powered soldiers and civilians as they navigate an imperial America on the precipice of a major upheaval—for fans of The Fortress of Solitude and The Plot Against America. Thirty years after its great triumph in Vietnam, the United States has again become mired in an endless foreign war overseas. Stories of super soldiers known as the Volunteers tuck in little American boys and girls every night. Yet domestic politics are aflame—an ex-military watchdog group clashes with police while radical terrorists threaten to expose government experiments within the veteran rehabilitation colonies. Halfway between war and peace, the Volunteers find themselves waiting for orders in the vast American city-state, Empire City. There they encounter a small group of civilians who know the truth about their powers, including Sebastian Rios, a young bureaucrat wrestling with survivor guilt, and Mia Tucker, a wounded army pilot-turned-Wall Street banker. Meanwhile, Jean-Jacques Saint-Preux, a Haitian American Volunteer from the International Legion, decides he’ll do whatever it takes to return to the front lines. Through it all, a controversial retired general emerges as a frontrunner in the presidential campaign, promising to save the country from itself. Her election would mean unprecedented military control over the country, with promises of security and stability—but at what cost? “A passionate, scary, wise, and perhaps even prophetic novel” (Tim O’Brien, author of The Things They Carried), Empire City is a rousing vision of an alternate—yet all too familiar—America on the brink written by a “preeminent voice in American writing” (Sara Novic, author of Girl at War).

Examines the cities of Algeria and Tunisia under French colonial rule and those of the Ottoman Arab provinces, providing a nuanced look at cross-cultural exchanges.

This major anthology brings together the best literary writing about New York--from O. Henry, Theodore Dreiser, F. Scott Fitzgerald, and John Steinbeck to Paul Auster and James Baldwin.

In the chaotic decades after the death of Alexander the Great, the world of the Greek city-state became deeply embroiled in the political struggles and unremitting violence of his successors’ contest for supremacy. As these presumptive rulers turned to the practical reality of administering the disparate territories under their control, they increasingly developed new cities by merging smaller settlements into large urban agglomerations. This practice of synoikism gave rise to many of the most important cities of the age, initiated major shifts in patterns of settlement, and consolidated numerous previously independent polities. The result was the increasing transformation of the fragmented world of the small Greek polis into an urbanized network of cities. Drawing on a wide array of archaeological, epigraphic, and textual evidence, City and Empire in the Age of the Successors reinterprets the role of urbanization in the creation of the Hellenistic kingdoms and argues for the agency of local actors in the formation of these new imperial cities.

Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR

Since the return of Hong Kong to China in 1997 and the end days of Empire, Britain's colonial past has been the subject of passionate debate. Tristram Hunt goes beyond the now familiar arguments about Empire being good or bad and adopts a fresh approach to Britain's empire and its legacy. Through an exceptional array of first-hand accounts and personal reflections, he portrays the great colonial and imperial cities of Boston, Bridgetown, Dublin, Cape Town, Calcutta, Hong Kong, Bombay, Melbourne, New Delhi, and twentieth-century Liverpool- their architecture, culture, and society balls; the famines, uprisings and repressions which coursed through them; the primitive accumulation and ghostly bureaucracy which ran them; the British supremacists and multicultural trailblazers who inhabited them. From the pioneers of early America to the builders of modern India, from west to east and back again, Hunt follows the processes of exchange and adaptation that collectively moulded the colonial experience and which in their turn transformed the culture, economy and identity of the British Isles. This vivid and richly detailed imperial story, located in ten of the most important cities which the Empire constructed, demolished, reconstructed and transformed, allows us a new understanding of the British Empire's influence upon the world and the world's influence upon it. 'In this ingenious, gripping and unorthodox book Tristram Hunt tells the story of the British Empire in a way we have never had it before. Hunt has a talent for the vivid and the specific which is almost novelistic. We learn about the growth, effects and motivations of Empire not through statistics or the story of British legislators, but by being guided on the ground, taken by the hand through the streets of Liverpool and Melbourne, waterfronts from Hong Kong to Cape Town, and learning the stories of some of the most extraordinary - and often outrageous - people in our history.' Andrew Marr 'This eminently readable book tells the story of the expanding British empire through a history of its key cities across the world, providing fresh insights and fascinating details. It ranges from the Americas to India and back to Britain- an exhilarating ride - and an important contribution to its subject.' C. A. Bayly

The story of the early years of Alaska’s largest city, its surprisingly diverse people, and its role in twentieth-century American history. First settled in 1915, Anchorage, in what was then known as the Territory of Alaska, was founded with the American empire in mind. During World War I, it served as a conduit through which coal could be shipped to the Pacific, where the US Navy was engaged with Japan. Years later, during World War II, Anchorage became an equally important site for the defense of the mainland and the projection of American power. City for Empire tells the story of Anchorage’s development in that period, focusing in particular on the international context of the city’s early decades and its surprisingly diverse inhabitants. A thorough yet accessible read, City for Empire captures the history of this remarkable city.

For generations, New Yorkers have joked about "The City's" interminable tearing down and building up. The city that the whole world watches seems to be endlessly remaking itself. When the locals and the rest of the world say "New York," they mean Manhattan, a crowded island of commercial districts and residential neighborhoods, skyscrapers and tenements, fabulously rich and abjectly poor cheek by jowl. Of course, it was not always so; New York's metamorphosis from compact port to modern metropolis occurred during the mid-nineteenth century. Empire City tells the story of the dreams that inspired the changes in the landscape and the problems that eluded solution.Author David Scobey paints a remarkable panorama of New York's uneven development, a city-building process careening between obsessive calculation and speculative excess. Envisioning a new kind of national civilization, "bourgeois urbanists" attempted to make New York the nation's pre-eminent city. Ultimately, they created a mosaic of grand improvements, dynamic change, and environmental disorder. Empire City sets the stories of the city's most celebrated landmarks--Central Park, the Brooklyn Bridge, the downtown commercial center--within the context of this new ideal of landscape design and a politics of planned city building. Perhaps such an ambitious project for guiding growth, overcoming spatial problems, and uplifting the public was bound to fail; still, it grips the imagination.

Edge of Empire examines struggles over urban space in three contemporary first world cities in an attempt to map the real geographies of colonialism and postcolonialism as manifest in modern society. From London, the one-time heart of the empire, to Perth and Brisbane, scenes of Aboriginal claims for the sacred in the space of the modern city, Jacobs emphasises the global geography of the local and unravels the spatialised cultural politics of postcolonial processes. Edge of Empire forms the basis for understanding imperialism over space and time, and is a recognition of the unruly spatial politics of race and nation, nature and culture, past and present.