Featuring archival photography, this text documents a wide variety of ephemera, images and artefacts relating to the history of the circus in New York City, from the seminal equestrian displays of the 18th century to the iconic American railroad circus advertisements of the late 19th century and beyond.

In April 1884, Ben Wallace, the owner of the local livery, opened the season of his new circus in Peru and billed it as Wallace and Companys Great Worlds Menagerie and International Circus. It was an instant success and soon grew to be one of the largest and most renowned circuses in American history. Over the next 50 years, many circuses found a home in Peru. Under the direction of the American Circus Corporation, an industry was created in Peru that employed as many as 4,500 people. Circuses like the Hagenbeck-Wallace, John Robinson, and Sells-Floto/Buffalo Bills Wild West Show departed Peru by rail each spring, along with some of the best acts from around the world, including Terrell the Lion King Jacobs; the worlds favorite clown, Emmett Kelly; and animal trainer Clyde Beatty, who played himself in 12 Hollywood movies. In 1929, Ringling Brothers purchased the American Circus Corporation. As the country sank into the Depression, fewer circuses left Peru each season. In 1941, Ringling Brothers closed its winter quarters in Peru, ending an era.

A vibrant and enchanting debut novel about an orphan girl who discovers a magical circus, perfect for fans of Kelly Barnhill and Rebecca Stead! Maddy Adriana knows that magic is real. All her life, her heart has pulled her towards things too perfect to be ordinary. One day, that tug leads her to a magical street circus, hidden in plain sight among the canals and boardwalks of Venice Beach. For the first time in Maddy’s life, she finally feels like she belongs. But the circus is in grave danger. Maddy will need to confront the frightening side of magic, as well as her own deepest fears, if she’s to have any hope of saving the place she dreams of calling home. This unforgettable debut shows readers the magic of following your heart and finding where you belong.

From the New York Times bestselling coauthor of All of Us Villains. Sixteen-year-old Sorina has spent most of her life within the smoldering borders of the Gomorrah Festival. Yet even among the many unusual members of the traveling circus-city, Sorina stands apart as the only illusion-worker born in hundreds of years. This rare talent allows her to create illusions that others can see, feel and touch, with personalities all their own. Her creations are her family, and together they make up the cast of the Festival’s Freak Show. But no matter how lifelike they may seem, her illusions are still just that—illusions, and not truly real. Or so she always believed…until one of them is murdered. Desperate to protect her family, Sorina must track down the culprit and determine how they killed a person who doesn’t actually exist. Her search for answers leads her to the self-proclaimed gossip-worker Luca. Their investigation sends them through a haze of political turmoil and forbidden romance, and into the most sinister corners of the Festival. But as the killer continues murdering Sorina’s illusions one by one, she must unravel the horrifying truth before all her loved ones disappear.

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In the 1970s a group of men and women with few ties to the circus emerged from the counterculture revolution and took to the streets, where they discovered how to entertain an audience. At a time when the Big Top was beset by shabby excess, escalating costs, and competition from movies and TV, the young performers dedicated themselves to skill and intimacy, beginning the movement Ernest Albrecht describes as the "new American circus", a reinvention of the circus as an authentic form of art. The first - and most radical - aspect of this movement was its revival of the traditions of the great one-ring shows of Europe and Russia. Focusing on artistry, not spectacle, the new American circus incorporated such allied arts as music and dance and embraced a notion of ensemble that was compatible with the communal ethic of the seventies. Working from interviews and other primary sources, Albrecht traces this history to the present (including current controversies over animal performers and efforts to secure subsidies), sketching the leading players in the new circus and profiling the shows they founded.

Mike Dash is a master of atmospheric and entertaining historical narrative. In Satan's Circus he vividly opens up the world of twentieth-century New York, telling the gripping story of police officer Charley Becker's rise and fall and of the sensational murder trials that led to his gruesome death in the electric chair. With a cast of colourful characters, from Big Tim Sullivan, the election-rigging vice lord, to future President Theodore Roosevelt and beloved gangster Jack Zelig, Satan's Circus brings to life an almost forgotten Gotham - a raucous, gaudy and utterly corrupt city.

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