"Meeks' photographic images, steeped in warm, lush brown tones and bathed in a nineteenth century light, seem to fall into our laps from a distant era, beyond that of our parents and their fading Kodachromes, and back further yet to an era of Civil War tintypes and twice-a-lifetime portraits. At it's core, Sound of Summer Running is a celebration of family relationships; father and daughter, siblings, husband and wife. It is a broad portrait of the joys of Summer and the ease which settles over family life during those times. Baby 'gators float in a gallon size pickle jar, children on bicycles fly by, rotten apples are chucked as far as they can be thrown into the back lot, the family German Shepherd standing on guard over all his charges. The insightful poetry by Forrest Gander, printed and bound separately and laid into the back of the book, captures perfectly those fleeting days and our inevitable desire to somehow freeze them, impossible though that may be."- Darius Himes

In this book, Sam Contis presents a new window onto the work of the American photographer Dorothea Lange. Drawing from Lange's extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper - at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to resonances between her and Lange's ways of seeing. It reveals a largely unknown side of Lange, and includes previously unseen photographs of her family, portraiture from her studio, and pictures made in the streets of San Francisco and the East Bay. Day Sleeper will be featured alongside other works of Contis's in the exhibition Dorothea Lange: Words & Pictures at the Museum of Modern Art, February-May 2020.

This expanded edition of Wendy Ewald's now-rare book, first published in 1985, offers a view of the rural south over the past thirty five years. It includes pictures and stories by eight of Ewald's students, now grownups. Their visions, old and new, illuminate the present and the past.

The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almost no place for Dominicans to hide or resist. Drawing on previously untapped documents in the Trujillo National Archives and interviews with Dominicans who recall life under the dictator, Derby emphasizes the role that public ritual played in Trujillo’s exercise of power. His regime included the people in affairs of state on a massive scale as never before. Derby pays particular attention to how events and projects were received by the public as she analyzes parades and rallies, the rebuilding of Santo Domingo following a major hurricane, and the staging of a year-long celebration marking the twenty-fifth year of Trujillo’s regime. She looks at representations of Trujillo, exploring how claims that he embodied the popular barrio antihero the tíguere (tiger) stoked a fantasy of upward mobility and how a rumor that he had a personal guardian angel suggested he was uniquely protected from his enemies. The Dictator’s Seduction sheds new light on the cultural contrivances of autocratic power.

An exploration of isolation, tension, and masculinity in the seldom seen region of the Eastern plains of Colorado. Disruptive in its absence, I Dream of Dust strips away context, color, and familiar visual cues, asking the viewer to remove assumptions and not idealize or criticize, but to instead simply exist in quiet reflective space. While being aware of the common trope of documenting "left behind" America, Ben P. Ward hopes to subvert our tendencies to romanticize nostalgia through this work, and instead examine the influence of geography on identity: the tendency of a group of people to mirror the land they inhabit, and the tendency of the land to be equally shaped by its inhabitants.

In 'Who is Changed and Who is Dead', Ahndraya Parlato uses the life-changing events of her mother's suicide and the birth of her children as the genesis for an expansive project exploring the contradictory and complex conditions of motherhood. The resulting image-text book threads the political and historical with the deeply personal, bringing together narratives from across genres and generations to create a nuanced and compelling body of work. Interwoven with her own writings are still lives, sculptures, photograms made from her mother's ashes, and reenactments of 19th century "hidden mother" images. Included amongst these are Parlato's photographs of her children, who are shown with both a fidelity to maternal intimacy and a more distanced contemplation. Within this complexity Parlato strives to find clarity around the fundamental questions of parenthood, mortality, and gender. Are her contemporary fears any different than the fears felt by mothers throughout history? Which anxieties are specific to having female children? And how is motherhood itself a construction?

Collier Schorr met Paul Hameline, a young French artist and model, in New York in 2015. A friend of friend, he came to her home for a "go-see", which is when a photographer gets to see how a model looks in front of the camera. Paul's family lives in the Marais section of Paris around the corner from the hotel Collier stays at while in Paris, so they began to meet and to make a project that lasted two years in which Collier would visit Paul at his parents' house and take pictures and talk. The idea was for Paul and Collier to experience photography as a social space, a conversation in which his body and her eyes could try and understand each other's fascinations and fantasies. Many of the pictures were published in 'Re Edition' magazine. 'Paul's Book' expands that magazine story to form a larger piece about the way in which a photographer and model can search for some greater revelations with the simplest movements and various states of undress. --

Brilliantly observed and captured vignettes of contemporary adolescence, organized around a single room.

One of the most widely celebrated artists of his generation, Atkins makes videos, draws and writes, exploiting and subverting the conventions of moving image and literature. A Primer for Cadavers collects his fictions for the first time.